Authorship and Identity in Late Thirteenth-Century Motets

Authorship and Identity in Late Thirteenth-Century Motets

Bradley, Catherine A.

Taylor & Francis Ltd

03/2022

136

Dura

Inglês

9781032194578

15 a 20 dias

290

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A Note on Transcriptions

Contents of Montpellier Codex Fascicle 7

Introduction

1 Adam de la Halle's Presence in the Final Fascicles of the Montpellier Codex

2 Adam and Petrus de Cruce: The 'Aucun...' Opening and Questions of Chronology

3 People and Places: Adam and an 'Entre...' Motet Tradition

4 Petrus in the Montpellier Codex

5 Non-Plainchant Tenor Quotations: Unwritten Songs and Questions of Compositional Ownership

Conclusions

Bibliography
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Perfect Breve;Final Fascicles;Thirteenth Century Motet;Motet Composition;Montpellier Codex;Dieu Commant;Young Men;Song Tenors;ECCE;Plainchant Tenors;Richard De Fournival;TOI;Refrain Melodies;Johannes De Garlandia;Margaret Bent;Kyrie Melody;Refrain Text;Tenor Melodies;Qui;KYRIE ELEYSON;DOUCE;Grand Chant;Home Towns;Fourteenth Century Motets;Gros Tournois