Skin Color and Whiteness in Contemporary Art
Skin Color and Whiteness in Contemporary Art
Westgeest, Helen
Taylor & Francis Ltd
04/2025
140
Dura
9781032795034
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Illustrations
Preface
Introduction
1. Skins in and of Paintings: Relationships between Paint Skin and Painted White Skin Tones in Western European Modern Art
2. Sociopolitical Skin of the Medium: Making Whiteness Strange through Color Manipulation and Skin as Mask
3. Memory Projection Surfaces: Photographic Reflections on "Second Skins"
Conclusion
Index
Preface
Introduction
1. Skins in and of Paintings: Relationships between Paint Skin and Painted White Skin Tones in Western European Modern Art
2. Sociopolitical Skin of the Medium: Making Whiteness Strange through Color Manipulation and Skin as Mask
3. Memory Projection Surfaces: Photographic Reflections on "Second Skins"
Conclusion
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
art history;painting;race;Caucasian;white supremacy;racism;pale skin;artists;beauty;color;mixed media;collage;photocollage;photography;artwork;installation;modern art;modernism;flesh;body;Europe;North America;ethnicity;James Luna;Angelica Dass;Pantone;Alba dUrbano;clothing;Tau Lewis;nude;portrait;politics;Fang Lijun;Kerry James Marshall;Asian;African American;black;blackness;Wanda Tuerlinckx;posthuman;Njideka Akunyili Crosby;video art;performance art;Louise Potiki Bryant;Maori;New Zealand;United States;Tishan Hsu;China;screen
List of Illustrations
Preface
Introduction
1. Skins in and of Paintings: Relationships between Paint Skin and Painted White Skin Tones in Western European Modern Art
2. Sociopolitical Skin of the Medium: Making Whiteness Strange through Color Manipulation and Skin as Mask
3. Memory Projection Surfaces: Photographic Reflections on "Second Skins"
Conclusion
Index
Preface
Introduction
1. Skins in and of Paintings: Relationships between Paint Skin and Painted White Skin Tones in Western European Modern Art
2. Sociopolitical Skin of the Medium: Making Whiteness Strange through Color Manipulation and Skin as Mask
3. Memory Projection Surfaces: Photographic Reflections on "Second Skins"
Conclusion
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
art history;painting;race;Caucasian;white supremacy;racism;pale skin;artists;beauty;color;mixed media;collage;photocollage;photography;artwork;installation;modern art;modernism;flesh;body;Europe;North America;ethnicity;James Luna;Angelica Dass;Pantone;Alba dUrbano;clothing;Tau Lewis;nude;portrait;politics;Fang Lijun;Kerry James Marshall;Asian;African American;black;blackness;Wanda Tuerlinckx;posthuman;Njideka Akunyili Crosby;video art;performance art;Louise Potiki Bryant;Maori;New Zealand;United States;Tishan Hsu;China;screen