Practices of Relations in Task-Dance and the Event-Score
portes grátis
Practices of Relations in Task-Dance and the Event-Score
A Critique of Performance
Wikstroem, Josefine
Taylor & Francis Ltd
04/2022
170
Mole
Inglês
9780367615475
15 a 20 dias
235
Descrição não disponível.
Content
Acknowledgements
Introduction: From a cultural to a critical concept of performance
Performance, performativity and its disciples
Marx's epistemology: A critical methodology
Post-mediality and a generic concept of performance
Task-Dance and the Event-Score: Epistemological Problems
Chapter 1. Practice: Performance a practice of relations
Practice and a metaphysics of practice in Aristotle
From action painting to performance art
From musical modernism to performance in general
Marx's relational practice: Smith, Hegel and Feuerbach
Performance, a practice of relations
Chapter 2. Experience: Art as experience or an art to experience?
2.1. Dewey's concept of experience: Unmediated interaction
2.2. Art as experience: Ono and Forti
2.3. Critical limits of Dewey's experience: Kant versus Dewey
Chapter 3. Object: Acts of negations of the medium-specific art object
3.1. The minimalist and the de-materialised object
3.2. From independent things to acts of the subject
3.2. Dance and event as object: Kant
3.3. Phenomenal objectivities in task-dance and event-score practices: Husserl
Chapter 4. Abstraction: Task-dance's abstract ontology
4.1. Rainer's No-Manifesto and other negations
4.2. The social form of abstract labour: Marx
4.3. The autonomous artwork in Adorno
4.4. Division of labour, abstract time and the disciplined body.
Chapter 5. Structure: The performative structure-object
5.1. Structural objects in task-dance and in structuralism: Trisha Brown' Accumulation
5.2. The Performativity of the Cartesian I
5.3. Labour in general, art in general, performance in general
Notes
Bibliography
Index of names
Subject index
Index of works
Acknowledgements
Introduction: From a cultural to a critical concept of performance
Performance, performativity and its disciples
Marx's epistemology: A critical methodology
Post-mediality and a generic concept of performance
Task-Dance and the Event-Score: Epistemological Problems
Chapter 1. Practice: Performance a practice of relations
Practice and a metaphysics of practice in Aristotle
From action painting to performance art
From musical modernism to performance in general
Marx's relational practice: Smith, Hegel and Feuerbach
Performance, a practice of relations
Chapter 2. Experience: Art as experience or an art to experience?
2.1. Dewey's concept of experience: Unmediated interaction
2.2. Art as experience: Ono and Forti
2.3. Critical limits of Dewey's experience: Kant versus Dewey
Chapter 3. Object: Acts of negations of the medium-specific art object
3.1. The minimalist and the de-materialised object
3.2. From independent things to acts of the subject
3.2. Dance and event as object: Kant
3.3. Phenomenal objectivities in task-dance and event-score practices: Husserl
Chapter 4. Abstraction: Task-dance's abstract ontology
4.1. Rainer's No-Manifesto and other negations
4.2. The social form of abstract labour: Marx
4.3. The autonomous artwork in Adorno
4.4. Division of labour, abstract time and the disciplined body.
Chapter 5. Structure: The performative structure-object
5.1. Structural objects in task-dance and in structuralism: Trisha Brown' Accumulation
5.2. The Performativity of the Cartesian I
5.3. Labour in general, art in general, performance in general
Notes
Bibliography
Index of names
Subject index
Index of works
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Rainer's Parts;Musical modernism;Rainer's Work;Event-score practices;Marx's Mature Work;Task-dance practices;Judson Dance Theatre;Post-mediality;Niki De Saint Phalle;Minimalist Dance;Chair Event;Autonomous Artwork;Minimalist Sculpture;Modern Dance;Kant's Transcendental Subject;Abstract Labour;Brown's Accumulation;Primary Accumulation;Dewey's Understanding;Action Painting;Moishe Postone;Dewey's Work;Fluxus Performances;Clock Time;Saint Phalle;Transcendental Subject;Dewey's Concept;Dance Constructions;Art Object
Content
Acknowledgements
Introduction: From a cultural to a critical concept of performance
Performance, performativity and its disciples
Marx's epistemology: A critical methodology
Post-mediality and a generic concept of performance
Task-Dance and the Event-Score: Epistemological Problems
Chapter 1. Practice: Performance a practice of relations
Practice and a metaphysics of practice in Aristotle
From action painting to performance art
From musical modernism to performance in general
Marx's relational practice: Smith, Hegel and Feuerbach
Performance, a practice of relations
Chapter 2. Experience: Art as experience or an art to experience?
