Live Museum
Live Museum
Performance and Art Institutions in 1970s America
Beisswanger, Lisa
Taylor & Francis Ltd
03/2026
334
Mole
Inglês
9781032637686
15 a 20 dias
Descrição não disponível.
Introduction
1 Biting the Hand? Taming the Unruly? The Contested Relationship between Living Art and Museums
2 Dance in the White Cube: The Merce Cunningham Dance Company at the Walker Art Center, 1972
3 On the Compatibility of Body Art and Museums: Bodyworks at the Museum of Contemporary Art Chicago, 1975
4 On the Eventization of the Museum: Avant-Garde Performance Meets Bodybuilding at the Whitney Museum of American Art, 1976
5 Economies of Performance: The Foundation of Art Performances and Projects Inc. and the Distribution of Performance
6 "Partially Funded by the National Endowment for the Arts": Public Art Funding and the Institutionalization of Performance
Conclusion
1 Biting the Hand? Taming the Unruly? The Contested Relationship between Living Art and Museums
2 Dance in the White Cube: The Merce Cunningham Dance Company at the Walker Art Center, 1972
3 On the Compatibility of Body Art and Museums: Bodyworks at the Museum of Contemporary Art Chicago, 1975
4 On the Eventization of the Museum: Avant-Garde Performance Meets Bodybuilding at the Whitney Museum of American Art, 1976
5 Economies of Performance: The Foundation of Art Performances and Projects Inc. and the Distribution of Performance
6 "Partially Funded by the National Endowment for the Arts": Public Art Funding and the Institutionalization of Performance
Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
performance studies;institutional critique;contemporary art theory;archival research methods;cultural policy analysis;experimental choreography;museum performance documentation
Introduction
1 Biting the Hand? Taming the Unruly? The Contested Relationship between Living Art and Museums
2 Dance in the White Cube: The Merce Cunningham Dance Company at the Walker Art Center, 1972
3 On the Compatibility of Body Art and Museums: Bodyworks at the Museum of Contemporary Art Chicago, 1975
4 On the Eventization of the Museum: Avant-Garde Performance Meets Bodybuilding at the Whitney Museum of American Art, 1976
5 Economies of Performance: The Foundation of Art Performances and Projects Inc. and the Distribution of Performance
6 "Partially Funded by the National Endowment for the Arts": Public Art Funding and the Institutionalization of Performance
Conclusion
1 Biting the Hand? Taming the Unruly? The Contested Relationship between Living Art and Museums
2 Dance in the White Cube: The Merce Cunningham Dance Company at the Walker Art Center, 1972
3 On the Compatibility of Body Art and Museums: Bodyworks at the Museum of Contemporary Art Chicago, 1975
4 On the Eventization of the Museum: Avant-Garde Performance Meets Bodybuilding at the Whitney Museum of American Art, 1976
5 Economies of Performance: The Foundation of Art Performances and Projects Inc. and the Distribution of Performance
6 "Partially Funded by the National Endowment for the Arts": Public Art Funding and the Institutionalization of Performance
Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.