Women Art Dealers

Notes on Contributors
Acknowledgements
Series Editor Preface

Introduction, Women Art Dealers: Creating Markets for Modern Art, 1940-1990, Veronique Chagnon-Burke (WADDA/International Art market Studies Association, USA)
Prolegomenon, The ideology of the Gaze in Photography: Canons and Anti-Canons of Women Art Dealers' Portraits (1924-2013), Caterina Toschi (University for Foreigners of Siena, Italy)

Part One: The Promotion of Modern Art in the Aftermath of World War Two
1. The Girl with the Gallery: Edith Halpert in the Mid-Twentieth Century New York Art Market, A. Deirdre Robson (University of West London, UK)
2. Simone Kahn Collinet: From Member to Promoter of Surrealism, Alice Ensabella (University of Grenoble, France)
3. Nelly van Doesburg and Peggy Guggenheim. Their Role in Establishing the Reputation of Theo van Doesburg and De Stijl, Doris Wintgens (formerly Museum De Lakenhal, The Netherlands)
4. The Konstsalongen Samlaren of Agnes Widlund in Stockholm, Christina Brandberg (University of Loughborough, UK)
5. Galerie Gmurzynska in the Cold War Period, Elena Korowin (Albrecht-Ludwigs-Universitaet Freiburg, Germany)

Part Two: The Rise of New Markets
6. Bertha Schaefer: "A Case of Ambidexterity." Bringing Modern Art into American Homes, Antonella Camarda (University of Sassari, Italy)
7. Gabriella Cardazzo at Galleria del Cavallino in Venice, Lisa Parolo (University of Udine, Italy)
8. Constructing a Photography Market between New York and Paris: The Role of the Zabriskie Gallery (1970s-1990s), Isabella Seniuta (University Paris 1 Pantheon-Sorbonne, France)
9. Linda Givon, the Goodman Gallery, and the Politics of the Contemporary Art Market in South Africa, 1966-1990, Federico Freschi & Lara Koseff (University of Johannesburg, South Africa)
10. Mapping the Impact of Women Art Dealers in Los Angeles: A Few Case Studies, Pietro Rigolo (Getty Research Institute, USA)
11. "The Boom in Boone:" Mary Boone in SoHo in the Early 1980s, Carlotta Castellani (Center for Italian Modern Art, USA)

Part Three: Latin Galleries Between Italy and Portugal
12. From Fashion Journalism to Art Dealing: Irene Brin and L'Obelisco Gallery, Ilaria Schiaffini (Sapienza University of Rome, Italy)
13. Topazia Alliata, Piero Manzoni and the Coincidence between Idea and Visual Language. The Case of Riducibili, Rome 1960, Carlotta Sylos Calo (University of Rome Tor Vergata, Italy)
14. Mara Coccia, a Gallery Owner in Rome, Francesca Gallo (Sapienza University of Rome, Italy)
15. Etheline Rosas: a Modern Art Conservator, an Art Dealer, and Museologist, Sofia Ponte (IADE-Universidade Europeia, Portugal)
16. Dulce D'Agro and Quadrum: A Modern Art Love Story in Lisbon, Adelaide Duarte (Universidade NOVA de Lisboa, Portugal)
17. Lia Rumma: Art as Conviviality, Luigia Lonardelli (MAXXI of Rome, Italy)

Index

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• Aspectos financeiros da arte
• História da Arte e estilos do design: desde ~ 1900

Women gallerists; entrepreneurs; 20th century; agency; contemporary art markets; global networks; professional empowerment; dealer-critic system; photographic portraits; self-representation