Rhetoric of Literary Communication
portes grátis
Rhetoric of Literary Communication
From Classical English Novels to Contemporary Digital Fiction
Iche, Virginie; Sorlin, Sandrine
Taylor & Francis Ltd
01/2024
244
Mole
Inglês
9781032199672
15 a 20 dias
Descrição não disponível.
Introduction: Addressing Readers: New Theoretical Perspectives
Virginie Iche & Sandrine Sorlin (Paul-Valery University of Montpellier, France)
I. Ethical Transactions with Readers
Chapter 1. Authorial risk-taking: The relationship between Dickens and his readers
Roger Sell (Abo Akademi University, Turku, Finland)
Chapter 2. "I hope I shall please my readers": Negotiating the Author-Reader Relationship in Two Corpora of British Novels, 1778-1814
Juliette Misset (University of Strasbourg, France)
Chapter 3. "You are my fictional audience, and as such I appreciate you very much": Direct Address in Contemporary American Young Adult Fiction About Mental Health
Sara K. Day (Truman State University, USA)
II. Revisiting Authorial Agency
Chapter 4. Interpellation and Counter-interpellation in the Novel
Jean-Jacques Lecercle (University of Paris Ouest Nanterre, France)
Chapter 5. Deciphering the Joycean Address: Elusive Authority and Reader Agency in Ulysses
Olivier Hercend (Sorbonne University, France)
Chapter 6. "The Rest is Silence": Readerly Wo/anderings in the Unsaid
Claire Majola-Leblond (University Jean Moulin - Lyon 3, France)
III. Challenging Readers
Chapter 7. (Im)politeness and the Question of Address in Flannery O'Connor's Wise Blood: a Pragmatics Approach
Maurice Cronin (Paris Dauphine, France)
Chapter 8. Phatic, Polemical, and Metaleptic Addresses to Readers in William Gerhardie's The Polyglots
Catherine Hoffmann (University of Le Havre-Normandie, France)
Chapter 9. Humouring the Reader in Alan Bennett's "A Chip in the Sugar"
Vanina Jobert-Martini & Manuel Jobert (University Jean Moulin - Lyon 3, France)
IV. From Oral to Digital Fiction and Back
Chapter 10. "You know, are you you?" Being versus Playing the Second-Person in Digital Fiction
Alice Bell (Sheffield Hallam University, UK)
Chapter 11. Addressing the Reader and/or Character in Gamebooks: Ryan North's To Be or Not to Be and Romeo and/or Juliet
Baharak Darougari (University of Strasbourg, France)
Chapter 12. "Now, normally, I wouldn't be telling you this and you, I'm sure, would be happier if I wasn't." The Modern-Day Storyteller in Roddy Doyle's Charlie Savage (2019)
Lea Boichard (University Savoie Mont Blanc, France)
Virginie Iche & Sandrine Sorlin (Paul-Valery University of Montpellier, France)
I. Ethical Transactions with Readers
Chapter 1. Authorial risk-taking: The relationship between Dickens and his readers
Roger Sell (Abo Akademi University, Turku, Finland)
Chapter 2. "I hope I shall please my readers": Negotiating the Author-Reader Relationship in Two Corpora of British Novels, 1778-1814
Juliette Misset (University of Strasbourg, France)
Chapter 3. "You are my fictional audience, and as such I appreciate you very much": Direct Address in Contemporary American Young Adult Fiction About Mental Health
Sara K. Day (Truman State University, USA)
II. Revisiting Authorial Agency
Chapter 4. Interpellation and Counter-interpellation in the Novel
Jean-Jacques Lecercle (University of Paris Ouest Nanterre, France)
Chapter 5. Deciphering the Joycean Address: Elusive Authority and Reader Agency in Ulysses
Olivier Hercend (Sorbonne University, France)
Chapter 6. "The Rest is Silence": Readerly Wo/anderings in the Unsaid
Claire Majola-Leblond (University Jean Moulin - Lyon 3, France)
III. Challenging Readers
Chapter 7. (Im)politeness and the Question of Address in Flannery O'Connor's Wise Blood: a Pragmatics Approach
Maurice Cronin (Paris Dauphine, France)
Chapter 8. Phatic, Polemical, and Metaleptic Addresses to Readers in William Gerhardie's The Polyglots
Catherine Hoffmann (University of Le Havre-Normandie, France)
Chapter 9. Humouring the Reader in Alan Bennett's "A Chip in the Sugar"
Vanina Jobert-Martini & Manuel Jobert (University Jean Moulin - Lyon 3, France)
IV. From Oral to Digital Fiction and Back
Chapter 10. "You know, are you you?" Being versus Playing the Second-Person in Digital Fiction
Alice Bell (Sheffield Hallam University, UK)
Chapter 11. Addressing the Reader and/or Character in Gamebooks: Ryan North's To Be or Not to Be and Romeo and/or Juliet
Baharak Darougari (University of Strasbourg, France)
Chapter 12. "Now, normally, I wouldn't be telling you this and you, I'm sure, would be happier if I wasn't." The Modern-Day Storyteller in Roddy Doyle's Charlie Savage (2019)
Lea Boichard (University Savoie Mont Blanc, France)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
