Shakespeare Studies
portes grátis
Shakespeare Studies
Volume 53
Siemon, James R.; Henderson, Diana E.
Associated University Presses
04/2026
296
Dura
Inglês
9781683939917
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
FORUM Marlowe Revisited: Text, Performance, Legacy
Introduction
Lucy Munro, King's College London, UK
Desunt Nonnulla: Unfinishing Hero and Leander
Adam Zucker, University of Massachusetts Amherst, US
"The closet of my heart": Letters, Secretariats, and Erotic Encryption in Edward II
Kerry Cooke, Mary Baldwin University, US
Marlowe's Mighty Scaffolded Line: Christopher Marlowe, Training Practices, and the Playing Companies of Elizabethan London
Hannah L. Wilson, King's College London, UK
"Here have I made a dainty gallery": Playhouse Space and Performance in The Jew of Malta
Cecilia Lindskog Whiteley, Uppsala University, Sweden
"And yet they thrust not home": The Swords of the Marlovian Stage
Jade Standing, Queen's University, Canada
How to Burn a Character on the Early Modern Stage: Fire in Dido, Queen of Carthage
Kitamura Sae, Trinity College Dublin, Ireland
The Extra Devil, Revisited
Christine Varnado, University at Buffalo-SUNY, US
"Redress these wrongs and warn him to his ships": Slave Trade Routes, the Maltese Ship Carriere, and Marlowe's Dido, Queen of Carthage
Lisa M. Barksdale-Shaw, Arizona State University, US
NEXT GENERATION PLENARY
Introduction
Cuckold Communities in the Kinky Early Modern
Erika Carbonara, Kalamazoo College, US
Three Copies of Ovid's Metamorphoses
Margaux Delaney, Cornell University, US
Skin Coats and the Texture of Race in Stuart Masques
Lily Freeman-Jones, Queen Mary University of London, UK
Cleopatra's "Immoment Toys"
Arya Sureshbabu, University of California, Berkeley, US
ARTICLES
"you perform your Antique round": Taking the Measure of Tyranny for a Twenty-First Century Macbeth
Andrew Hiscock, Bangor University, Wales, UK
Becoming Tricky in Measure for Measure: Isabella's Silences Revisited
Laura Kolb, Baruch College, CUNY, US
Two Knacks in The Winter's Tale
Jessica M. Rosenberg, Cornell University, US
Virtuous Attention: Desire, Knowledge, and Compassion in Much Ado about Nothing
Kelly Lehtonen, Campbellsville University, US
"It was a torment/ To lay upon the damned": Ariel and Trauma in The Tempest
Kelsey Ridge, Alvernia University, US
REVIEWS
Staging Female Characters in Shakespeare's English History Plays
By Hailey Bachrach
Reviewer: Phyllis Rackin, University of Pennsylvania, US
Shakespeare Through Islamic Worlds
By Ambereen Dadabhoy
Reviewer: Bernadette Andrea, University of California, Santa Barbara, US
Generic Innovation in Shakespeare and His Contemporaries
By Edward Gieskes
Reviewer: Laurie Johnson, University of Southern Queensland, Australia
The Bard in the Borderlands: An Anthology of Shakespeare Appropriations En La Frontera, Volume 1
Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos
Reviewer: Vanessa I. Corredera, Andrews University, US
The Great White Bard: How to Love Shakespeare While Talking About Race
By Farah Karim-Cooper
and
Shakespeare's White Others
By David Sterling Brown
Reviewer: Joyce Green MacDonald, University of Kentucky, US
Wartime Shakespeare: Performing Narratives of Conflict
By Amy Lidster
Reviewer: Nicholas Utzig, U.S. Military Academy West Point, US
Shakespeare on the Ecological Surface
By Liz Oakley-Brown
Reviewer: Karen Raber, University of Mississippi, US
INDEX
ABOUT THE EDITORS AND CONTRIBUTORS
Introduction
Lucy Munro, King's College London, UK
Desunt Nonnulla: Unfinishing Hero and Leander
Adam Zucker, University of Massachusetts Amherst, US
"The closet of my heart": Letters, Secretariats, and Erotic Encryption in Edward II
Kerry Cooke, Mary Baldwin University, US
Marlowe's Mighty Scaffolded Line: Christopher Marlowe, Training Practices, and the Playing Companies of Elizabethan London
Hannah L. Wilson, King's College London, UK
"Here have I made a dainty gallery": Playhouse Space and Performance in The Jew of Malta
Cecilia Lindskog Whiteley, Uppsala University, Sweden
"And yet they thrust not home": The Swords of the Marlovian Stage
Jade Standing, Queen's University, Canada
How to Burn a Character on the Early Modern Stage: Fire in Dido, Queen of Carthage
Kitamura Sae, Trinity College Dublin, Ireland
The Extra Devil, Revisited
Christine Varnado, University at Buffalo-SUNY, US
"Redress these wrongs and warn him to his ships": Slave Trade Routes, the Maltese Ship Carriere, and Marlowe's Dido, Queen of Carthage
