European Theatre Performance Practice, 1750-1900
portes grátis
European Theatre Performance Practice, 1750-1900
Davis, Jim
Taylor & Francis Ltd
10/2024
538
Mole
9781032918921
15 a 20 dias
Descrição não disponível.
Contents: Introduction. Part I Acting and Performance: Nature to advantage dressed: eighteenth-century acting, Alan S. Downer; Vitalism and the crisis of sensibility, Joseph R. Roach; Garrick, the ghost and the machine, Joseph R. Roach; The performance practice of acting: the eighteenth century part I: ensemble acting, Dene Barnett; The dangers of the new sensibilities in eighteenth century German acting, Gloria Flaherty; 'Reading Shakespeare by flashes of lightning': challenging the foundations of Romantic acting theory, Tracy C. Davis; Researching the acting of French melodrama, 1800-1830, Gabrielle Hyslop; The training of actors at the Paris Conservatoire during the nineteenth century, F.W.J. Hemmings; Players and painted stage: nineteenth century acting, Alan S. Downer; On natural acting, George Henry Lewes. Part II Staging, Scenery and Lighting: Lighting at the King's Theatre, Haymarket, 1780-82, Judith Milhous; Appendix A. Pantomime trickwork, David Mayer; The German stage in the nineteenth century, Brigitte Schatzky; Gas man's duties. Lighting the rehearsal. Exterior lighting. Pilot lights and electrical ignition. Rehearsing the lighting, Terence Rees; The modern theatre - the stage, M.J. Moynet (translated and augmented by Allan S. Jackson with M. Glen Wilson); Professor Pepper's ghost, George Speaight; Erasing the spectator: observations on nineteenth century lighting, Victor Emeljanow; Art in the theatre: I - scenery, William Telbin; Art in the theatre: the painting of scenery, William Telbin; Art in the theatre: spectacle, Augustus Harris; From political to cultural despotism: the nature of the Saxe-Meiningen aesthetic, John Osborne. Part III Audiences: From courts to consumers: theater publics, James Van Horn Melton; Tears and the new attentiveness, James H. Johnson; Working-class audiences, F.W.J. Hemmings; The audiences of the Britannia Theatre, Hoxton, Clive Barker; New views on cheap theatres: reconstructing the nineteenth-century theatre
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Monarchy;Fireman;Music;drury;Richard III;Pamphlet;lane;Drawn Back;Poetry;aaron;Lord Chamberlain's Office;Schools;hill;Drury Lane Theatre;Theatre;tors;Britannia Theatre;Animals;boulevard;Disengage;Literature;temple;Aaron Hill;Professions;covent;Waterfalls;Relationships;garden;Drury Lane;Science;hamburgische;Covent Garden;Artisans;theatre history;Follow;Social reform;nineteenth-century staging;Diderot;Technology;European theatre performance;William Telbin;Labourers;acting theory;Meiningen Company;Opera;John Hill;Melodrama;Carpenter's Shop;Museums;Violates;Architecture;Nineteenth Century Theatre;Art;Plaster Of Paris;Debt;Auditorium Lighting;Letter Writing;Kean's Acting;Pornography;Gas Man;Alcohol;Melodramatic Acting;Comedy;Iron;Photography;Transportation;Galleries;Gardens;Law;Railway;Medieval;Social mobility;Beach;Publishing;Seaside;Business;Income;Rent;Servants;Education;Pageantry;Poor;Court;Government;Leisure;Literacy;War;Journalism;Evolution;Crime;Children;Advertising;Police;Newspaper
Contents: Introduction. Part I Acting and Performance: Nature to advantage dressed: eighteenth-century acting, Alan S. Downer; Vitalism and the crisis of sensibility, Joseph R. Roach; Garrick, the ghost and the machine, Joseph R. Roach; The performance practice of acting: the eighteenth century part I: ensemble acting, Dene Barnett; The dangers of the new sensibilities in eighteenth century German acting, Gloria Flaherty; 'Reading Shakespeare by flashes of lightning': challenging the foundations of Romantic acting theory, Tracy C. Davis; Researching the acting of French melodrama, 1800-1830, Gabrielle Hyslop; The training of actors at the Paris Conservatoire during the nineteenth century, F.W.J. Hemmings; Players and painted stage: nineteenth century acting, Alan S. Downer; On natural acting, George Henry Lewes. Part II Staging, Scenery and Lighting: Lighting at the King's Theatre, Haymarket, 1780-82, Judith Milhous; Appendix A. Pantomime trickwork, David Mayer; The German stage in the nineteenth century, Brigitte Schatzky; Gas man's duties. Lighting the rehearsal. Exterior lighting. Pilot lights and electrical ignition. Rehearsing the lighting, Terence Rees; The modern theatre - the stage, M.J. Moynet (translated and augmented by Allan S. Jackson with M. Glen Wilson); Professor Pepper's ghost, George Speaight; Erasing the spectator: observations on nineteenth century lighting, Victor Emeljanow; Art in the theatre: I - scenery, William Telbin; Art in the theatre: the painting of scenery, William Telbin; Art in the theatre: spectacle, Augustus Harris; From political to cultural despotism: the nature of the Saxe-Meiningen aesthetic, John Osborne. Part III Audiences: From courts to consumers: theater publics, James Van Horn Melton; Tears and the new attentiveness, James H. Johnson; Working-class audiences, F.W.J. Hemmings; The audiences of the Britannia Theatre, Hoxton, Clive Barker; New views on cheap theatres: reconstructing the nineteenth-century theatre
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Monarchy;Fireman;Music;drury;Richard III;Pamphlet;lane;Drawn Back;Poetry;aaron;Lord Chamberlain's Office;Schools;hill;Drury Lane Theatre;Theatre;tors;Britannia Theatre;Animals;boulevard;Disengage;Literature;temple;Aaron Hill;Professions;covent;Waterfalls;Relationships;garden;Drury Lane;Science;hamburgische;Covent Garden;Artisans;theatre history;Follow;Social reform;nineteenth-century staging;Diderot;Technology;European theatre performance;William Telbin;Labourers;acting theory;Meiningen Company;Opera;John Hill;Melodrama;Carpenter's Shop;Museums;Violates;Architecture;Nineteenth Century Theatre;Art;Plaster Of Paris;Debt;Auditorium Lighting;Letter Writing;Kean's Acting;Pornography;Gas Man;Alcohol;Melodramatic Acting;Comedy;Iron;Photography;Transportation;Galleries;Gardens;Law;Railway;Medieval;Social mobility;Beach;Publishing;Seaside;Business;Income;Rent;Servants;Education;Pageantry;Poor;Court;Government;Leisure;Literacy;War;Journalism;Evolution;Crime;Children;Advertising;Police;Newspaper
