Divided City and Its New Cinemas, 1920-1980
portes grátis
Divided City and Its New Cinemas, 1920-1980
Murphy, Amy
University of Illinois Press
03/2026
296
Mole
Inglês
9780252089367
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Acknowledgments
Introduction 1
Ch 1: The City as Subject (Manhatta, 1921) 20
Ch 2: From City Symphonies to Suburban Citadels (The City, 1939) 59
Ch 3: Inventing the "Slum" and the New Downtown (The Exiles, 1961) 96
Ch 4: Life in the Hypersegregated Ghetto (Killer of Sheep, 1977) 136
Ch 5: The Barrio and the Bilingual City (Please, Don't Bury Me Alive!, 1976) 175
Ch 6: Fugitive Identity and the Transnational Enclave (Chan is Missing, 1982) 212
Afterword 252
Notes
Appendix: Maps of Six Key Geographies
Index
Introduction 1
Ch 1: The City as Subject (Manhatta, 1921) 20
Ch 2: From City Symphonies to Suburban Citadels (The City, 1939) 59
Ch 3: Inventing the "Slum" and the New Downtown (The Exiles, 1961) 96
Ch 4: Life in the Hypersegregated Ghetto (Killer of Sheep, 1977) 136
Ch 5: The Barrio and the Bilingual City (Please, Don't Bury Me Alive!, 1976) 175
Ch 6: Fugitive Identity and the Transnational Enclave (Chan is Missing, 1982) 212
Afterword 252
Notes
Appendix: Maps of Six Key Geographies
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
1939; activism; activist; American city; Asian American; barrio; Black cinema; Bunker Hill; Charles Burnett; Chicano; Chinatown; film Chan is Missing; movie Chan is Missing; Charles Sheeler; Chicago School; city symphony; commuter; contact zone; documentary; David Garcia; Efraín Gutiérrez; enclave; film The Exiles; movie The Exiles; freeway; freeway system; film history; garden city; geography; ghetto; gray zone; film I am Joaquín; movie I am Joaquín; independent film; industrial city; Indian; Kent Mackenzie; film Killer of Sheep; movie Killer of Sheep; Los Angeles; Luis Valdez; marginalization; Mexican American; Moctesuma Esparza; metropolitanism; film Manhattan; movie Manhattan; mobility; Native American; neorealism; New York City; New Deal; Paul Strand; planning; movie Please Don’t Bury Me Alive; film Please Don’t Bury Me Alive; postwar; race; race film; Ralph Steiner; relocation; movie Requiem 29; film Requiem 29; San Antonio; segregation; self-representation; slum; survivance; suburbanization; suburban; urban history; urban planning; urban renewal; Walt Whitman; Willard Van Dyke; World’s Fair; zoning; identity; liberation; pan-Asian; representation; San Francisco; transnational enclave; Wayne Wang; urban commodification; downtown; filming location; financial district; Greenbelt; map; Washington; Watts; Westside San Antonio
Acknowledgments
Introduction 1
Ch 1: The City as Subject (Manhatta, 1921) 20
Ch 2: From City Symphonies to Suburban Citadels (The City, 1939) 59
Ch 3: Inventing the "Slum" and the New Downtown (The Exiles, 1961) 96
Ch 4: Life in the Hypersegregated Ghetto (Killer of Sheep, 1977) 136
Ch 5: The Barrio and the Bilingual City (Please, Don't Bury Me Alive!, 1976) 175
Ch 6: Fugitive Identity and the Transnational Enclave (Chan is Missing, 1982) 212
Afterword 252
Notes
Appendix: Maps of Six Key Geographies
Index
Introduction 1
Ch 1: The City as Subject (Manhatta, 1921) 20
Ch 2: From City Symphonies to Suburban Citadels (The City, 1939) 59
Ch 3: Inventing the "Slum" and the New Downtown (The Exiles, 1961) 96
Ch 4: Life in the Hypersegregated Ghetto (Killer of Sheep, 1977) 136
Ch 5: The Barrio and the Bilingual City (Please, Don't Bury Me Alive!, 1976) 175
Ch 6: Fugitive Identity and the Transnational Enclave (Chan is Missing, 1982) 212
Afterword 252
Notes
Appendix: Maps of Six Key Geographies
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
1939; activism; activist; American city; Asian American; barrio; Black cinema; Bunker Hill; Charles Burnett; Chicano; Chinatown; film Chan is Missing; movie Chan is Missing; Charles Sheeler; Chicago School; city symphony; commuter; contact zone; documentary; David Garcia; Efraín Gutiérrez; enclave; film The Exiles; movie The Exiles; freeway; freeway system; film history; garden city; geography; ghetto; gray zone; film I am Joaquín; movie I am Joaquín; independent film; industrial city; Indian; Kent Mackenzie; film Killer of Sheep; movie Killer of Sheep; Los Angeles; Luis Valdez; marginalization; Mexican American; Moctesuma Esparza; metropolitanism; film Manhattan; movie Manhattan; mobility; Native American; neorealism; New York City; New Deal; Paul Strand; planning; movie Please Don’t Bury Me Alive; film Please Don’t Bury Me Alive; postwar; race; race film; Ralph Steiner; relocation; movie Requiem 29; film Requiem 29; San Antonio; segregation; self-representation; slum; survivance; suburbanization; suburban; urban history; urban planning; urban renewal; Walt Whitman; Willard Van Dyke; World’s Fair; zoning; identity; liberation; pan-Asian; representation; San Francisco; transnational enclave; Wayne Wang; urban commodification; downtown; filming location; financial district; Greenbelt; map; Washington; Watts; Westside San Antonio
