Shakespeare and Emotional Expression
portes grátis
Shakespeare and Emotional Expression
Finding Feeling through Colour
Phillips, Brid
Taylor & Francis Ltd
09/2023
176
Mole
Inglês
9781032055954
15 a 20 dias
Descrição não disponível.
Introduction: The expression of emotion through systems of colour: Uncovering ways of feeling
Chapter One: 'And weep to hear him speak': Colour, emotion, and rhetoric in Titus Andronicus
Chapter 2: 'For blushing cheeks by faults are bred / And fears by pale white shown': Reading the face for colour and emotion in Love's Labour's Lost
Chapter 3: 'There's something in his soul / O'er which his melancholy sits on brood': Senses, science, and the Imagination
Chapter 4: 'Not black in my mind, though yellow in my legs': Bodies, clothes, colour, and passions in Twelfth Night
Chapter 5: 'O well-painted passion': Cultural commonplaces of colour and affective patterns in Othello
Afterword
Chapter One: 'And weep to hear him speak': Colour, emotion, and rhetoric in Titus Andronicus
Chapter 2: 'For blushing cheeks by faults are bred / And fears by pale white shown': Reading the face for colour and emotion in Love's Labour's Lost
Chapter 3: 'There's something in his soul / O'er which his melancholy sits on brood': Senses, science, and the Imagination
Chapter 4: 'Not black in my mind, though yellow in my legs': Bodies, clothes, colour, and passions in Twelfth Night
Chapter 5: 'O well-painted passion': Cultural commonplaces of colour and affective patterns in Othello
Afterword
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early modern drama;affect theory;literary semiotics;cultural history of emotions;chromatic symbolism;Shakespearean performance studies;color emotion analysis in literature
Introduction: The expression of emotion through systems of colour: Uncovering ways of feeling
Chapter One: 'And weep to hear him speak': Colour, emotion, and rhetoric in Titus Andronicus
Chapter 2: 'For blushing cheeks by faults are bred / And fears by pale white shown': Reading the face for colour and emotion in Love's Labour's Lost
Chapter 3: 'There's something in his soul / O'er which his melancholy sits on brood': Senses, science, and the Imagination
Chapter 4: 'Not black in my mind, though yellow in my legs': Bodies, clothes, colour, and passions in Twelfth Night
Chapter 5: 'O well-painted passion': Cultural commonplaces of colour and affective patterns in Othello
Afterword
Chapter One: 'And weep to hear him speak': Colour, emotion, and rhetoric in Titus Andronicus
Chapter 2: 'For blushing cheeks by faults are bred / And fears by pale white shown': Reading the face for colour and emotion in Love's Labour's Lost
Chapter 3: 'There's something in his soul / O'er which his melancholy sits on brood': Senses, science, and the Imagination
Chapter 4: 'Not black in my mind, though yellow in my legs': Bodies, clothes, colour, and passions in Twelfth Night
Chapter 5: 'O well-painted passion': Cultural commonplaces of colour and affective patterns in Othello
Afterword
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