pragmatic literary analysis;author-reader interaction;narrative address strategies;digital narrative theory;ethical engagement in fiction;stylistic communication studies;reader participation in digital fiction
Introduction: Addressing Readers: New Theoretical Perspectives
Virginie Iche & Sandrine Sorlin (Paul-Valery University of Montpellier, France)
I. Ethical Transactions with Readers
Chapter 1. Authorial risk-taking: The relationship between Dickens and his readers
Roger Sell (Abo Akademi University, Turku, Finland)
Chapter 2. "I hope I shall please my readers": Negotiating the Author-Reader Relationship in Two Corpora of British Novels, 1778-1814
Juliette Misset (University of Strasbourg, France)
Chapter 3. "You are my fictional audience, and as such I appreciate you very much": Direct Address in Contemporary American Young Adult Fiction About Mental Health
Sara K. Day (Truman State University, USA)
II. Revisiting Authorial Agency
Chapter 4. Interpellation and Counter-interpellation in the Novel
Jean-Jacques Lecercle (University of Paris Ouest Nanterre, France)
Chapter 5. Deciphering the Joycean Address: Elusive Authority and Reader Agency in Ulysses
Olivier Hercend (Sorbonne University, France)
Chapter 6. "The Rest is Silence": Readerly Wo/anderings in the Unsaid
Claire Majola-Leblond (University Jean Moulin - Lyon 3, France)
III. Challenging Readers
Chapter 7. (Im)politeness and the Question of Address in Flannery O'Connor's Wise Blood: a Pragmatics Approach
Maurice Cronin (Paris Dauphine, France)
Chapter 8. Phatic, Polemical, and Metaleptic Addresses to Readers in William Gerhardie's The Polyglots
Catherine Hoffmann (University of Le Havre-Normandie, France)
Chapter 9. Humouring the Reader in Alan Bennett's "A Chip in the Sugar"
Vanina Jobert-Martini & Manuel Jobert (University Jean Moulin - Lyon 3, France)
IV. From Oral to Digital Fiction and Back
Chapter 10. "You know, are you you?" Being versus Playing the Second-Person in Digital Fiction
Alice Bell (Sheffield Hallam University, UK)
Chapter 11. Addressing the Reader and/or Character in Gamebooks: Ryan North's To Be or Not to Be and Romeo and/or Juliet
Baharak Darougari (University of Strasbourg, France)
Chapter 12. "Now, normally, I wouldn't be telling you this and you, I'm sure, would be happier if I wasn't." The Modern-Day Storyteller in Roddy Doyle's Charlie Savage (2019)
Lea Boichard (University Savoie Mont Blanc, France)
Virginie Iche & Sandrine Sorlin (Paul-Valery University of Montpellier, France)
I. Ethical Transactions with Readers
Chapter 1. Authorial risk-taking: The relationship between Dickens and his readers
Roger Sell (Abo Akademi University, Turku, Finland)
Chapter 2. "I hope I shall please my readers": Negotiating the Author-Reader Relationship in Two Corpora of British Novels, 1778-1814
Juliette Misset (University of Strasbourg, France)
Chapter 3. "You are my fictional audience, and as such I appreciate you very much": Direct Address in Contemporary American Young Adult Fiction About Mental Health
Sara K. Day (Truman State University, USA)
II. Revisiting Authorial Agency
Chapter 4. Interpellation and Counter-interpellation in the Novel
Jean-Jacques Lecercle (University of Paris Ouest Nanterre, France)
Chapter 5. Deciphering the Joycean Address: Elusive Authority and Reader Agency in Ulysses
Olivier Hercend (Sorbonne University, France)
Chapter 6. "The Rest is Silence": Readerly Wo/anderings in the Unsaid
Claire Majola-Leblond (University Jean Moulin - Lyon 3, France)
III. Challenging Readers
Chapter 7. (Im)politeness and the Question of Address in Flannery O'Connor's Wise Blood: a Pragmatics Approach
Maurice Cronin (Paris Dauphine, France)
Chapter 8. Phatic, Polemical, and Metaleptic Addresses to Readers in William Gerhardie's The Polyglots
Catherine Hoffmann (University of Le Havre-Normandie, France)
Chapter 9. Humouring the Reader in Alan Bennett's "A Chip in the Sugar"
Vanina Jobert-Martini & Manuel Jobert (University Jean Moulin - Lyon 3, France)
IV. From Oral to Digital Fiction and Back
Chapter 10. "You know, are you you?" Being versus Playing the Second-Person in Digital Fiction
Alice Bell (Sheffield Hallam University, UK)
Chapter 11. Addressing the Reader and/or Character in Gamebooks: Ryan North's To Be or Not to Be and Romeo and/or Juliet
Baharak Darougari (University of Strasbourg, France)
Chapter 12. "Now, normally, I wouldn't be telling you this and you, I'm sure, would be happier if I wasn't." The Modern-Day Storyteller in Roddy Doyle's Charlie Savage (2019)
Lea Boichard (University Savoie Mont Blanc, France)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
