Ozu and the Ethics of Indeterminacy
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Ozu and the Ethics of Indeterminacy
Miyao, Daisuke
Duke University Press
03/2026
290
Mole
Inglês
9781478033325
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Preface ix
Introduction. Cinema and the Ethics of Indeterminacy 1
1. Cats and the Gaze of Things: Record of a Tenement Gentleman (Nagaya shinshiroku, 1947) 29
2. Coca-Cola and "Asian Cinema": Late Spring (Bansbun, 1949) 49
3. Camera Movements and Ethics: Early Summer (Bakusbu, 1951) and The Flavor of Green Tea over Rice (Ochazuke no aji, 1952) 74
4. Clocks and Melodrama: Tokyo Story (Tokyo monogatari, 1953) 127
5. Color Environment and Red: Floating Weeds (Ukikusa, 1959) 155
Conclusion 211
Acknowledgments 219
Notes 221
Bibliography 243
Index 263
Introduction. Cinema and the Ethics of Indeterminacy 1
1. Cats and the Gaze of Things: Record of a Tenement Gentleman (Nagaya shinshiroku, 1947) 29
2. Coca-Cola and "Asian Cinema": Late Spring (Bansbun, 1949) 49
3. Camera Movements and Ethics: Early Summer (Bakusbu, 1951) and The Flavor of Green Tea over Rice (Ochazuke no aji, 1952) 74
4. Clocks and Melodrama: Tokyo Story (Tokyo monogatari, 1953) 127
5. Color Environment and Red: Floating Weeds (Ukikusa, 1959) 155
Conclusion 211
Acknowledgments 219
Notes 221
Bibliography 243
Index 263
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Ozu Yasujiro; cinema; film studies; ethics; dialogue; Japan; World War II; auteurism; national cinema; Kiju Yoshida; Emmanuel Levinas; Cat; gaze; nonhuman; anthropocentrism; Asian cinema; Itagaki Yoichi; transcultural mimesis; Great East Asia Co-prosperity Sphere; Michael Raine; Late Spring 1949; Cinematography; camera movement; sense of vision; tactility; depth of field; Early Summer 1951; The Flavor of Green Tea over Rice 1952; Realism; melodrama; time; history; postwar; Tokyo Story 1953; Color films; red; bleach bypass; materiality; Floating Weeds 1959; Repetition; habit; postponement
Preface ix
Introduction. Cinema and the Ethics of Indeterminacy 1
1. Cats and the Gaze of Things: Record of a Tenement Gentleman (Nagaya shinshiroku, 1947) 29
2. Coca-Cola and "Asian Cinema": Late Spring (Bansbun, 1949) 49
3. Camera Movements and Ethics: Early Summer (Bakusbu, 1951) and The Flavor of Green Tea over Rice (Ochazuke no aji, 1952) 74
4. Clocks and Melodrama: Tokyo Story (Tokyo monogatari, 1953) 127
5. Color Environment and Red: Floating Weeds (Ukikusa, 1959) 155
Conclusion 211
Acknowledgments 219
Notes 221
Bibliography 243
Index 263
Introduction. Cinema and the Ethics of Indeterminacy 1
1. Cats and the Gaze of Things: Record of a Tenement Gentleman (Nagaya shinshiroku, 1947) 29
2. Coca-Cola and "Asian Cinema": Late Spring (Bansbun, 1949) 49
3. Camera Movements and Ethics: Early Summer (Bakusbu, 1951) and The Flavor of Green Tea over Rice (Ochazuke no aji, 1952) 74
4. Clocks and Melodrama: Tokyo Story (Tokyo monogatari, 1953) 127
5. Color Environment and Red: Floating Weeds (Ukikusa, 1959) 155
Conclusion 211
Acknowledgments 219
Notes 221
Bibliography 243
Index 263
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Ozu Yasujiro; cinema; film studies; ethics; dialogue; Japan; World War II; auteurism; national cinema; Kiju Yoshida; Emmanuel Levinas; Cat; gaze; nonhuman; anthropocentrism; Asian cinema; Itagaki Yoichi; transcultural mimesis; Great East Asia Co-prosperity Sphere; Michael Raine; Late Spring 1949; Cinematography; camera movement; sense of vision; tactility; depth of field; Early Summer 1951; The Flavor of Green Tea over Rice 1952; Realism; melodrama; time; history; postwar; Tokyo Story 1953; Color films; red; bleach bypass; materiality; Floating Weeds 1959; Repetition; habit; postponement
