TV Drama in the Multiplatform Era
TV Drama in the Multiplatform Era
Transnational Coproduction and Cultural Specificity
Weissmann, Elke; Dunleavy, Trisha
Springer International Publishing AG
01/2024
310
Dura
Inglês
9783031355844
15 a 20 dias
Descrição não disponível.
Chapter 1. Multiplatform TV, the Cultural Diversification of High-End Drama, and New Coproduction Strategies.- Chapter 2. Moving across Platforms and Cultures: From BBC to Syfy to Amazon Prime: The Adaptation of Philip K. Dick's The Man in the High Castle.- Chapter 3. Netflix and Borgen: A Match Made in...?.- Chapter 4. Magnifica 70: HBO's Portrayal of the Brazilian Boca do Lixo Cinema.- Chapter 5. British History from a Distance: Transnational and Intergenerational Framings of The Crown.- Chapter 6. It's a Sin: Cross-Platform Coproduction, Cultural Specificity, and Conflicting Cultures.- Chapter 7. Unseen Particles in Time: Co-producing Transcultural Memory as a Discourse of TV Legitimacy Within the Sky/HBO Miniseries TV Event, Chernobyl (2019).- Chapter 8. Les de l'Hoquei/The Hockey Girls: From a Catalan Bachelor's Degree Project to Netflix.- Chapter 9. Gender and the Youthification of German Television: Zeit der Geheimnisse/Holiday Secrets and Generational Change in High-End TV Drama.- Chapter 10. Atiye/The Gift: Narrating Cultural Diversities as Spiritual Fantasy in an Authoritarian Climate.- Chapter 11. Freedom of Defection: The Representation of Ultra-Orthodox Jews and Netflix's Unorthodox.- Chapter 12. Polish Culture? World on Fire, TransnationalCoproduction and the Inscription of Cultural Specificity.- Chapter 13. El Robo del Siglo/The Great Heist: Perpetuating False Territorial Dichotomies in Colombia?./
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Multiplatform television;High-End Drama;Transnational Coproduction;Cultural Specificity;SVoDs;Television Drama;Netflix;HBO;Amazon Prime Video;Television Industry;Transnational Television;Cultural Diversity;Gender and Television
Chapter 1. Multiplatform TV, the Cultural Diversification of High-End Drama, and New Coproduction Strategies.- Chapter 2. Moving across Platforms and Cultures: From BBC to Syfy to Amazon Prime: The Adaptation of Philip K. Dick's The Man in the High Castle.- Chapter 3. Netflix and Borgen: A Match Made in...?.- Chapter 4. Magnifica 70: HBO's Portrayal of the Brazilian Boca do Lixo Cinema.- Chapter 5. British History from a Distance: Transnational and Intergenerational Framings of The Crown.- Chapter 6. It's a Sin: Cross-Platform Coproduction, Cultural Specificity, and Conflicting Cultures.- Chapter 7. Unseen Particles in Time: Co-producing Transcultural Memory as a Discourse of TV Legitimacy Within the Sky/HBO Miniseries TV Event, Chernobyl (2019).- Chapter 8. Les de l'Hoquei/The Hockey Girls: From a Catalan Bachelor's Degree Project to Netflix.- Chapter 9. Gender and the Youthification of German Television: Zeit der Geheimnisse/Holiday Secrets and Generational Change in High-End TV Drama.- Chapter 10. Atiye/The Gift: Narrating Cultural Diversities as Spiritual Fantasy in an Authoritarian Climate.- Chapter 11. Freedom of Defection: The Representation of Ultra-Orthodox Jews and Netflix's Unorthodox.- Chapter 12. Polish Culture? World on Fire, TransnationalCoproduction and the Inscription of Cultural Specificity.- Chapter 13. El Robo del Siglo/The Great Heist: Perpetuating False Territorial Dichotomies in Colombia?./
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