Routledge Companion to Performance and Technology
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Routledge Companion to Performance and Technology
Shaw, Norah Zuniga; Bleeker, Maaike
Taylor & Francis Ltd
04/2026
936
Dura
Inglês
9781032678603
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Acknowledgements
Contributors Biography
Introduction
Chapter 1: Postdigital Performance by Matthew Causey
Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz
Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt
Chapter 4: Laszlo Moholy-Nagy's "Theatre of Totality" by Sue Broadhurst
Chapter 5: The Digital Double by Steve Dixon
Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman
Chapter 7: Soulcraft by Reginold A. Royston
Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum
Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller
Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole
Chapter 11: Performing 'Art and Technology' in Cold War America by Douglas Eacho
Chapter 12: Performance After Automation by Nicholas Ridout
Chapter 13: Dancing and Cameras by Bill T. Jones
Chapter 14: Choreographing Technology, A Dialog with Bebe Miller
Chapter 15: Animate by Timothy Thomasson and Chris Salter
Chapter 16: Body and Shadow by Katherine Graham
Chapter 17: On The Notion of Verticality in Dramaturgy by Joergen Dahlqvist
Chapter 18: Invisible Performers by Kent Olofsson
Chapter 19: Feminist Unboxing by Jessica J. Rajko
Chapter 20: Yanira Castro Dialog by Norah Zuniga Shaw
Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray
Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich
Chapter 23: Choreoauratic Frequencies by Becca Woods
Chapter 24: The Spectatorial Body in Multimedia Performance by Jennifer Parker-Starbuck
Chapter 25: But How Will They Know It's Live? by Jessica Del Vecchio and Eammon Farrell
Chapter 26: The Digital Double as a Choreographic Technique by Suparna Banerjee
Chapter 27: Dramaturgy of Technological Absence by Seda Ilter
Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle
Chapter 29: Access, Performance, Technology by Alice Sheppard
Chapter 30: Utterances of Global Futurisms by Bhumi B Patel
Chapter 31: Performing Telepresence by Evelyn Wan
Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens
Chapter 33: Critical Techno-dramaturgy by Stephen Fernandez
Chapter 34: The Theatricality of Mindar, Kodai-ji Temple's Android Buddhist Priest by Yuji Sone
Chapter 35: Technologies of Community by Thomas F. Defrantz
Chapter 36: Cultural Dreams of Datafied Bodies by Laura Karreman
Chapter 37: 'In the Half-Light' by Susan Kozel
Chapter 38: Landing and Dispersing at the Same Time by Ruth Gibson and Jenny Roche
Chapter 39: Attending to the Dandelions by Lyndsey Vader
Chapter 40: Black Haptics by Andre M. Zachery
Chapter 41: Performance as an act of Generosity by Christina Chau and Helena Grehan
Chapter 42: Technopoetics of Togetherness by Marcela A. Fuentes
Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and including passages by Dr. Ketu Katrak
Chapter 44: Addenda, Phenomenology, Embodiment by Petra Kuppers
Chapter 45: Blast Theory's Karen by Neill O'Dwyer
Chapter 46: A Bed of One's Own by Eirini Nedelkopoulou
Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim
Chapter 48: Performing Counterhistory by Gabriela Trigo-McIntyre
Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler
Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela
Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall
Chapter 52: Playing at Performance by Kiri Miller
Chapter 53: STEPS by Paul Kaiser
Chapter 54: Just Moves? By Harmony Bench
Chapter 55: TikTok and Short-Form Screendance Before and After Covid by Alexandra Harlig
Chapter 56: Data Drama by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu
Index
Contributors Biography
Introduction
Chapter 1: Postdigital Performance by Matthew Causey
Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz
Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt
Chapter 4: Laszlo Moholy-Nagy's "Theatre of Totality" by Sue Broadhurst
Chapter 5: The Digital Double by Steve Dixon
Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman
Chapter 7: Soulcraft by Reginold A. Royston
Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum
Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller
Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole
Chapter 11: Performing 'Art and Technology' in Cold War America by Douglas Eacho
Chapter 12: Performance After Automation by Nicholas Ridout
Chapter 13: Dancing and Cameras by Bill T. Jones
Chapter 14: Choreographing Technology, A Dialog with Bebe Miller
Chapter 15: Animate by Timothy Thomasson and Chris Salter
Chapter 16: Body and Shadow by Katherine Graham
Chapter 17: On The Notion of Verticality in Dramaturgy by Joergen Dahlqvist
