Golden Thread
portes grátis
Golden Thread
Irish Women Playwrights, Volume 2 (1992-2016)
McDonagh, Fiona; Nakase, Justine; Clare, David
Liverpool University Press
03/2024
264
Mole
Inglês
9781802073737
15 a 20 dias
Descrição não disponível.
Introduction
David Clare, Fiona McDonagh & Justine Nakase
Marie Jones's Don't Look Down (1992): Representations of Disability for Young Audiences
Fiona McDonagh
Lesbianism and Legibility in Emma Donoghue's I Know My Own Heart (1993)
Shonagh Hill
Learning to Play Poker: The Re-vision of Irish Women's Agency in Gina Moxley's Danti-Dan (1995)
Nelson Barre
Directing Marina Carr's By the Bog of Cats... (1998) in China
Sarah Jane Scaife
Ursula Rani Sarma's Blue (2000) and Social Transformation in Ireland
Shane O'Neill
Challenging "Good Taste": Roslaeen McDonagh's The Baby Doll Project (2003) and the Creation of a "Traveller Canon"
Mary Burke
Disordered States and Affective Economies in Stella Feehily's O Go My Man (2006)
Clare Wallace
Living in a Rape Culture: Gang Rape and "Toxic Masculinity" in Abbie Spallen's Pumpgirl (2006)
Carole Quigley
Marina Carr's Woman and Scarecrow (2006) and the Ars Moriendi
Jose Lanters
Lizzie Nunnery's Intemperance (2007) and Compromised Mental Health among the Irish in Britain
David Clare
Memory, History, and Forgetting in Anne Devlin's The Forgotten (2009)
Graham Price
"We are here, we were here all along": Queer Invisibility and Performing Age in Amy Conroy's I (Heart) Alice (Heart) I (2010)
Brenda O'Connell
Motherhood and the Search for Recognition in Deirdre Kinahan's Moment (2011)
Dorothy Morrissey
"Unrealing the Real": Disability and Darwinism in Lynda Radley's Futureproof (2011)
Siobhan Purcell
Family Dysfunction and Character Dynamics: Nancy Harris's Our New Girl (2012) in Conversation with Marina Carr's Portia Coughlin (1996) and Martin Crimp's The Country (2000)
Maria Kurdi
Unconscious Casting: Stacey Gregg's Shibboleth (2015), Walls, and the (En)Gendering of Violence
Justine Nakase
Nevertheless, She Persisted: Celia de Freine's Luise (2016)
Brian O Conchubhair
Coda - Spinning Gold: Threads of Augusta Gregory and Marina Carr
Melissa Sihra
David Clare, Fiona McDonagh & Justine Nakase
Marie Jones's Don't Look Down (1992): Representations of Disability for Young Audiences
Fiona McDonagh
Lesbianism and Legibility in Emma Donoghue's I Know My Own Heart (1993)
Shonagh Hill
Learning to Play Poker: The Re-vision of Irish Women's Agency in Gina Moxley's Danti-Dan (1995)
Nelson Barre
Directing Marina Carr's By the Bog of Cats... (1998) in China
Sarah Jane Scaife
Ursula Rani Sarma's Blue (2000) and Social Transformation in Ireland
Shane O'Neill
Challenging "Good Taste": Roslaeen McDonagh's The Baby Doll Project (2003) and the Creation of a "Traveller Canon"
Mary Burke
Disordered States and Affective Economies in Stella Feehily's O Go My Man (2006)
Clare Wallace
Living in a Rape Culture: Gang Rape and "Toxic Masculinity" in Abbie Spallen's Pumpgirl (2006)
Carole Quigley
Marina Carr's Woman and Scarecrow (2006) and the Ars Moriendi
Jose Lanters
Lizzie Nunnery's Intemperance (2007) and Compromised Mental Health among the Irish in Britain
David Clare
Memory, History, and Forgetting in Anne Devlin's The Forgotten (2009)
Graham Price
"We are here, we were here all along": Queer Invisibility and Performing Age in Amy Conroy's I (Heart) Alice (Heart) I (2010)
Brenda O'Connell
Motherhood and the Search for Recognition in Deirdre Kinahan's Moment (2011)
Dorothy Morrissey
"Unrealing the Real": Disability and Darwinism in Lynda Radley's Futureproof (2011)
Siobhan Purcell
Family Dysfunction and Character Dynamics: Nancy Harris's Our New Girl (2012) in Conversation with Marina Carr's Portia Coughlin (1996) and Martin Crimp's The Country (2000)
Maria Kurdi
Unconscious Casting: Stacey Gregg's Shibboleth (2015), Walls, and the (En)Gendering of Violence
Justine Nakase
Nevertheless, She Persisted: Celia de Freine's Luise (2016)
Brian O Conchubhair
Coda - Spinning Gold: Threads of Augusta Gregory and Marina Carr
Melissa Sihra
Assunto não disponível.
