Neo-Burlesque
portes grátis
Neo-Burlesque
Striptease as Transformation
Sally, Lynn
Rutgers University Press
10/2021
224
Dura
Inglês
9781978828094
15 a 20 dias
550
Descrição não disponível.
Preface: Revelations and Disidentification
Introduction: Definitions and Methodologies
1 Burlesque as Popular Performance: MsTickle's Explicit Body as Palimpsest
2 Burlesque as Monster/Beauty: Beautiful Monsters and the Monstrosity of Beauty in Dita Von Teese
3 Burlesque as Unruly: Dirty Martini and the Political Efficacy of an Invisible Wink
4 Burlesque as Pretty/Funny: The Comedic Stylings of Little Brooklyn's Burlesquing Burlesque
5 Burlesque as Parodic Pageantry: The Agitprop Theatrics of Bambi the Mermaid's Miss Coney Island Pageant
6 Burlesque as Camp: Gender Becoming in World Famous *BOB*'s "One Man Show"
7 Burlesque as Revolution: The Ridiculous Theatre of Julie Atlas Muz
Conclusion: Nasty Women and Female Chauvinist Pigs
Acknowledgments
Notes
Bibliography
Index
Introduction: Definitions and Methodologies
1 Burlesque as Popular Performance: MsTickle's Explicit Body as Palimpsest
2 Burlesque as Monster/Beauty: Beautiful Monsters and the Monstrosity of Beauty in Dita Von Teese
3 Burlesque as Unruly: Dirty Martini and the Political Efficacy of an Invisible Wink
4 Burlesque as Pretty/Funny: The Comedic Stylings of Little Brooklyn's Burlesquing Burlesque
5 Burlesque as Parodic Pageantry: The Agitprop Theatrics of Bambi the Mermaid's Miss Coney Island Pageant
6 Burlesque as Camp: Gender Becoming in World Famous *BOB*'s "One Man Show"
7 Burlesque as Revolution: The Ridiculous Theatre of Julie Atlas Muz
Conclusion: Nasty Women and Female Chauvinist Pigs
Acknowledgments
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
striptease; transformation; burlesque; neo-burlesque; glamour; theatre; humor; theater; performers; audience; pro-sex; gender; gender-bending; feminism; Lynn Sally; history; culture; philosophy; New York City; Dita Von Teese; Dirty Martini; Julie Atlas Muz; pop culture; entertainment; dance; women; American studies
Preface: Revelations and Disidentification
Introduction: Definitions and Methodologies
1 Burlesque as Popular Performance: MsTickle's Explicit Body as Palimpsest
2 Burlesque as Monster/Beauty: Beautiful Monsters and the Monstrosity of Beauty in Dita Von Teese
3 Burlesque as Unruly: Dirty Martini and the Political Efficacy of an Invisible Wink
4 Burlesque as Pretty/Funny: The Comedic Stylings of Little Brooklyn's Burlesquing Burlesque
5 Burlesque as Parodic Pageantry: The Agitprop Theatrics of Bambi the Mermaid's Miss Coney Island Pageant
6 Burlesque as Camp: Gender Becoming in World Famous *BOB*'s "One Man Show"
7 Burlesque as Revolution: The Ridiculous Theatre of Julie Atlas Muz
Conclusion: Nasty Women and Female Chauvinist Pigs
Acknowledgments
Notes
Bibliography
Index
Introduction: Definitions and Methodologies
1 Burlesque as Popular Performance: MsTickle's Explicit Body as Palimpsest
2 Burlesque as Monster/Beauty: Beautiful Monsters and the Monstrosity of Beauty in Dita Von Teese
3 Burlesque as Unruly: Dirty Martini and the Political Efficacy of an Invisible Wink
4 Burlesque as Pretty/Funny: The Comedic Stylings of Little Brooklyn's Burlesquing Burlesque
5 Burlesque as Parodic Pageantry: The Agitprop Theatrics of Bambi the Mermaid's Miss Coney Island Pageant
6 Burlesque as Camp: Gender Becoming in World Famous *BOB*'s "One Man Show"
7 Burlesque as Revolution: The Ridiculous Theatre of Julie Atlas Muz
Conclusion: Nasty Women and Female Chauvinist Pigs
Acknowledgments
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
striptease; transformation; burlesque; neo-burlesque; glamour; theatre; humor; theater; performers; audience; pro-sex; gender; gender-bending; feminism; Lynn Sally; history; culture; philosophy; New York City; Dita Von Teese; Dirty Martini; Julie Atlas Muz; pop culture; entertainment; dance; women; American studies