Politics as Sound
portes grátis
Politics as Sound
The Washington, DC, Hardcore Scene, 1978-1983
Maskell, Shayna L.
University of Illinois Press
10/2021
288
Mole
Inglês
9780252086229
15 a 20 dias
Descrição não disponível.
Acknowledgments vii Introduction 1
1 DC Rising: The (Musical) Life and Times of Washington, DC 15
PART I: THE MUSIC OF DC HARDCORE
2 The Racial Aesthetics of DC Hardcore 45
3 The Sounds of Stratification: Socioeconomic Class and DC Hardcore 70
4 Masculinity as Music: DC Hardcore and the Implications of Gender 97
PART II: THE DC HARDCORE SCENE
5 Do-It-Yourself Cultural Production 133
6 Straightedge: A (White, Male, Middle-Classed) Music-Based Social Movement 156
7 Embodying (White, Middle-Class) Masculinity 178
8 The Transformation of Hardcore: DC Post-Hardcore, Post-1983 199
Discography 237
Notes 239
Index 261
1 DC Rising: The (Musical) Life and Times of Washington, DC 15
PART I: THE MUSIC OF DC HARDCORE
2 The Racial Aesthetics of DC Hardcore 45
3 The Sounds of Stratification: Socioeconomic Class and DC Hardcore 70
4 Masculinity as Music: DC Hardcore and the Implications of Gender 97
PART II: THE DC HARDCORE SCENE
5 Do-It-Yourself Cultural Production 133
6 Straightedge: A (White, Male, Middle-Classed) Music-Based Social Movement 156
7 Embodying (White, Middle-Class) Masculinity 178
8 The Transformation of Hardcore: DC Post-Hardcore, Post-1983 199
Discography 237
Notes 239
Index 261
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Washington; DC; hardcore; punk; intersectionality; aesthetics; politics; Bad Brains; Minor Threat; Faith; State of Alert; Government Issue; gender; class; race; Dischord Records; DIY; resistance; collective identity; straightedge; subculture; masculinity; slam dancing; lyrics; performance; post-hardcore; groups; bands; do it yourself; scene; social history; 1980s; Eighties; blackness; black; whiteness; punk rock; African American; consumption; instruments; career; works; profile; songs; albums; records; recordings; Black Flag; GI; HR
Acknowledgments vii Introduction 1
1 DC Rising: The (Musical) Life and Times of Washington, DC 15
PART I: THE MUSIC OF DC HARDCORE
2 The Racial Aesthetics of DC Hardcore 45
3 The Sounds of Stratification: Socioeconomic Class and DC Hardcore 70
4 Masculinity as Music: DC Hardcore and the Implications of Gender 97
PART II: THE DC HARDCORE SCENE
5 Do-It-Yourself Cultural Production 133
6 Straightedge: A (White, Male, Middle-Classed) Music-Based Social Movement 156
7 Embodying (White, Middle-Class) Masculinity 178
8 The Transformation of Hardcore: DC Post-Hardcore, Post-1983 199
Discography 237
Notes 239
Index 261
1 DC Rising: The (Musical) Life and Times of Washington, DC 15
PART I: THE MUSIC OF DC HARDCORE
2 The Racial Aesthetics of DC Hardcore 45
3 The Sounds of Stratification: Socioeconomic Class and DC Hardcore 70
4 Masculinity as Music: DC Hardcore and the Implications of Gender 97
PART II: THE DC HARDCORE SCENE
5 Do-It-Yourself Cultural Production 133
6 Straightedge: A (White, Male, Middle-Classed) Music-Based Social Movement 156
7 Embodying (White, Middle-Class) Masculinity 178
8 The Transformation of Hardcore: DC Post-Hardcore, Post-1983 199
Discography 237
Notes 239
Index 261
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Washington; DC; hardcore; punk; intersectionality; aesthetics; politics; Bad Brains; Minor Threat; Faith; State of Alert; Government Issue; gender; class; race; Dischord Records; DIY; resistance; collective identity; straightedge; subculture; masculinity; slam dancing; lyrics; performance; post-hardcore; groups; bands; do it yourself; scene; social history; 1980s; Eighties; blackness; black; whiteness; punk rock; African American; consumption; instruments; career; works; profile; songs; albums; records; recordings; Black Flag; GI; HR
