Shakespearean International Yearbook

List of Figures

Preface

Tom Bishop and Alexa Alice Joubin

General Editors

List of Contributors

Part I: Special Section: Pericles, Prince of Tyre

Special Guest Editors:

Deanne Williams, York University, and Tom Bishop, University of Auckland






Introduction
Deanne Williams, York University, and Tom Bishop, University of Auckland




Whose Pericles, and Why, and When?
Stephen Orgel, Stanford University




The Excesses of Romance: Shakespeare's Pericles and the Baroque
Robert Hudson Vincent, Harvard University




Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood
Deanne Williams, York University




Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles
Stephen Cohen, Central Connecticut State University




Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University




Pericles and the Primacy of Movement
Tonhi Lee, Tufts University




"The purchase is to make men glorious": Pericles on the Stuart Court Stage
Gabriel Lonsbery, Purdue University




Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University




Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University




Pericles Comes to America
Tom Bishop, University of Auckland




Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers' Dance in Pericles
Linda McJannet, Bentley University




Productions of Pericles, Prince of Tyre, 1900-2020: a checklist

Tom Bishop, University of Auckland

Part Two: Recent Literature Review

14. Intersectional Shakespeare: the State of the Field, 2020-21

Nicole A. Jacobs, California Polytechnic State University

Index

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Estudos e crítica shakespeareana
• Estudos literários: peças e dramaturgos
• Estudos teatrais
• Peças de Shakespeare

early modern drama;theatre historiography;intersectionality studies;performance criticism;global literary analysis;disability studies in literature;intercultural Shakespeare performance