Early English Composers and the Credo

Chapter One: Musical-Linguistic Perspectives on Sixteenth-Century Credos

Basic Concepts

Linguistic Theory and Music

Style Analysis as a Framework

Chapter Two: Musical-Linguistic Emphasis as Interpretation

A Theory of Emphasis as Interpretation

Chapter Three: John Taverner's Credos

Background Context

Foreground Content

Musical-Textual Concrescence

Chapter Four: Christopher Tye's Credos

Background Context

Foreground Content

Musical-Textual Concrescence

Chapter Five: Thomas Tallis's Credos

Background Context

Foreground Content

Musical-Textual Concrescence

Chapter Six: John Sheppard's Credos

Background Context

Foreground Content

Musical-Textual Concrescence

Chapter Seven: William Byrd's Credos

Background Context

Foreground Content

Musical-Textual Concrescence

Chapter Eight: Conclusion

Approach

Application

Assessment

Appendix: Credo Text

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• Música medieval e da Renascença ( desde ~1000 até ~1600 )
• Religião: geral
• Compositores e músicos individuais, bandas e grupos específicos

Foreground Content;Cantus Firmus;Western Wind;Musical Textual Relationships;Sepultus Est;Vertical Emphasis;Gloria Tibi Trinitas;Markedness Theory;Corona Spinea;Western Wind Mass;Erit Finis;Gyffard Partbooks;Salve Intemerata;Incarnatus Est;Style Analysis;Homo Factus Est;Musica Ficta;Full Choir;Byrd's Mass;Plainsong Mass;Apostolic Church;Holy Catholic;Simul Adoratur;Begotten Son;Waltham Holy Cross