Perspectives on Contemporary Music Theory
portes grátis
Perspectives on Contemporary Music Theory
Essays in Honor of Kevin Korsyn
Swinkin, Jeffrey; Parkhurst, Bryan
Taylor & Francis Ltd
12/2024
350
Mole
9781032413730
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe'
Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin's Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl's 'Ballet' Olympia
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe'
Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin's Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl's 'Ballet' Olympia
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Kevin Korsyn;Musicology;Music Theory;Chromaticism;deconstruction;disability studies;Contemporary musicology;Gogh;Vincent Van Gogh;Chopin;Vice Versa;Voi Che Sapete;Contemporary Music Theory;E-flat Major;Invertible Counterpoint;Perfect Authentic Cadence;Die Kunst Der Fuge;Schubert's Setting;Chopin's Prelude;Kant's Practical Philosophy;Common Language;Diminished Seventh Chord;Blind Boy;Platen's Poem;E-flat Minor;Rounded Binary;Decentering Music;Semiotic Square;Lyonel Feininger;Repeated Note Figure;Beethoven's Eroica Symphony;Fugal Entries
Introduction
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe'
Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin's Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl's 'Ballet' Olympia
An Interview with Kevin Korsyn
I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS
Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe'
Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1)
Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions
II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS
Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms
Chapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier
III. MUSIC AND INTERDISCIPLINARITY
Chapter 6. Chopin's Preludes, Creatures of Prometheus, and the Posthuman
Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era
Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy
Chapter 9. Leni Riefenstahl's 'Ballet' Olympia
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Kevin Korsyn;Musicology;Music Theory;Chromaticism;deconstruction;disability studies;Contemporary musicology;Gogh;Vincent Van Gogh;Chopin;Vice Versa;Voi Che Sapete;Contemporary Music Theory;E-flat Major;Invertible Counterpoint;Perfect Authentic Cadence;Die Kunst Der Fuge;Schubert's Setting;Chopin's Prelude;Kant's Practical Philosophy;Common Language;Diminished Seventh Chord;Blind Boy;Platen's Poem;E-flat Minor;Rounded Binary;Decentering Music;Semiotic Square;Lyonel Feininger;Repeated Note Figure;Beethoven's Eroica Symphony;Fugal Entries
