Vaughan Williams and His World

Permissions and Credits
Acknowledgments
Ralph Vaughan Williams: Man and Music-An Introduction
Byron Adams and Daniel M. Grimley
Vaughan Williams and Cambridge
Julian Rushton
Vaughan Williams and the Royal College of Music
Erica Siegel
Vaughan Williams's "The Letter and the Spirit" (1920)
Introduced and Annotated by Ceri Owen
Modernist Image in Vaughan Williams's Job
Philip Rupprecht
"Finest of the Fine Arts": Vaughan Williams and Film
Annika Forkert
Pilgrim in a New-Found-Land: Vaughan Williams in America
Byron Adams
Vaughan Williams's Lecture on the St. Matthew Passion (1938)
Introduced and Annotated by Eric Saylor
Vaughan Williams's Common Ground
Sarah Collins and Daniel M. Grimley
Tracing a Biography: Michael Kennedy's Correspondence Concerning The Works of Ralph Vaughan Williams
Introduced and Annotated by Daniel M. Grimley and Byron Adams
"His own idiom": Vaughan Williams's Violin Sonata and the Development of His Melodic Style
O. W. Neighbour
Critical Reception: Early Performances of the Symphony No. 9 in E Minor
Introduced and Annotated by Alain Frogley
Goodness and Beauty: Philosophy, History, and Ralph Vaughan Williams
Leon Botstein
Index
Notes on the Contributors

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• Compositores e músicos individuais, bandas e grupos específicos
• Música clássica (desde ~1750 até ~1830)
• Música opiniões e críticas
• Western "classical" music

Ralph Vaughan Williams;Cambridge University;Royal College of Music;film music;Johann Sebastian Bach;violin sonata;modernism;aesthetics;Anglican Church