Rhythm Changes
portes grátis
Rhythm Changes
Jazz, Culture, Discourse
Stanbridge, Alan
Taylor & Francis Ltd
03/2023
362
Dura
Inglês
9781032251899
15 a 20 dias
Descrição não disponível.
Introduction: The Persistence of Authenticity
1. The Challenge of the Past: Jazz, Parody, and Jazz Discourse
They Brainwash and Teach You Hate: From Parody to Protest
It Ain't Necessarily So: From Caricature to Celebration
In a Sentimental Mood: From Ridicule to Romanticism
Notes
2. A Few of My Favorite Things: Analyzing Jazz, Interpreting Irony, Assessing Value
"Saying Something": Coltrane, Irony, and 'My Favorite Things'
"White Things," Black Things, and a Few Other Things
"Undeniable Qualities": Homage, Value-For, and Ideological Hegemony
"Myriad Subtleties," Bebop Parody, and the Question of Context
"We're in the Money": Irony, Complexity, and Social Normativity
Notes
3. My Only Sunshine: Jazz, Country Music, George Russell, and Musical Meaning
Way Out West: From Cowhand Sonny to Dangerous Davey
Cowboy Favorites: Jazz Meets Country Music
You Are My Sunshine: From Singing Cowboys to Gassed Soulsters
Happy Endings: George Russell Meets 'You Are My Sunshine'
Sunshine Redux: From Kiddies Songs to Kitchen Appliances
Notes
4. Divine Revelations: Keith Jarrett, Acoustic Authenticity, and Romantic Genius
Fun With Toys: Miles, Electricity, and Acoustic Relief
A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Emphysemic Goats
Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy
Blessed With Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich
Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche
Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage
Notes
5. The Body Electric: Music, Machines, and Mechanical Reproduction
I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers
Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form
Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery
Essential and Divine: Faithful Fidelity, Analogue Authenticity, and "exactly what was played"
Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording
Notes
6. Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate
Getting To Know You: The 'Afrological,' the 'Eurological,' and the Illogical
The Anxiety of Affluence: Race, Class, and European 'Privilege'
A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors
The Emancipation Problem: African American Models and German Belligerents
A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music
Networks of Power: Whiteness, Erasure, and World Harmony
Postscript: Say It Loud, I'm British and I'm Proud
Notes
References
Discography
Filmography
1. The Challenge of the Past: Jazz, Parody, and Jazz Discourse
They Brainwash and Teach You Hate: From Parody to Protest
It Ain't Necessarily So: From Caricature to Celebration
In a Sentimental Mood: From Ridicule to Romanticism
Notes
2. A Few of My Favorite Things: Analyzing Jazz, Interpreting Irony, Assessing Value
"Saying Something": Coltrane, Irony, and 'My Favorite Things'
"White Things," Black Things, and a Few Other Things
"Undeniable Qualities": Homage, Value-For, and Ideological Hegemony
"Myriad Subtleties," Bebop Parody, and the Question of Context
"We're in the Money": Irony, Complexity, and Social Normativity
Notes
3. My Only Sunshine: Jazz, Country Music, George Russell, and Musical Meaning
Way Out West: From Cowhand Sonny to Dangerous Davey
Cowboy Favorites: Jazz Meets Country Music
You Are My Sunshine: From Singing Cowboys to Gassed Soulsters
Happy Endings: George Russell Meets 'You Are My Sunshine'
Sunshine Redux: From Kiddies Songs to Kitchen Appliances
Notes
4. Divine Revelations: Keith Jarrett, Acoustic Authenticity, and Romantic Genius
Fun With Toys: Miles, Electricity, and Acoustic Relief
A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Emphysemic Goats
Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy
Blessed With Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich
Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche
Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage
Notes
5. The Body Electric: Music, Machines, and Mechanical Reproduction
I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers
Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form
Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery
Essential and Divine: Faithful Fidelity, Analogue Authenticity, and "exactly what was played"
Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording
Notes
6. Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate
Getting To Know You: The 'Afrological,' the 'Eurological,' and the Illogical
The Anxiety of Affluence: Race, Class, and European 'Privilege'
A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors
The Emancipation Problem: African American Models and German Belligerents
A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music
Networks of Power: Whiteness, Erasure, and World Harmony
Postscript: Say It Loud, I'm British and I'm Proud
Notes
References
Discography
Filmography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
jazz history;musical form;nationalism;jazz studies;romanticism;Broadway musicals;cultural analysis;class;Satiric Parody;Liner Notes;Country Music;Improvised Music;Free Improvisation;Trevor Watts;Lennie Tristano;Free Jazz;Wild Man;Jazz Messengers;Willem Breuker;Sheila Jordan;Gold Diggers;Favorite Things;Yankee Doodle;Improvised Music Scenes;Vienna Concert;Acoustic Piano;West Germany;Ironic Parody;Hard Bop;Forgotten Man;Wagon Wheels;Eric Dolphy
