Taylor Swift and the Philosophy of Re-recording

Taylor Swift and the Philosophy of Re-recording

The Art of Taylor's Versions

Polite, Brandon

Bloomsbury Publishing PLC

01/2025

232

Mole

9781350421561

Pré-lançamento - envio 15 a 20 dias após a sua edição

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Introduction: The Story of Taylor's Versions

1 Taylor Swift, Justice, and the Fundamentals of Copyright
Darren Hudson Hick ((Furman University, USA)

2 Tell Me Why This Isn't a Cover
Cristyn Magnus, P.D. Magnus (University at Albany, USA), Christy Mag Uidhir (University of Houston, USA), and Ron McClamrock (University at Albany, USA)

3 Conceptual Art (Taylor's Version)
Sherri Irvin ((University of Oklahoma, USA)

4 The Art and Craft of (Re-)Recording
Michael Thomas Connolly (Unaffiliated)

5 Re-recording as Reclamation? Metaphysics, Metaphor, and Taylor's Versions
Brandon Polite ((Knox College, USA)

6 Meaning and Moral in Taylor's Versions
Alex King ((Simon Fraser University, USA)

7 Appreciating Taylor's Version: An Aesthetic Love Story
Irene Martinez Marin ((Uppsala University, USA)

8 Taylor's Versions and Versions of Taylor
Ley David Elliette Cray (Independent Scholar, USA)

9 The Rights of the Living Dead: Taylor Swift's Zombie Army
Elizabeth Cantalamessa (University of Miami, USA)
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Taylor Swift; aesthetics; popular music; conceptual art; art Institutions; copyright; music industry; popular culture