Whose Heritage?
portes grátis
Whose Heritage?
Challenging Race and Identity in Stuart Hall's Post-nation Britain
Ashley, Susan L.T.; Stone, Degna
Taylor & Francis Ltd
02/2023
222
Dura
Inglês
9780367552732
15 a 20 dias
590
Descrição não disponível.
Introduction: On Stuart Hall and the Imagining of Heritage; Part I STUART HALL'S ESSAY - CONTEXT AND IMPACT; 1. Whose Heritage? Un-settling 'The Heritage' re-imagining the post-nation; 2.'The way in which we learn to sing': The heritage of ideas behind 'Whose Heritage?'; 3. Race equality in the cultural heritage sector: Perceptions of progress over the last twenty years and actions for the next decade; Part II CHALLENGING 'WHOSE HERITAGE?' AS HISTORICAL PRODUCTION; 4. Mothers milk or regurgitated fish?: Resisting nostalgia and embracing dissension in British heritage; 5. Beyond our system of objects: Heritage collecting, hoarding and ephemeral objects; 6. Historical methods implicated in the making of 'The Heritage'; 7. Whose Heritage? Deconstructing and reconstructing counter narratives in heritage; Part III CHALLENGING 'WHOSE HERITAGE' THROUGH ARTS & SELF-REFLECTION; 8. In the shadow of Stuart Hall; 9. The Black British presence on television in Barrie Keeffe's Play for Today (BBC1) dramas and beyond; 10. Narrative cannibals: who speaks for whom? Heritage, documentary practice and the strategies of power; 11. Searching for new perspectives on heritage: The Transatlantic Trade in Enslaved Africans; Part IV FINAL PROVOCATIONS; 12. Brand new, second hand: production, preservation and 'new' diasporic forms; 13. Crisis of authority: Rebuilding the heritage narrative in Stuart Hall's post-nation state; 14. The power to represent
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
British Heritage;Heritage Sector;USA;Black British;Waterloo Sunset;BAME;Discursive Practice;Confers;Follow;Osborne House;CEDAW;Heritage Narratives;UK Culture;Black Lives Matter Movement;Transatlantic Slave Trade;Art UK;South Shields;UN;Empress Of India;Caribbean Artists Movement;Audience Development;Oral Histories;Passing On;HMS;National Story
Introduction: On Stuart Hall and the Imagining of Heritage; Part I STUART HALL'S ESSAY - CONTEXT AND IMPACT; 1. Whose Heritage? Un-settling 'The Heritage' re-imagining the post-nation; 2.'The way in which we learn to sing': The heritage of ideas behind 'Whose Heritage?'; 3. Race equality in the cultural heritage sector: Perceptions of progress over the last twenty years and actions for the next decade; Part II CHALLENGING 'WHOSE HERITAGE?' AS HISTORICAL PRODUCTION; 4. Mothers milk or regurgitated fish?: Resisting nostalgia and embracing dissension in British heritage; 5. Beyond our system of objects: Heritage collecting, hoarding and ephemeral objects; 6. Historical methods implicated in the making of 'The Heritage'; 7. Whose Heritage? Deconstructing and reconstructing counter narratives in heritage; Part III CHALLENGING 'WHOSE HERITAGE' THROUGH ARTS & SELF-REFLECTION; 8. In the shadow of Stuart Hall; 9. The Black British presence on television in Barrie Keeffe's Play for Today (BBC1) dramas and beyond; 10. Narrative cannibals: who speaks for whom? Heritage, documentary practice and the strategies of power; 11. Searching for new perspectives on heritage: The Transatlantic Trade in Enslaved Africans; Part IV FINAL PROVOCATIONS; 12. Brand new, second hand: production, preservation and 'new' diasporic forms; 13. Crisis of authority: Rebuilding the heritage narrative in Stuart Hall's post-nation state; 14. The power to represent
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
British Heritage;Heritage Sector;USA;Black British;Waterloo Sunset;BAME;Discursive Practice;Confers;Follow;Osborne House;CEDAW;Heritage Narratives;UK Culture;Black Lives Matter Movement;Transatlantic Slave Trade;Art UK;South Shields;UN;Empress Of India;Caribbean Artists Movement;Audience Development;Oral Histories;Passing On;HMS;National Story
