Women's Agency and Ontology in Nineteenth-Century Iranian Photography

LIST OF ILLUSTRATIONS

PREFACE

ACKNOWLEDGMENTS

A NOTE ON TRANSLITERATION

1. INTRODUCTION

2. MYTHS AND ORIGINS OF WOMEN IN QAJAR PHOTOGRAPHY

3. MAHD-E ?OLYA: THE PHOTOGRAPHY QUEEN PART I

4. MAHD-E ?OLYA: THE PHOTOGRAPHY QUEEN PART II

5. TO BE SEEN OR NOT TO SEEN: PHOTOGRAPHY AND THE QUEEN OF IRAN, ANIS AL-DOWLEH

6. WITHIN THE REALM OF A DYING HAREM: THE PHOTOGRAPHS OF KHANOM BASHI

7. A MOTHER OF THE HEARTH: THE PHOTOGRAPHS OF PRINCESS ?ESMAT AL-DOWLEH

8. A MOTHER OF THE REVOLUTION: THE PHOTOGRAPHS OF TAJ AL-SALTANEH

9. OUTSIDE THE HAREM: CELEBRITY AND MODERNITY IN THE PHOTOGRAPHS OF PUBLIC WOMEN

10. CONCLUSION: PHOTOGRAPHS OF SUBLIMATION: FROM HAREM TO GIRLS' SCHOOLS

INDEX

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Historia da arte / estilos de arte e design
• Formas de arte
• Fotografia e fotógrafos
• Artes: temas gerais
• História
• Estudos regionais
• Os estudos de gênero, grupos de gênero
• Sociologia

Qajar;female;harem;royal;politics;authority;power;princess;Sultanate;gender;photographer;agency;being;queen;Anis al-Dowleh;Khanom Bashi;Mahd-e Olya;modern;modernism;modernity;visual;object;wife;Taj al-Saltaneh;family;Esmat al-Dowleh;polygamy;sex;sexuality;celebrity;kashf-e hejab;veil;school