Rise Up

Foreword by Luke Syson, Director of the Fitzwilliam Museum

Essays
1. Equiano and Cambridge by Victoria Avery
2. Marronage: Sites of Resistance by Wanja Kimani
3. Art and Visual Culture
4. Literary Culture and Performativity
5. Cambridge University Legacies from the slave trade

Artists' Voices
Artist 1: Joy Labinjo
Artist 2: Keith Piper
Artist 3: Grada Kilomba
Artist 4: Kimathi Donkor
Artist 5: Jahnavi Inniss
Artist 6: Kerry James Marshall

CATALOGUE
Introduction: A Cambridgeshire Family

1: Enslavement & Resistance in the Black Atlantic
1.1: Olaudah Equiano's Roots
1.2: The 'Africa Trade'
1.3: British Colonial Plantations in the Caribbean
1.4: Resistance

2: The British Anti-Slave Trade Campaign
2.1: Black Georgians & Black Abolitionists
2.2: Equiano, Cambridge & Abolitionism Sub-section
2.3: Towards the Abolition of the Slave Trade Act, 1807

3: Britain's Black Colonies
3.1: Nova Scotia
3.2: Sierra Leone

4: Revolutions in the Caribbean
4.1: Haiti
4.2: Barbados, Guyana & Jamaica

5: Abolition of British Colonial Slavery & its Legacies
5.1: Women's Activism & the Abolition of Slavery Act, 1833
5.2: Aftermath: Apprenticeship, Indenture & Compensation
5.3: Black Presence in Cambridge

Conclusion: Moving Forward

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• Colonialismo, imperialismo e
• Catálogos de exposições e colecções específicas
• Escravidão e abolição da escravatura
• Historiografia
• Historia da arte / estilos de arte e design
• Museus e museologia
• História africana
• História da Europa

abolitionist; Haiti; Barbados; Guyana; Jamaica; plantations; rebellion; slavery; Black; colonialism; imperialism; art; America; justice; legacy; Africa; Empire; transatlantic; racist; empire; Equiano; freedom; Cambridge; university; exploitation; Sierra Leone; women's activism