Methuen Drama Handbook of Interculturalism and Performance

Keywords
List of Illustrations
Notes on Contributors
Daphne P. Lei (University of California, USA), 'Chapter One: Introduction'

Section I: HIT (Hegemonic Intercultural Theatre)'s Counter-Currents

Marcus Cheng Chye Tan (Nanyang Technological University, Singapore), 'Chapter Two: (Re)Sounding Universals: The Politics of Listening to Peter Brook's Battlefield'

Emily Sahakian (University of Georgia, USA), 'Chapter Three: The Intercultural Politics of Performing Revolution: Maryse Conde's Inter-theatre with Ariane Mnouchkine'

Arnab Banerji (Muhlenberg College, USA) 'Chapter Four: What lies beyond Hattamala?: Badal Sircar and his Third Theatre as an Alternative Trajectory for Intercultural Theatre'

Section II: Networking New Interculturalisms

Bi-qi Beatrice Lei (National Taiwan University, Taiwan), 'Chapter Five: Decentering Asian Shakespeare: Approaching Intercultural Theatre as a Living Organism'

Diana Looser (Stanford University, USA), 'Chapter Six: Connecting the Dots: Performances, Island Worlds, and Oceanic Interculturalisms'

Roaa Ali (University of Manchester, UK) 'Chapter Seven: Subversive Immigrant Narratives in the In/visible Margin: Performing Interculturalism on Online Stages'

Section III: Interculturalism as Practice

Jennifer Goodlander (Indiana University, USA), 'Chapter Eight: Beyond HIT: Towards Regional Interculturalism through Puppetry in Southeast Asia'

SanSan Kwan (University of California, Berkeley, USA), 'Chapter Nine: Acts of Loving: Emmanuelle Huynh, Akira Kasai, and Eiko Otake'

Angeline Young (Arizona State University, USA), 'Chapter Ten: reORIENTing interculturalism in the academy: An Asianist Approach to teaching Afro-Haitian dance'

Section IV: Testing the Limits of New Interculturalism

Ketu H. Katrak (University of California, USA), 'Chapter Eleven: Mamela Nyamza and Dada Masilo: South African Black Women Dancer-Choreographers Dancing 'New Interculturalism''

Min Tian (University of Illinois, USA), 'Chapter Twelve: The 'Dis/De-' in the Hyphen: The Matrix and Dynamics of Displacement in Intercultural Performance'

Lisa Jackson-Schebetta (Skidmore College, USA), 'Chapter Thirteen: Interculturalidad: (How) Can Performance Analysis Decolonize?'

Section V: Interculturalism(s): Mapping the Past, Reflecting on the Future

Charlotte McIvor National (University of Ireland, Ireland) with Justine Nakase (National University of Ireland, Ireland), 'Chapter Fourteen: Annotated Bibliography'

Charlotte McIvor (National University of Ireland, Ireland), 'Chapter Fifteen: Conclusion'

Bibliography
Index

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• Estudos teatrais
• Estudos cultirais
• Dança e outras artes performativas

Arab Americans; civic engagement; ethnic minority; Middle-Eastern; multiculturalism; online theatre; polyculturalism; representation; South Asian; North American performance; Bengali theatre; group theatre; Indian People's Theatre Association; intraculturalism; postcolonialism; Third Theatre; collaboration; dance; hegemonic intercultural theatre (HIT); puppetry; contemporary art; decolonial; installation; Interculturalidad; Latin American performance; African performance; choreography; queer performance; sexuality; South African dance; indigeneity; Norfolk Island; Oceanic performance; Pacific Islands; cross-cultural theatre; globalization; Peter Brook; The Mahabharata; performance soundscapes; rhythm; vocality; Afro-Haitian dance; Asianist pedagogy; Caribbean performance