Socially Engaged Art after Socialism

List of Illustrations
Acknowledgements

Introduction
1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory
2. Civil Society, and Social, Cultural and Political Capital
3. Historical Antecedents: Participatory Art under Socialism, 1956-89

PART I FROM SECOND SOCIETY TO CIVIL SOCIETY
4. Civil Society in a Period of Post-Socialist Transition
5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art
6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions

PART II FROM LOCALIZED PUBLIC SITES TO EU TRANSNATIONAL PUBLIC SPHERES
7. Place-Making: Framing Art in Public Spaces Curatorially
8. Representing Counterpublics in Bucharest, Budapest and Sofia
9. Contesting the Politics of Belonging in the Post-1989 EU Community

PART III INSTITUTIONALIZED AND INSTITUTIONALIZING
10. Institutionalized Community Arts Programmes
11. Big Hope: Reviving Leftist Activism in Budapest
12. Self-Institutionalizing as Political Agency

Conclusion

Notes
Bibliography
Index

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• Arte e Design: a partir de c 1960
• Teoria de arte
• Socialismo e ideologias democráticas de esquerda