Popularisation and Populism in the Visual Arts
portes grátis
Popularisation and Populism in the Visual Arts
Attraction Images
Schober, Anna
Taylor & Francis Ltd
06/2022
224
Mole
Inglês
9781032338002
15 a 20 dias
399
Descrição não disponível.
Introduction
[Anna Schober]
1. The Popular in Philosophy
[Marc Roelli]
2. Authority of Images: Notes on an Iconography of Everybody Figures in the Visual Arts
[Anna Schober]
3. Not just everybody? On past and future attempts to visualise the people in democratic societies
[Wim Weymans]
4. The Ambivalences of Popularisation: The Theory and Practice of the Audience in Visual Art
[Eva Kernbauer]
5. Attraction and Efficacy: Spectacle as Critical Practice in Contemporary Art
[Elisabeth Fritz]
6. The Mask and the Narcissistic Wound: An Anthropological Perspective on Nationalist Leadership
[Lynda Dematteo]
7. Composite Faces: Photographic Constructions of Human Faces between Average and Type
[Raul Gschrey]
8. Duane Hanson's Sculptures of American Everyday Life
[Viola Ruehse]
9. Change of Scale: Film Between the Big and the Small Screen
[Martine Beugnet]
10. Estranging the Everyday. On the Creativity of Ordinariness
[Veronika Zink]
11. A Deleuzian Perspective on the Everybody between Visual Culture and recent Protest Movements
[Nina Bandi]
12. Contagion Images: The Affect of Queering the Social through Digital Memes
[Elena Pilipets]
[Anna Schober]
1. The Popular in Philosophy
[Marc Roelli]
2. Authority of Images: Notes on an Iconography of Everybody Figures in the Visual Arts
[Anna Schober]
3. Not just everybody? On past and future attempts to visualise the people in democratic societies
[Wim Weymans]
4. The Ambivalences of Popularisation: The Theory and Practice of the Audience in Visual Art
[Eva Kernbauer]
5. Attraction and Efficacy: Spectacle as Critical Practice in Contemporary Art
[Elisabeth Fritz]
6. The Mask and the Narcissistic Wound: An Anthropological Perspective on Nationalist Leadership
[Lynda Dematteo]
7. Composite Faces: Photographic Constructions of Human Faces between Average and Type
[Raul Gschrey]
8. Duane Hanson's Sculptures of American Everyday Life
[Viola Ruehse]
9. Change of Scale: Film Between the Big and the Small Screen
[Martine Beugnet]
10. Estranging the Everyday. On the Creativity of Ordinariness
[Veronika Zink]
11. A Deleuzian Perspective on the Everybody between Visual Culture and recent Protest Movements
[Nina Bandi]
12. Contagion Images: The Affect of Queering the Social through Digital Memes
[Elena Pilipets]
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Occupy Wall Street;art history;John Stezaker;contemporary art;Contingent Affordances;film studies;Molly Pitcher;media studies;York City's Zuccotti Park;philosophy;Riding Mower;anthropology;Vice Versa;political theory;Contemporary Society;Europe;Strange Attractor;popular culture;Film's Commercial Success;everybody;Matteo Salvini;common man;RMN Grand Palais;common woman;Gezi Movement;nobody;Composite Portraits;photography;Canetti;television;Elias Canetti;film;Memetic Commentary;propaganda;Political Parties;advertising;Composite Faces;visual art;Visual Social Media;performative arts;Composite Face;the internet;Push Mower;the people;Newark Museum;modernity;19th Century Composite;postmodern;activism;politics;iconography;bourgeois;revolution;Michel de Certeau;Gilles Deleuze;Felix Guattari;Giorgio Agamben
Introduction
[Anna Schober]
1. The Popular in Philosophy
[Marc Roelli]
2. Authority of Images: Notes on an Iconography of Everybody Figures in the Visual Arts
[Anna Schober]
3. Not just everybody? On past and future attempts to visualise the people in democratic societies
[Wim Weymans]
4. The Ambivalences of Popularisation: The Theory and Practice of the Audience in Visual Art
[Eva Kernbauer]
5. Attraction and Efficacy: Spectacle as Critical Practice in Contemporary Art
[Elisabeth Fritz]
6. The Mask and the Narcissistic Wound: An Anthropological Perspective on Nationalist Leadership
[Lynda Dematteo]
7. Composite Faces: Photographic Constructions of Human Faces between Average and Type
[Raul Gschrey]
8. Duane Hanson's Sculptures of American Everyday Life
[Viola Ruehse]
9. Change of Scale: Film Between the Big and the Small Screen
[Martine Beugnet]
10. Estranging the Everyday. On the Creativity of Ordinariness
[Veronika Zink]
11. A Deleuzian Perspective on the Everybody between Visual Culture and recent Protest Movements
[Nina Bandi]
12. Contagion Images: The Affect of Queering the Social through Digital Memes
[Elena Pilipets]
[Anna Schober]
1. The Popular in Philosophy
[Marc Roelli]
2. Authority of Images: Notes on an Iconography of Everybody Figures in the Visual Arts
[Anna Schober]
3. Not just everybody? On past and future attempts to visualise the people in democratic societies
[Wim Weymans]
4. The Ambivalences of Popularisation: The Theory and Practice of the Audience in Visual Art
[Eva Kernbauer]
5. Attraction and Efficacy: Spectacle as Critical Practice in Contemporary Art
[Elisabeth Fritz]
6. The Mask and the Narcissistic Wound: An Anthropological Perspective on Nationalist Leadership
[Lynda Dematteo]
7. Composite Faces: Photographic Constructions of Human Faces between Average and Type
[Raul Gschrey]
8. Duane Hanson's Sculptures of American Everyday Life
[Viola Ruehse]
9. Change of Scale: Film Between the Big and the Small Screen
[Martine Beugnet]
10. Estranging the Everyday. On the Creativity of Ordinariness
[Veronika Zink]
11. A Deleuzian Perspective on the Everybody between Visual Culture and recent Protest Movements
[Nina Bandi]
12. Contagion Images: The Affect of Queering the Social through Digital Memes
[Elena Pilipets]
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Occupy Wall Street;art history;John Stezaker;contemporary art;Contingent Affordances;film studies;Molly Pitcher;media studies;York City's Zuccotti Park;philosophy;Riding Mower;anthropology;Vice Versa;political theory;Contemporary Society;Europe;Strange Attractor;popular culture;Film's Commercial Success;everybody;Matteo Salvini;common man;RMN Grand Palais;common woman;Gezi Movement;nobody;Composite Portraits;photography;Canetti;television;Elias Canetti;film;Memetic Commentary;propaganda;Political Parties;advertising;Composite Faces;visual art;Visual Social Media;performative arts;Composite Face;the internet;Push Mower;the people;Newark Museum;modernity;19th Century Composite;postmodern;activism;politics;iconography;bourgeois;revolution;Michel de Certeau;Gilles Deleuze;Felix Guattari;Giorgio Agamben
