What Is African Art?
portes grátis
What Is African Art?
A Short History
Probst, Peter
The University of Chicago Press
12/2022
248
Dura
Inglês
9780226793016
15 a 20 dias
Descrição não disponível.
Introduction
Part I
1. Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries
2. Celebrating Form: From Primitive to Primitivism
3. Creating Visibility and Value: Photography and Its Effects
Part II
4. Discovering the African Artist: Tradition and Tribality in the Cold War Era
5. Acknowledging the Contemporary: New Forms, New Actors
6. Extending the Horizon: Africa in the Americas
Part III
7. Intervening the Canon: The Postmodern, the Popular, and the Authentic
8. Challenging Representation: Postcolonial Critique and Curation
9. Undoing the Empire: Duress, Defiance, and Decolonial Futures
Epilogue
Acknowledgments
Notes
Index
Part I
1. Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries
2. Celebrating Form: From Primitive to Primitivism
3. Creating Visibility and Value: Photography and Its Effects
Part II
4. Discovering the African Artist: Tradition and Tribality in the Cold War Era
5. Acknowledging the Contemporary: New Forms, New Actors
6. Extending the Horizon: Africa in the Americas
Part III
7. Intervening the Canon: The Postmodern, the Popular, and the Authentic
8. Challenging Representation: Postcolonial Critique and Curation
9. Undoing the Empire: Duress, Defiance, and Decolonial Futures
Epilogue
Acknowledgments
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
restitution;repair;representation;decolonization;postcolonialism;black atlantic studies;contemporary art;independence;resistance;government;politics;history;nonfiction;power;visual culture;dissemination;photography;collectors;museums;colonialism;anthropology;exhibition;curator;folklore;looting;artifacts
Introduction
Part I
1. Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries
2. Celebrating Form: From Primitive to Primitivism
3. Creating Visibility and Value: Photography and Its Effects
Part II
4. Discovering the African Artist: Tradition and Tribality in the Cold War Era
5. Acknowledging the Contemporary: New Forms, New Actors
6. Extending the Horizon: Africa in the Americas
Part III
7. Intervening the Canon: The Postmodern, the Popular, and the Authentic
8. Challenging Representation: Postcolonial Critique and Curation
9. Undoing the Empire: Duress, Defiance, and Decolonial Futures
Epilogue
Acknowledgments
Notes
Index
Part I
1. Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries
2. Celebrating Form: From Primitive to Primitivism
3. Creating Visibility and Value: Photography and Its Effects
Part II
4. Discovering the African Artist: Tradition and Tribality in the Cold War Era
5. Acknowledging the Contemporary: New Forms, New Actors
6. Extending the Horizon: Africa in the Americas
Part III
7. Intervening the Canon: The Postmodern, the Popular, and the Authentic
8. Challenging Representation: Postcolonial Critique and Curation
9. Undoing the Empire: Duress, Defiance, and Decolonial Futures
Epilogue
Acknowledgments
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
restitution;repair;representation;decolonization;postcolonialism;black atlantic studies;contemporary art;independence;resistance;government;politics;history;nonfiction;power;visual culture;dissemination;photography;collectors;museums;colonialism;anthropology;exhibition;curator;folklore;looting;artifacts