Irish theatre;women's writing;Irish studies;counter-canon;theatre history
Introduction
David Clare, Fiona McDonagh & Justine Nakase
Marie Jones's Don't Look Down (1992): Representations of Disability for Young Audiences
Fiona McDonagh
Lesbianism and Legibility in Emma Donoghue's I Know My Own Heart (1993)
Shonagh Hill
Learning to Play Poker: The Re-vision of Irish Women's Agency in Gina Moxley's Danti-Dan (1995)
Nelson Barre
Directing Marina Carr's By the Bog of Cats... (1998) in China
Sarah Jane Scaife
Ursula Rani Sarma's Blue (2000) and Social Transformation in Ireland
Shane O'Neill
Challenging "Good Taste": Roslaeen McDonagh's The Baby Doll Project (2003) and the Creation of a "Traveller Canon"
Mary Burke
Disordered States and Affective Economies in Stella Feehily's O Go My Man (2006)
Clare Wallace
Living in a Rape Culture: Gang Rape and "Toxic Masculinity" in Abbie Spallen's Pumpgirl (2006)
Carole Quigley
Marina Carr's Woman and Scarecrow (2006) and the Ars Moriendi
Jose Lanters
Lizzie Nunnery's Intemperance (2007) and Compromised Mental Health among the Irish in Britain
David Clare
Memory, History, and Forgetting in Anne Devlin's The Forgotten (2009)
Graham Price
"We are here, we were here all along": Queer Invisibility and Performing Age in Amy Conroy's I (Heart) Alice (Heart) I (2010)
Brenda O'Connell
Motherhood and the Search for Recognition in Deirdre Kinahan's Moment (2011)
Dorothy Morrissey
"Unrealing the Real": Disability and Darwinism in Lynda Radley's Futureproof (2011)
Siobhan Purcell
Family Dysfunction and Character Dynamics: Nancy Harris's Our New Girl (2012) in Conversation with Marina Carr's Portia Coughlin (1996) and Martin Crimp's The Country (2000)
Maria Kurdi
Unconscious Casting: Stacey Gregg's Shibboleth (2015), Walls, and the (En)Gendering of Violence
Justine Nakase
Nevertheless, She Persisted: Celia de Freine's Luise (2016)
Brian O Conchubhair
Coda - Spinning Gold: Threads of Augusta Gregory and Marina Carr
Melissa Sihra
David Clare, Fiona McDonagh & Justine Nakase
Marie Jones's Don't Look Down (1992): Representations of Disability for Young Audiences
Fiona McDonagh
Lesbianism and Legibility in Emma Donoghue's I Know My Own Heart (1993)
Shonagh Hill
Learning to Play Poker: The Re-vision of Irish Women's Agency in Gina Moxley's Danti-Dan (1995)
Nelson Barre
Directing Marina Carr's By the Bog of Cats... (1998) in China
Sarah Jane Scaife
Ursula Rani Sarma's Blue (2000) and Social Transformation in Ireland
Shane O'Neill
Challenging "Good Taste": Roslaeen McDonagh's The Baby Doll Project (2003) and the Creation of a "Traveller Canon"
Mary Burke
Disordered States and Affective Economies in Stella Feehily's O Go My Man (2006)
Clare Wallace
Living in a Rape Culture: Gang Rape and "Toxic Masculinity" in Abbie Spallen's Pumpgirl (2006)
Carole Quigley
Marina Carr's Woman and Scarecrow (2006) and the Ars Moriendi
Jose Lanters
Lizzie Nunnery's Intemperance (2007) and Compromised Mental Health among the Irish in Britain
David Clare
Memory, History, and Forgetting in Anne Devlin's The Forgotten (2009)
Graham Price
"We are here, we were here all along": Queer Invisibility and Performing Age in Amy Conroy's I (Heart) Alice (Heart) I (2010)
Brenda O'Connell
Motherhood and the Search for Recognition in Deirdre Kinahan's Moment (2011)
Dorothy Morrissey
"Unrealing the Real": Disability and Darwinism in Lynda Radley's Futureproof (2011)
Siobhan Purcell
Family Dysfunction and Character Dynamics: Nancy Harris's Our New Girl (2012) in Conversation with Marina Carr's Portia Coughlin (1996) and Martin Crimp's The Country (2000)
Maria Kurdi
Unconscious Casting: Stacey Gregg's Shibboleth (2015), Walls, and the (En)Gendering of Violence
Justine Nakase
Nevertheless, She Persisted: Celia de Freine's Luise (2016)
Brian O Conchubhair
Coda - Spinning Gold: Threads of Augusta Gregory and Marina Carr
Melissa Sihra