Chapter 18: Invisible Performers by Kent Olofsson
Chapter 19: Feminist Unboxing by Jessica J. Rajko
Chapter 20: Yanira Castro Dialog by Norah Zuniga Shaw
Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray
Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich
Chapter 23: Choreoauratic Frequencies by Becca Woods
Chapter 24: The Spectatorial Body in Multimedia Performance by Jennifer Parker-Starbuck
Chapter 25: But How Will They Know It's Live? by Jessica Del Vecchio and Eammon Farrell
Chapter 26: The Digital Double as a Choreographic Technique by Suparna Banerjee
Chapter 27: Dramaturgy of Technological Absence by Seda Ilter
Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle
Chapter 29: Access, Performance, Technology by Alice Sheppard
Chapter 30: Utterances of Global Futurisms by Bhumi B Patel
Chapter 31: Performing Telepresence by Evelyn Wan
Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens
Chapter 33: Critical Techno-dramaturgy by Stephen Fernandez
Chapter 34: The Theatricality of Mindar, Kodai-ji Temple's Android Buddhist Priest by Yuji Sone
Chapter 35: Technologies of Community by Thomas F. Defrantz
Chapter 36: Cultural Dreams of Datafied Bodies by Laura Karreman
Chapter 37: 'In the Half-Light' by Susan Kozel
Chapter 38: Landing and Dispersing at the Same Time by Ruth Gibson and Jenny Roche
Chapter 39: Attending to the Dandelions by Lyndsey Vader
Chapter 40: Black Haptics by Andre M. Zachery
Chapter 41: Performance as an act of Generosity by Christina Chau and Helena Grehan
Chapter 42: Technopoetics of Togetherness by Marcela A. Fuentes
Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and including passages by Dr. Ketu Katrak
Chapter 44: Addenda, Phenomenology, Embodiment by Petra Kuppers
Chapter 45: Blast Theory's Karen by Neill O'Dwyer
Chapter 46: A Bed of One's Own by Eirini Nedelkopoulou
Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim
Chapter 48: Performing Counterhistory by Gabriela Trigo-McIntyre
Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler
Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela
Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall
Chapter 52: Playing at Performance by Kiri Miller
Chapter 53: STEPS by Paul Kaiser
Chapter 54: Just Moves? By Harmony Bench
Chapter 55: TikTok and Short-Form Screendance Before and After Covid by Alexandra Harlig
Chapter 56: Data Drama by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
digital dramaturgy;intermedial performance;algorithmic art;immersive environments;posthuman aesthetics;choreographic interfaces;interactive media in live performance
Acknowledgements
Contributors Biography
Introduction
Chapter 1: Postdigital Performance by Matthew Causey
Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz
Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt
Chapter 4: Laszlo Moholy-Nagy's "Theatre of Totality" by Sue Broadhurst
Chapter 5: The Digital Double by Steve Dixon
Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman
Chapter 7: Soulcraft by Reginold A. Royston
Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum
Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller
Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole
Chapter 11: Performing 'Art and Technology' in Cold War America by Douglas Eacho
Chapter 12: Performance After Automation by Nicholas Ridout
Chapter 13: Dancing and Cameras by Bill T. Jones
Chapter 14: Choreographing Technology, A Dialog with Bebe Miller
Chapter 15: Animate by Timothy Thomasson and Chris Salter
Chapter 16: Body and Shadow by Katherine Graham
Chapter 17: On The Notion of Verticality in Dramaturgy by Joergen Dahlqvist
Chapter 18: Invisible Performers by Kent Olofsson
Chapter 19: Feminist Unboxing by Jessica J. Rajko
Chapter 20: Yanira Castro Dialog by Norah Zuniga Shaw
Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray
Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich
Chapter 23: Choreoauratic Frequencies by Becca Woods
Chapter 24: The Spectatorial Body in Multimedia Performance by Jennifer Parker-Starbuck
Chapter 25: But How Will They Know It's Live? by Jessica Del Vecchio and Eammon Farrell
Chapter 26: The Digital Double as a Choreographic Technique by Suparna Banerjee
Chapter 27: Dramaturgy of Technological Absence by Seda Ilter
Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle
Chapter 29: Access, Performance, Technology by Alice Sheppard
Chapter 30: Utterances of Global Futurisms by Bhumi B Patel
Chapter 31: Performing Telepresence by Evelyn Wan
Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens
Chapter 33: Critical Techno-dramaturgy by Stephen Fernandez
Chapter 34: The Theatricality of Mindar, Kodai-ji Temple's Android Buddhist Priest by Yuji Sone
Chapter 35: Technologies of Community by Thomas F. Defrantz
