Truth Claims Across Media
portes grátis
Truth Claims Across Media
Schirrmacher, Beate; Mousavi, Nafiseh
Springer International Publishing AG
12/2023
339
Mole
Inglês
9783031420665
15 a 20 dias
Descrição não disponível.
Chapter 1. Introduction: The Dynamics of Truthfulness and Media.- Part I Factual Evidence and Coherence in Knowledge Communication.- Chapter 2. A Story Too Good to Be True: The Manipulation of Truth Claims in Faked News.- Chapter 3. The Montage of the National Past: Polish Right-Wing Illustrated Press and the Abuse of History.- Chapter 4. Trustworthiness in the Swedish Strategies for Covid-19 in Recorded Press Conferences from the Public Health Agency of Sweden.- Part II Personal Quests for Empirical Truth: Testimony and Media Hybridity.- Chapter 5. Unveiling Truth and Truthfulness in the Graphic Memoir Heimat.- Chapter 6. Cameras, Pencils, Traumas: Drawn Images in and as Documentary Practice.- Part III Fact and Fake across Media Types.- Chapter 7. Fictionality as a Rhetorical Tool in Political Mockumentary Films: The Interplay of Fictionality and Factuality in C.S.A.: The Confederate States of America.- Chapter 8. Clemens J. Setz on Bursting the Reader's Reality Bubble.- Chapter 9. "An Occasionally True Story": Biofiction, Authenticity and Fictionality in The Great (2020).- Chapter 10. Impure Realism, Pure Eventness, and Horror Cinema in the Post-truth Era: A Case Study of One Cut of the Dead.- Part IV Interaction, Trust, and Truthfulness on Social Media.- Chapter 11. Developing Misinformation Immunity in a Post-Truth World: Human Computer Interaction for Data Literacy.- Chapter 12. When the Post-Truth Devil Hides in the Details: A Digital Ethnography of Virtual Anti-Vaccination Groups in Lithuania.- Chapter 13. Towards a Grammar of Manipulated Photographs: The Social Semiotics of Digital Photo Manipulation.
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intermediality;multimodality;truth claims;truthfulness;media;Open Access
Chapter 1. Introduction: The Dynamics of Truthfulness and Media.- Part I Factual Evidence and Coherence in Knowledge Communication.- Chapter 2. A Story Too Good to Be True: The Manipulation of Truth Claims in Faked News.- Chapter 3. The Montage of the National Past: Polish Right-Wing Illustrated Press and the Abuse of History.- Chapter 4. Trustworthiness in the Swedish Strategies for Covid-19 in Recorded Press Conferences from the Public Health Agency of Sweden.- Part II Personal Quests for Empirical Truth: Testimony and Media Hybridity.- Chapter 5. Unveiling Truth and Truthfulness in the Graphic Memoir Heimat.- Chapter 6. Cameras, Pencils, Traumas: Drawn Images in and as Documentary Practice.- Part III Fact and Fake across Media Types.- Chapter 7. Fictionality as a Rhetorical Tool in Political Mockumentary Films: The Interplay of Fictionality and Factuality in C.S.A.: The Confederate States of America.- Chapter 8. Clemens J. Setz on Bursting the Reader's Reality Bubble.- Chapter 9. "An Occasionally True Story": Biofiction, Authenticity and Fictionality in The Great (2020).- Chapter 10. Impure Realism, Pure Eventness, and Horror Cinema in the Post-truth Era: A Case Study of One Cut of the Dead.- Part IV Interaction, Trust, and Truthfulness on Social Media.- Chapter 11. Developing Misinformation Immunity in a Post-Truth World: Human Computer Interaction for Data Literacy.- Chapter 12. When the Post-Truth Devil Hides in the Details: A Digital Ethnography of Virtual Anti-Vaccination Groups in Lithuania.- Chapter 13. Towards a Grammar of Manipulated Photographs: The Social Semiotics of Digital Photo Manipulation.
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