Contemporary Curating, Artistic Reference and Public Reception
portes grátis
Contemporary Curating, Artistic Reference and Public Reception
Reconsidering Inclusion, Transparency and Mediation in Exhibition Making Practice
Bertrand, Stephanie
Taylor & Francis Ltd
08/2021
172
Dura
Inglês
9780367536350
15 a 20 dias
500
Descrição não disponível.
Introduction; 1. The Parallel Rise of Inclusion, Transparency and Curating; 2. Inclusionary Practices: Representative Diversity and Indiscriminate Address; 3. Transparent Practices: Artistic Reference and Art World Distribution Networks; 4. Curatorial Mediation: Openness, Processuality and Indeterminacy; 5. Referential Opacity: A New Framework for Practice; 6. Three Corollaries: Instrumentality, Assessment Criterion and Bounded Address; Conclusion
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Exhibition Making;Curatorial Practice;Exhibition Contexts;Frith Street Gallery;Curatorial Mediation;Salva Veritate;Referential Opacity;Public's Engagement;Contemporary Curating;Contemporary Art;Exhibitionary Complex;Common Referent;Installation View;Singular Term;Referentially Transparent;Clark Kent;Artistic Reference;Philip Guston;Floating Piers;Olafur Eliasson;Stephen White;Kynaston McShine;Commercial Pavilion;Exhibition Theme;Institutional Delegitimization
Introduction; 1. The Parallel Rise of Inclusion, Transparency and Curating; 2. Inclusionary Practices: Representative Diversity and Indiscriminate Address; 3. Transparent Practices: Artistic Reference and Art World Distribution Networks; 4. Curatorial Mediation: Openness, Processuality and Indeterminacy; 5. Referential Opacity: A New Framework for Practice; 6. Three Corollaries: Instrumentality, Assessment Criterion and Bounded Address; Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Exhibition Making;Curatorial Practice;Exhibition Contexts;Frith Street Gallery;Curatorial Mediation;Salva Veritate;Referential Opacity;Public's Engagement;Contemporary Curating;Contemporary Art;Exhibitionary Complex;Common Referent;Installation View;Singular Term;Referentially Transparent;Clark Kent;Artistic Reference;Philip Guston;Floating Piers;Olafur Eliasson;Stephen White;Kynaston McShine;Commercial Pavilion;Exhibition Theme;Institutional Delegitimization