2.1. Dewey's concept of experience: Unmediated interaction
2.2. Art as experience: Ono and Forti
2.3. Critical limits of Dewey's experience: Kant versus Dewey
Chapter 3. Object: Acts of negations of the medium-specific art object
3.1. The minimalist and the de-materialised object
3.2. From independent things to acts of the subject
3.2. Dance and event as object: Kant
3.3. Phenomenal objectivities in task-dance and event-score practices: Husserl
Chapter 4. Abstraction: Task-dance's abstract ontology
4.1. Rainer's No-Manifesto and other negations
4.2. The social form of abstract labour: Marx
4.3. The autonomous artwork in Adorno
4.4. Division of labour, abstract time and the disciplined body.
Chapter 5. Structure: The performative structure-object
5.1. Structural objects in task-dance and in structuralism: Trisha Brown' Accumulation
5.2. The Performativity of the Cartesian I
5.3. Labour in general, art in general, performance in general
Notes
Bibliography
Index of names
Subject index
Index of works
Acknowledgements
Introduction: From a cultural to a critical concept of performance
Performance, performativity and its disciples
Marx's epistemology: A critical methodology
Post-mediality and a generic concept of performance
Task-Dance and the Event-Score: Epistemological Problems
Chapter 1. Practice: Performance a practice of relations
Practice and a metaphysics of practice in Aristotle
From action painting to performance art
From musical modernism to performance in general
Marx's relational practice: Smith, Hegel and Feuerbach
Performance, a practice of relations
Chapter 2. Experience: Art as experience or an art to experience?
2.1. Dewey's concept of experience: Unmediated interaction
2.2. Art as experience: Ono and Forti
2.3. Critical limits of Dewey's experience: Kant versus Dewey
Chapter 3. Object: Acts of negations of the medium-specific art object
3.1. The minimalist and the de-materialised object
3.2. From independent things to acts of the subject
3.2. Dance and event as object: Kant
3.3. Phenomenal objectivities in task-dance and event-score practices: Husserl
Chapter 4. Abstraction: Task-dance's abstract ontology
4.1. Rainer's No-Manifesto and other negations
4.2. The social form of abstract labour: Marx
4.3. The autonomous artwork in Adorno
4.4. Division of labour, abstract time and the disciplined body.
Chapter 5. Structure: The performative structure-object
5.1. Structural objects in task-dance and in structuralism: Trisha Brown' Accumulation
5.2. The Performativity of the Cartesian I
5.3. Labour in general, art in general, performance in general
Notes
Bibliography
Index of names
Subject index
Index of works
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Rainer's Parts;Musical modernism;Rainer's Work;Event-score practices;Marx's Mature Work;Task-dance practices;Judson Dance Theatre;Post-mediality;Niki De Saint Phalle;Minimalist Dance;Chair Event;Autonomous Artwork;Minimalist Sculpture;Modern Dance;Kant's Transcendental Subject;Abstract Labour;Brown's Accumulation;Primary Accumulation;Dewey's Understanding;Action Painting;Moishe Postone;Dewey's Work;Fluxus Performances;Clock Time;Saint Phalle;Transcendental Subject;Dewey's Concept;Dance Constructions;Art Object