Introduction: The Persistence of Authenticity
1. The Challenge of the Past: Jazz, Parody, and Jazz Discourse
They Brainwash and Teach You Hate: From Parody to Protest
It Ain't Necessarily So: From Caricature to Celebration
In a Sentimental Mood: From Ridicule to Romanticism
Notes
2. A Few of My Favorite Things: Analyzing Jazz, Interpreting Irony, Assessing Value
"Saying Something": Coltrane, Irony, and 'My Favorite Things'
"White Things," Black Things, and a Few Other Things
"Undeniable Qualities": Homage, Value-For, and Ideological Hegemony
"Myriad Subtleties," Bebop Parody, and the Question of Context
"We're in the Money": Irony, Complexity, and Social Normativity
Notes
3. My Only Sunshine: Jazz, Country Music, George Russell, and Musical Meaning
Way Out West: From Cowhand Sonny to Dangerous Davey
Cowboy Favorites: Jazz Meets Country Music
You Are My Sunshine: From Singing Cowboys to Gassed Soulsters
Happy Endings: George Russell Meets 'You Are My Sunshine'
Sunshine Redux: From Kiddies Songs to Kitchen Appliances
Notes
4. Divine Revelations: Keith Jarrett, Acoustic Authenticity, and Romantic Genius
Fun With Toys: Miles, Electricity, and Acoustic Relief
A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Emphysemic Goats
Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy
Blessed With Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich
Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche
Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage
Notes
5. The Body Electric: Music, Machines, and Mechanical Reproduction
I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers
Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form
Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery
Essential and Divine: Faithful Fidelity, Analogue Authenticity, and "exactly what was played"
Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording
Notes
6. Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate
Getting To Know You: The 'Afrological,' the 'Eurological,' and the Illogical
The Anxiety of Affluence: Race, Class, and European 'Privilege'
A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors
The Emancipation Problem: African American Models and German Belligerents
A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music
Networks of Power: Whiteness, Erasure, and World Harmony
Postscript: Say It Loud, I'm British and I'm Proud
Notes
References
Discography
Filmography
1. The Challenge of the Past: Jazz, Parody, and Jazz Discourse
They Brainwash and Teach You Hate: From Parody to Protest
It Ain't Necessarily So: From Caricature to Celebration
In a Sentimental Mood: From Ridicule to Romanticism
Notes
2. A Few of My Favorite Things: Analyzing Jazz, Interpreting Irony, Assessing Value
"Saying Something": Coltrane, Irony, and 'My Favorite Things'
"White Things," Black Things, and a Few Other Things
"Undeniable Qualities": Homage, Value-For, and Ideological Hegemony
"Myriad Subtleties," Bebop Parody, and the Question of Context
"We're in the Money": Irony, Complexity, and Social Normativity
Notes
3. My Only Sunshine: Jazz, Country Music, George Russell, and Musical Meaning
Way Out West: From Cowhand Sonny to Dangerous Davey
Cowboy Favorites: Jazz Meets Country Music
You Are My Sunshine: From Singing Cowboys to Gassed Soulsters
Happy Endings: George Russell Meets 'You Are My Sunshine'
Sunshine Redux: From Kiddies Songs to Kitchen Appliances
Notes
4. Divine Revelations: Keith Jarrett, Acoustic Authenticity, and Romantic Genius
Fun With Toys: Miles, Electricity, and Acoustic Relief
A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Emphysemic Goats
Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy
Blessed With Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich
Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche
Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage
Notes
5. The Body Electric: Music, Machines, and Mechanical Reproduction
I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers
Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form
Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery
Essential and Divine: Faithful Fidelity, Analogue Authenticity, and "exactly what was played"
Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording
Notes
6. Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate
Getting To Know You: The 'Afrological,' the 'Eurological,' and the Illogical
The Anxiety of Affluence: Race, Class, and European 'Privilege'
A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors
The Emancipation Problem: African American Models and German Belligerents
A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music
Networks of Power: Whiteness, Erasure, and World Harmony
Postscript: Say It Loud, I'm British and I'm Proud
Notes
References
Discography
Filmography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
jazz history;musical form;nationalism;jazz studies;romanticism;Broadway musicals;cultural analysis;class;Satiric Parody;Liner Notes;Country Music;Improvised Music;Free Improvisation;Trevor Watts;Lennie Tristano;Free Jazz;Wild Man;Jazz Messengers;Willem Breuker;Sheila Jordan;Gold Diggers;Favorite Things;Yankee Doodle;Improvised Music Scenes;Vienna Concert;Acoustic Piano;West Germany;Ironic Parody;Hard Bop;Forgotten Man;Wagon Wheels;Eric Dolphy