Chapter 36: Cultural Dreams of Datafied Bodies by Laura Karreman
Chapter 37: 'In the Half-Light' by Susan Kozel
Chapter 38: Landing and Dispersing at the Same Time by Ruth Gibson and Jenny Roche
Chapter 39: Attending to the Dandelions by Lyndsey Vader
Chapter 40: Black Haptics by Andre M. Zachery
Chapter 41: Performance as an act of Generosity by Christina Chau and Helena Grehan
Chapter 42: Technopoetics of Togetherness by Marcela A. Fuentes
Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and including passages by Dr. Ketu Katrak
Chapter 44: Addenda, Phenomenology, Embodiment by Petra Kuppers
Chapter 45: Blast Theory's Karen by Neill O'Dwyer
Chapter 46: A Bed of One's Own by Eirini Nedelkopoulou
Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim
Chapter 48: Performing Counterhistory by Gabriela Trigo-McIntyre
Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler
Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela
Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall
Chapter 52: Playing at Performance by Kiri Miller
Chapter 53: STEPS by Paul Kaiser
Chapter 54: Just Moves? By Harmony Bench
Chapter 55: TikTok and Short-Form Screendance Before and After Covid by Alexandra Harlig
Chapter 56: Data Drama by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu
Index
Contributors Biography
Introduction
Chapter 1: Postdigital Performance by Matthew Causey
Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz
Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt
Chapter 4: Laszlo Moholy-Nagy's "Theatre of Totality" by Sue Broadhurst
Chapter 5: The Digital Double by Steve Dixon
Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman
Chapter 7: Soulcraft by Reginold A. Royston
Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum
Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller
Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole
Chapter 11: Performing 'Art and Technology' in Cold War America by Douglas Eacho
Chapter 12: Performance After Automation by Nicholas Ridout
Chapter 13: Dancing and Cameras by Bill T. Jones
Chapter 14: Choreographing Technology, A Dialog with Bebe Miller
Chapter 15: Animate by Timothy Thomasson and Chris Salter
Chapter 16: Body and Shadow by Katherine Graham
Chapter 17: On The Notion of Verticality in Dramaturgy by Joergen Dahlqvist
Chapter 18: Invisible Performers by Kent Olofsson
Chapter 19: Feminist Unboxing by Jessica J. Rajko
Chapter 20: Yanira Castro Dialog by Norah Zuniga Shaw
Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray
Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich
Chapter 23: Choreoauratic Frequencies by Becca Woods
Chapter 24: The Spectatorial Body in Multimedia Performance by Jennifer Parker-Starbuck
Chapter 25: But How Will They Know It's Live? by Jessica Del Vecchio and Eammon Farrell
Chapter 26: The Digital Double as a Choreographic Technique by Suparna Banerjee
Chapter 27: Dramaturgy of Technological Absence by Seda Ilter
Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle
Chapter 29: Access, Performance, Technology by Alice Sheppard
Chapter 30: Utterances of Global Futurisms by Bhumi B Patel
Chapter 31: Performing Telepresence by Evelyn Wan
Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens
Chapter 33: Critical Techno-dramaturgy by Stephen Fernandez
Chapter 34: The Theatricality of Mindar, Kodai-ji Temple's Android Buddhist Priest by Yuji Sone
Chapter 35: Technologies of Community by Thomas F. Defrantz
Chapter 36: Cultural Dreams of Datafied Bodies by Laura Karreman
Chapter 37: 'In the Half-Light' by Susan Kozel
Chapter 38: Landing and Dispersing at the Same Time by Ruth Gibson and Jenny Roche
Chapter 39: Attending to the Dandelions by Lyndsey Vader
Chapter 40: Black Haptics by Andre M. Zachery
Chapter 41: Performance as an act of Generosity by Christina Chau and Helena Grehan
Chapter 42: Technopoetics of Togetherness by Marcela A. Fuentes
Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and including passages by Dr. Ketu Katrak
Chapter 44: Addenda, Phenomenology, Embodiment by Petra Kuppers
Chapter 45: Blast Theory's Karen by Neill O'Dwyer
Chapter 46: A Bed of One's Own by Eirini Nedelkopoulou
Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim
Chapter 48: Performing Counterhistory by Gabriela Trigo-McIntyre
Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler
Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela
Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall
Chapter 52: Playing at Performance by Kiri Miller
Chapter 53: STEPS by Paul Kaiser
Chapter 54: Just Moves? By Harmony Bench
Chapter 55: TikTok and Short-Form Screendance Before and After Covid by Alexandra Harlig
Chapter 56: Data Drama by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu
Index
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