Reconstructing Performance Art

Acknowledgments

Contributor Bios

Disclaimer

Introduction: On the Present of Past Performance: Investigating the Practices of Reconstructing and Representing Performance Art

Tancredi Gusman

PART I: Reframing the Past: Histories and Historiographies of Performance Art

1. Mapping the Emerging Historiographies of Performance Art in East-Central Europe

Amy Bryzgel

2. The '68 Aesthetic and Political Radicalization in the Argentinian Avant-Garde

Ana Longoni and Mariano Mestman

3. Collective Memory and Live Art: The Methodology of Performance Chronicle Basel

Sabine Gebhardt Fink

4. The Historical Roots of "Performative Theater": The Italian Post-Avant-Garde

Lorenzo Mango

PART II: Unfolding the Action: Media and Documents of Performance Art

5. How Records and Documents Become Art: The Role of Documentation in the Preservation, Exhibition and Experience of Performance Art

Gabriella Giannachi

6. Performance Documentation: Ephemerality, Temporality, Authenticity

Philip Auslander

7. Book as Archive of Performance Art and Source Material of Its History

Barbara Buescher

8. Listening to the Histories of Performance Art

Heike Roms

PART III: Representing Performance: Information, Collection, Reactivation

9. Capturing Narrative and Data in Performance Art: The Joan Jonas Knowledge Base

Barbara Clausen, Deena Engel and Glenn Wharton

10. On the Long Road to Becoming a Matter of Course: Collecting Live Performances in Museums and Other Art Collections

Wolfgang Brueckle and Rachel Mader

11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate Modern

Susanne Franco

12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta: Where Is Performance?

Georgina Guy and Johanna Linsley

Index

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• Artes: temas gerais
• Artes de representação (performativas)
• Técnicas de representação
• Historia da arte / estilos de arte e design
• Cultura popular

live art preservation;performance documentation methods;ephemeral art conservation;avant-garde theatre studies;intangible cultural heritage;museum performance collections;reconstructing historical performance practices