Space, Images, and Art Perception in Napoleonic Paris

List of Illustrations
Acknowledgements
Introduction
About the Brittle Relationship between Space and Objects
The Multidimensionality of Space
Connecting Objects and Space
The Chapters
Bibliography

Chapter One
Displaying Public Space: The Example of the Louvre
Physical and Intellectual Space
Exhibiting
Interacting
Disseminating
Printmaking and the question of originality
Illustrating the Louvre's collection
Functionalities of the printed image
Bibliography

Chapter Two
The Transferable Character of Space
Spatialities of experience and expectation
The Industry Exhibitions
Exhibition space as a catalyst to celebrate the nation
Transferability, experience, and seriality
The theatrical function of the space: Antonin Careme's sugar sculptures
The image in spatial transferability: the case of Raphael's Madonna della Seggiola
The interaction between experience and expectation: the Velours Gregoire
New forms of hybridity: visual experience and commercial strategies
Multiple functions and versatility of space
Bibliography

Chapter Three
Connecting Spaces: the Image as Performance
Public space is a stage: shop signs, labels, and printed games
Stage, theatre and mise en scene
Mobile views and sequentiality as entertainment
The dynamics of Panoramas
Staging the action: equestrian shows and horse races
Bibliography

Chapter Four
The Dilemma of Transition: Views on Art Perception
Shifts and intermediaries
Comparison and hybridity: old masters and contemporary art
Text as mediating space: artists and critics
Experimental areas
Fiction/reality
Theatrical plays
Bibliography
Epilogue
Index

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• Planeamento urbano - aspectos arquitectónicos
• Historia da arte / estilos de arte e design

Art exhibitions, urban space, private, interior, literary space