Reflections of Dance along the Brahmaputra

Introduction 1. Glimpses of the dance world of North-East India 2. Sattriya dance: A narrative of its journey through the ages 3. Moving objects and thinking body: A dancer's narrative 4. Discovering Sannidhi/a confluence: A dance exchange between Assam and Aotearoa, New Zealand 5. Kherai's dance world: Promoting solidarity and tradition 6. The dance and the dancers: Tradition and innovation within the indigenous performances of the ritual dance of the Hudum Deo 7. Identity revivalism through folk dances amongst the tribal communities of Assam 8. Bihu performance of the Morans of Assam 9. Social media and the politics of dance 10. Gender and dance: "Gazing" at the Doudini and the female Sattriya and Bihuwoti dancers 11. Reflections on dance education workshops in Assam: Towards critical and creative thinking 12. Echoing the rhythm: Voices of school dance teachers 13. Dancers' voices 14. Dance through the performers' lens 15. Studio dance teachers' journeys 16. The performers of folk dances

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• Estudos cultirais
• Estudos teatrais
• Dança

folk dances;folk dance in India;Indigenous communities;ritual and festival;dance cultures in North East India;music and dance;North East India;cultural identity;Classical Indian Dance;Dance Form;Sangeet Natak Akademi;Classical Dance Form;Classical Dance;Abhinaya Darpana;Dibrugarh University;Sangeet Natak;Jew's Harp;Young Men;Bodo Community;Manipuri Dance;Rukmini Devi Arundale;Held;Lai Haraoba;Tezpur University;Betel Nut;North East Indian Region;Brahmaputra Valley;Dance Competitions;North Bengal;Cotton College;Karbi Anglong