New Music and the Crises of Materiality
portes grátis
New Music and the Crises of Materiality
Sounding Bodies and Objects in Late Modernity
Wilson, Samuel
Taylor & Francis Ltd
01/2023
174
Mole
Inglês
9780367489113
15 a 20 dias
335
Descrição não disponível.
Introduction: New Musical Materialisms
Part 1: Musical Bodies
Chapter 1: The (Dis)possession of the Musical Body
Chapter 2: The Composition of Posthuman Bodies
Part 2: Musical Objects
Chapter 3: Orientations and the Piano-Object
Chapter 4: Contemporary Composition and/as Plastic Art
Part 3: Musical Materials
Chapter 5: On the "Material" of Musical Material
Chapter 6: Natures and Ecologies of Composition
Part 1: Musical Bodies
Chapter 1: The (Dis)possession of the Musical Body
Chapter 2: The Composition of Posthuman Bodies
Part 2: Musical Objects
Chapter 3: Orientations and the Piano-Object
Chapter 4: Contemporary Composition and/as Plastic Art
Part 3: Musical Materials
Chapter 5: On the "Material" of Musical Material
Chapter 6: Natures and Ecologies of Composition
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Twentieth Century Music;materialism;Sound Art;materiality;20th Century Music;materialisms;Musical Material;materialities;Contemporary Art Music;new music;Follow;contemporary music;Musical Aesthetics;art music;Compositional Practices;music and materiality;Holds;experimental music;Music Ecology;20th-century music;Vice Versa;21st-century music;Sound Aesthetics;twentieth-century music;Musical Bodies;twenty-first-century music;Brian Ferneyhough;musicology;Helmut Lachenmann;music and the body;Beethoven;Study Iii;musical objects;Timeless;musical environments;Musical Materialities;ecomusicology;Clear Referent;music and art;Heinz Holliger;music and painting;Rick Dolphijn;music and sculpture;Musical Materialism;new materialism;Late Modern Subject;posthuman music;DPOAE;new materiality;Adorno;Theodor Adorno;neoliberalism;late modernity;sound studies;sounding bodies;sounding objects;aesthetics;aesthetics of music;critical theory;cultural theory;musical modernity;postmodernism
Introduction: New Musical Materialisms
Part 1: Musical Bodies
Chapter 1: The (Dis)possession of the Musical Body
Chapter 2: The Composition of Posthuman Bodies
Part 2: Musical Objects
Chapter 3: Orientations and the Piano-Object
Chapter 4: Contemporary Composition and/as Plastic Art
Part 3: Musical Materials
Chapter 5: On the "Material" of Musical Material
Chapter 6: Natures and Ecologies of Composition
Part 1: Musical Bodies
Chapter 1: The (Dis)possession of the Musical Body
Chapter 2: The Composition of Posthuman Bodies
Part 2: Musical Objects
Chapter 3: Orientations and the Piano-Object
Chapter 4: Contemporary Composition and/as Plastic Art
Part 3: Musical Materials
Chapter 5: On the "Material" of Musical Material
Chapter 6: Natures and Ecologies of Composition
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Twentieth Century Music;materialism;Sound Art;materiality;20th Century Music;materialisms;Musical Material;materialities;Contemporary Art Music;new music;Follow;contemporary music;Musical Aesthetics;art music;Compositional Practices;music and materiality;Holds;experimental music;Music Ecology;20th-century music;Vice Versa;21st-century music;Sound Aesthetics;twentieth-century music;Musical Bodies;twenty-first-century music;Brian Ferneyhough;musicology;Helmut Lachenmann;music and the body;Beethoven;Study Iii;musical objects;Timeless;musical environments;Musical Materialities;ecomusicology;Clear Referent;music and art;Heinz Holliger;music and painting;Rick Dolphijn;music and sculpture;Musical Materialism;new materialism;Late Modern Subject;posthuman music;DPOAE;new materiality;Adorno;Theodor Adorno;neoliberalism;late modernity;sound studies;sounding bodies;sounding objects;aesthetics;aesthetics of music;critical theory;cultural theory;musical modernity;postmodernism