Lisa M. Barksdale-Shaw, Arizona State University, US
NEXT GENERATION PLENARY
Introduction
Cuckold Communities in the Kinky Early Modern
Erika Carbonara, Kalamazoo College, US
Three Copies of Ovid's Metamorphoses
Margaux Delaney, Cornell University, US
Skin Coats and the Texture of Race in Stuart Masques
Lily Freeman-Jones, Queen Mary University of London, UK
Cleopatra's "Immoment Toys"
Arya Sureshbabu, University of California, Berkeley, US
ARTICLES
"you perform your Antique round": Taking the Measure of Tyranny for a Twenty-First Century Macbeth
Andrew Hiscock, Bangor University, Wales, UK
Becoming Tricky in Measure for Measure: Isabella's Silences Revisited
Laura Kolb, Baruch College, CUNY, US
Two Knacks in The Winter's Tale
Jessica M. Rosenberg, Cornell University, US
Virtuous Attention: Desire, Knowledge, and Compassion in Much Ado about Nothing
Kelly Lehtonen, Campbellsville University, US
"It was a torment/ To lay upon the damned": Ariel and Trauma in The Tempest
Kelsey Ridge, Alvernia University, US
REVIEWS
Staging Female Characters in Shakespeare's English History Plays
By Hailey Bachrach
Reviewer: Phyllis Rackin, University of Pennsylvania, US
Shakespeare Through Islamic Worlds
By Ambereen Dadabhoy
Reviewer: Bernadette Andrea, University of California, Santa Barbara, US
Generic Innovation in Shakespeare and His Contemporaries
By Edward Gieskes
Reviewer: Laurie Johnson, University of Southern Queensland, Australia
The Bard in the Borderlands: An Anthology of Shakespeare Appropriations En La Frontera, Volume 1
Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos
Reviewer: Vanessa I. Corredera, Andrews University, US
The Great White Bard: How to Love Shakespeare While Talking About Race
By Farah Karim-Cooper
and
Shakespeare's White Others
By David Sterling Brown
Reviewer: Joyce Green MacDonald, University of Kentucky, US
Wartime Shakespeare: Performing Narratives of Conflict
By Amy Lidster
Reviewer: Nicholas Utzig, U.S. Military Academy West Point, US
Shakespeare on the Ecological Surface
By Liz Oakley-Brown
Reviewer: Karen Raber, University of Mississippi, US
INDEX
ABOUT THE EDITORS AND CONTRIBUTORS
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Shakespearean; Shakespeare; Drama; England; Theater studies; theater history, literary studies; literature; essays; book reviews; Early Modern Literature; Early Modern Culture; Renaissance; Renaissance Drama; Renaissance Drama performance
FORUM Marlowe Revisited: Text, Performance, Legacy
Introduction
Lucy Munro, King's College London, UK
Desunt Nonnulla: Unfinishing Hero and Leander
Adam Zucker, University of Massachusetts Amherst, US
"The closet of my heart": Letters, Secretariats, and Erotic Encryption in Edward II
Kerry Cooke, Mary Baldwin University, US
Marlowe's Mighty Scaffolded Line: Christopher Marlowe, Training Practices, and the Playing Companies of Elizabethan London
Hannah L. Wilson, King's College London, UK
"Here have I made a dainty gallery": Playhouse Space and Performance in The Jew of Malta
Cecilia Lindskog Whiteley, Uppsala University, Sweden
"And yet they thrust not home": The Swords of the Marlovian Stage
Jade Standing, Queen's University, Canada
How to Burn a Character on the Early Modern Stage: Fire in Dido, Queen of Carthage
Kitamura Sae, Trinity College Dublin, Ireland
The Extra Devil, Revisited
Christine Varnado, University at Buffalo-SUNY, US
"Redress these wrongs and warn him to his ships": Slave Trade Routes, the Maltese Ship Carriere, and Marlowe's Dido, Queen of Carthage
Lisa M. Barksdale-Shaw, Arizona State University, US
NEXT GENERATION PLENARY
Introduction
Cuckold Communities in the Kinky Early Modern
Erika Carbonara, Kalamazoo College, US
Three Copies of Ovid's Metamorphoses
Margaux Delaney, Cornell University, US
Skin Coats and the Texture of Race in Stuart Masques
Lily Freeman-Jones, Queen Mary University of London, UK
Cleopatra's "Immoment Toys"
Arya Sureshbabu, University of California, Berkeley, US
ARTICLES
"you perform your Antique round": Taking the Measure of Tyranny for a Twenty-First Century Macbeth
Andrew Hiscock, Bangor University, Wales, UK
Becoming Tricky in Measure for Measure: Isabella's Silences Revisited
Laura Kolb, Baruch College, CUNY, US
Two Knacks in The Winter's Tale
Jessica M. Rosenberg, Cornell University, US
Virtuous Attention: Desire, Knowledge, and Compassion in Much Ado about Nothing
Kelly Lehtonen, Campbellsville University, US
