Good Shepherd Rockery from Portuguese India, 1570s to 1650s

1 Introduction

2 Scholarship and curatorship between national identity and colonial otherness

3 A descriptive overview on technical-stylistic and iconographic features

4 At the "origin of the pure heart": Graphic models and local prototypes

5 Before the rockery: Rock crystal prototypes from Sri Lanka

6 Rhizomatic perspectives on arborescent motifs

7 In a grove of crosses: Translating Indo-Syriac symbology into the Latin figurative canon

8 Interstices and interferences: Further exchanges from the Indic artistic landscape

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• Historia da arte / estilos de arte e design
• Carvings: obras de arte

Indo-Portuguese art;early modern material culture;colonial artistic exchange;ivory carving techniques;transcultural iconography;missionary patronage studies;syncretic religious art analysis