Women's Transborder Cinema

Acknowledgments

A Note on Translation and Transliteration

Introduction. "I Must Be Famous to Be Heard": Star-Authors, Female Fictions, and Transborder Modes of Women's Cinema

Part I. Maternal Modes and Infrastructural Access



Decoupled Maternities: Female Stars in Production Modes, Kolkata
Public Maternities: Women's Companies and a Sororal Production Mode, Dhaka

Part II. Corporeal Modes and Scales of National Labor



Performing Bodies: Entertainer Authors and Small-Scale Urdu Cinema in Lahore Studios
Timing Bodies: Hindi Cinema and a Female Brand Author at Bollywood Scale

Part III. Familial Modes and Scales of Transnational Crossing



Families Out of Bounds: The Pirate Mode and Women's Coproductions across Pakistan and Bangladesh
Families Torn and Found: Feminist Modes and Transnational Bangla Media

Coda

Notes

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• Produção de filmes: habilidades técnicas e de fundo
• História da Ásia
• O feminismo e teoria feminista
• Relações industriais e segurança

Auteur Theory; Kanan Devi; India; Suchanda; Noor Jehan; Bollywood; Parveen Rizvi; Rubaiyat Hossain; Shamim Ara; Nargis Akhter; Sungeeta; Sai Paranjpye; Hereditary Performing Classes; Gauri Shinde; Bangladesh; Bengali cinema; Babita; Pakistan; Aparna Sen; Women's Film Companies; Women Film Pioneers.; ethnography; Kolkata; Action Heroine Film Bangladesh; AIDS Movie; Women's Action Cinema; Courtesans and Screendance; Women's Working-Girl Melodrama; Production Culture; Brand Market; Video Piracy and Sexual Politics; South Asia; Feminist Horror Cinema; Feminist War Cinema; Censorship