Stanislavsky and Gender

Introduction 1. Stanislavsky and the First Female Directors of the Moscow Art Theatre 2. Acting Emotional Expression and Gender Identity in Stanislavsky's Approach 3. Re-thinking Stanislavsky's system as Feminist Practice with Lisa Peck and Bella Merlin 4. Disparities in the Stanislavsky Tradition: Imperceptible and Dispossessed 5. Commingling Queerness and Stanislavsky: Developing and Practising a Slippery Pedagogy to Shift Perspectives on Actor Training Epilogue: Stanislavski's Dog

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• Técnicas de representação
• Artes de representação (performativas)

Stanislavsky;Gender;Acting;Directing;Actor Training;Konstantin Stanislavsky;Moscow Art Theatre;Queer performance;Intersectionality;Theatre;Performance