Material Cultures of Music Notation

Material Cultures of Music Notation

New Perspectives on Musical Inscription

Payne, Emily; Schuiling, Floris

Taylor & Francis Ltd

05/2022

212

Dura

Inglês

9780367359522

15 a 20 dias

453

Descrição não disponível.
Chapter One: Introduction: Notation and/as material culture Floris Schuiling and Emily Payne Part I: Epistemologies of notation Chapter Two: Was 1974 the End of Music History? Universalism, cybernetics, and the International Conference of New Musical Notation Giulia Accornero Chapter Three: Encyclopaedias and empty staves: Re-reading music in Hanne Darboven's Quartett >88< Elaine Fitz Gibbon Chapter Four: Scoring the listener: Notation and representation in acousmatic music Patrick Valiquet Part II: Notation and the body Chapter Five: The Deaf body beyond music: Music notation by Christine Sun Kim Chae-Lin Kim Chapter Six: Music, notation, and embodiment in early sixteenth-century Italian pictures Tim Shephard and Sanna Raninen Chapter Seven: The work of notation in the visual culture of medieval devotion Beth Williamson Part III: Notation and social relations Chapter Eight: Jianpu simplified notation and the transnational in musical repertoires of New York's Chinatown Joseph S. Kaminski Chapter Nine: Mediating minstrelsy: Notating instrumental identity in fourteenth-century song David Maw Chapter Ten: Inscription, gesture, and social relations: Notation in Karnatak music Lara Pearson Part IV: Notation, instruments, and technology Chapter Eleven: Digital scores, algorithmic agents, and encoded ontologies: On the objects of musical computation Brian A. Miller Chapter Twelve: Perforating the subject: The player piano rolls of Conlon Nancarrow Naomi Woo Chapter Thirteen: Material bias: David Tudor's realisations You Nakai Chapter Fourteen: 'I Feel Love': Music mutation in the electronic age Kiene Brillenburg Wurth
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