Public and Private Modes of Musical Discourse
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Public and Private Modes of Musical Discourse
Haydn's London Symphonies and Late String Quartets
Suurpaeae, Lauri
Indiana University Press
03/2026
252
Dura
Inglês
9780253075260
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Preface
Acknowledgments
Part I: Public and Private Modes of Musical Discourse
1. Introduction
2. Elements of Private and Public Modes of Musical Discourse
3. Musical Patterns and Conventions: Public Recognition and Private Interpretation
Part II: Analysis of Individual Movements
4. Primary Theme and Exposition: Opening Movements of Symphony No. 104, and Symphony No. 97
5. Slow Movements: Symphony No. 93, and String Quartet, Op. 76, No. 1
6. Finales: Symphony No. 96, and String Quartet, Op. 76, No. 5
7. First Movement: String Quartet, Op. 71, No. 1
8. Punctuation and Continuity: The First Movements of Haydn's Symphony No. 93, and Mozart's Symphony No. 39
9. Three Contexts for Analyzing Haydn's Late Instrumental Music
References
Index
Acknowledgments
Part I: Public and Private Modes of Musical Discourse
1. Introduction
2. Elements of Private and Public Modes of Musical Discourse
3. Musical Patterns and Conventions: Public Recognition and Private Interpretation
Part II: Analysis of Individual Movements
4. Primary Theme and Exposition: Opening Movements of Symphony No. 104, and Symphony No. 97
5. Slow Movements: Symphony No. 93, and String Quartet, Op. 76, No. 1
6. Finales: Symphony No. 96, and String Quartet, Op. 76, No. 5
7. First Movement: String Quartet, Op. 71, No. 1
8. Punctuation and Continuity: The First Movements of Haydn's Symphony No. 93, and Mozart's Symphony No. 39
9. Three Contexts for Analyzing Haydn's Late Instrumental Music
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Schenkerian analysis; musical form; historical context; topic theory; expression; structure; Enlightenment aesthetics; Formenlehre; Mozart; Beethoven
Preface
Acknowledgments
Part I: Public and Private Modes of Musical Discourse
1. Introduction
2. Elements of Private and Public Modes of Musical Discourse
3. Musical Patterns and Conventions: Public Recognition and Private Interpretation
Part II: Analysis of Individual Movements
4. Primary Theme and Exposition: Opening Movements of Symphony No. 104, and Symphony No. 97
5. Slow Movements: Symphony No. 93, and String Quartet, Op. 76, No. 1
6. Finales: Symphony No. 96, and String Quartet, Op. 76, No. 5
7. First Movement: String Quartet, Op. 71, No. 1
8. Punctuation and Continuity: The First Movements of Haydn's Symphony No. 93, and Mozart's Symphony No. 39
9. Three Contexts for Analyzing Haydn's Late Instrumental Music
References
Index
Acknowledgments
Part I: Public and Private Modes of Musical Discourse
1. Introduction
2. Elements of Private and Public Modes of Musical Discourse
3. Musical Patterns and Conventions: Public Recognition and Private Interpretation
Part II: Analysis of Individual Movements
4. Primary Theme and Exposition: Opening Movements of Symphony No. 104, and Symphony No. 97
5. Slow Movements: Symphony No. 93, and String Quartet, Op. 76, No. 1
6. Finales: Symphony No. 96, and String Quartet, Op. 76, No. 5
7. First Movement: String Quartet, Op. 71, No. 1
8. Punctuation and Continuity: The First Movements of Haydn's Symphony No. 93, and Mozart's Symphony No. 39
9. Three Contexts for Analyzing Haydn's Late Instrumental Music
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