"It was a torment/ To lay upon the damned": Ariel and Trauma in The Tempest
Kelsey Ridge, Alvernia University, US
REVIEWS
Staging Female Characters in Shakespeare's English History Plays
By Hailey Bachrach
Reviewer: Phyllis Rackin, University of Pennsylvania, US
Shakespeare Through Islamic Worlds
By Ambereen Dadabhoy
Reviewer: Bernadette Andrea, University of California, Santa Barbara, US
Generic Innovation in Shakespeare and His Contemporaries
By Edward Gieskes
Reviewer: Laurie Johnson, University of Southern Queensland, Australia
The Bard in the Borderlands: An Anthology of Shakespeare Appropriations En La Frontera, Volume 1
Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos
Reviewer: Vanessa I. Corredera, Andrews University, US
The Great White Bard: How to Love Shakespeare While Talking About Race
By Farah Karim-Cooper
and
Shakespeare's White Others
By David Sterling Brown
Reviewer: Joyce Green MacDonald, University of Kentucky, US
Wartime Shakespeare: Performing Narratives of Conflict
By Amy Lidster
Reviewer: Nicholas Utzig, U.S. Military Academy West Point, US
Shakespeare on the Ecological Surface
By Liz Oakley-Brown
Reviewer: Karen Raber, University of Mississippi, US
INDEX
ABOUT THE EDITORS AND CONTRIBUTORS
Introduction
Lucy Munro, King's College London, UK
Desunt Nonnulla: Unfinishing Hero and Leander
Adam Zucker, University of Massachusetts Amherst, US
"The closet of my heart": Letters, Secretariats, and Erotic Encryption in Edward II
Kerry Cooke, Mary Baldwin University, US
Marlowe's Mighty Scaffolded Line: Christopher Marlowe, Training Practices, and the Playing Companies of Elizabethan London
Hannah L. Wilson, King's College London, UK
"Here have I made a dainty gallery": Playhouse Space and Performance in The Jew of Malta
Cecilia Lindskog Whiteley, Uppsala University, Sweden
"And yet they thrust not home": The Swords of the Marlovian Stage
Jade Standing, Queen's University, Canada
How to Burn a Character on the Early Modern Stage: Fire in Dido, Queen of Carthage
Kitamura Sae, Trinity College Dublin, Ireland
The Extra Devil, Revisited
Christine Varnado, University at Buffalo-SUNY, US
"Redress these wrongs and warn him to his ships": Slave Trade Routes, the Maltese Ship Carriere, and Marlowe's Dido, Queen of Carthage
Lisa M. Barksdale-Shaw, Arizona State University, US
NEXT GENERATION PLENARY
Introduction
Cuckold Communities in the Kinky Early Modern
Erika Carbonara, Kalamazoo College, US
Three Copies of Ovid's Metamorphoses
Margaux Delaney, Cornell University, US
Skin Coats and the Texture of Race in Stuart Masques
Lily Freeman-Jones, Queen Mary University of London, UK
Cleopatra's "Immoment Toys"
Arya Sureshbabu, University of California, Berkeley, US
ARTICLES
"you perform your Antique round": Taking the Measure of Tyranny for a Twenty-First Century Macbeth
Andrew Hiscock, Bangor University, Wales, UK
Becoming Tricky in Measure for Measure: Isabella's Silences Revisited
Laura Kolb, Baruch College, CUNY, US
Two Knacks in The Winter's Tale
Jessica M. Rosenberg, Cornell University, US
Virtuous Attention: Desire, Knowledge, and Compassion in Much Ado about Nothing
Kelly Lehtonen, Campbellsville University, US
"It was a torment/ To lay upon the damned": Ariel and Trauma in The Tempest
Kelsey Ridge, Alvernia University, US
REVIEWS
Staging Female Characters in Shakespeare's English History Plays
By Hailey Bachrach
Reviewer: Phyllis Rackin, University of Pennsylvania, US
Shakespeare Through Islamic Worlds
By Ambereen Dadabhoy
Reviewer: Bernadette Andrea, University of California, Santa Barbara, US
Generic Innovation in Shakespeare and His Contemporaries
By Edward Gieskes
Reviewer: Laurie Johnson, University of Southern Queensland, Australia
The Bard in the Borderlands: An Anthology of Shakespeare Appropriations En La Frontera, Volume 1
Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos
Reviewer: Vanessa I. Corredera, Andrews University, US
The Great White Bard: How to Love Shakespeare While Talking About Race
By Farah Karim-Cooper
and
Shakespeare's White Others
By David Sterling Brown
Reviewer: Joyce Green MacDonald, University of Kentucky, US
Wartime Shakespeare: Performing Narratives of Conflict
By Amy Lidster
Reviewer: Nicholas Utzig, U.S. Military Academy West Point, US
Shakespeare on the Ecological Surface
By Liz Oakley-Brown
Reviewer: Karen Raber, University of Mississippi, US
INDEX
ABOUT THE EDITORS AND CONTRIBUTORS
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
