Nature and Medieval Literature
portes grátis
Nature and Medieval Literature
Knight, Stephen
University of Wales Press
02/2024
312
Dura
Inglês
9781837721023
15 a 20 dias
Descrição não disponível.
Preface
Introduction
1. Towards Ecocriticism
2. Medieval Ecocriticism
3. Ecocritical Approaches in this Study
Chapter 1 Nature and Medieval Welsh Literature
1. Early Poetry
2. Medieval Prose Stories: Culhwch ac Olwen
3. Medieval Prose Stories: the Mabinogi
4. The Human and Natural Poetic Sublime
Chapter 2 Nature in Mainstream Romances: Perceval de Galles (Le Conte du Graal), Peredur and Sir Perceval of Galles
1. Introduction
2. A Forest Dweller Turned Knight
2.1 Perceval de Galles
2.2 Peredur
2.3 Sir Perceval of Galles
3. The Hero Ventures Alone in the World
3.1 Perceval de Galles
3.2 Peredur
3.3 Sir Perceval of Galles
4 The Hero Resolves His Errors
4.1 Perceval de Galles
4.2 Peredur
4.3 Sir Perceval of Galles
5. Conclusion
Chapter 3 Chaucer's Use of Nature in Representation, Narrative and Analysis
1. Introduction
2. Nature and Society Encounter: The Book of the Duchess
3. Negative Nature and Social Culture: The Book of Fame
4. Nature Celebrated and Variegated: The Parlement of Foules
5. Nature, Conflict and Tragedy: Troilus and Criseyde
6. Nature, the Human, and the Unnatural World: the General Prologue to The
Canterbury Tales
7. Engagement with and Separation from Nature: The Canterbury Tales
7.1 Tales with Little or No Engagement with Nature
7.2 Tales which Deal Extensively with Nature
7.3 Tales which Deal with Nature in a Limited Way
Chapter 4 Nature in the Scottish Chaucerians
1. Introduction
2. Dunbar
2.1 Nature and Royalty
2.2 Nature and Love
2.3 Night and Darkness
2.4 Negative Nature
3. Henryson
3.1 The Moral Fabillis
3.2 Nature in Henryson's Other Work
3.2.1 Embedded Nature
3.2.2 Dark Nature
3.2.3 Natural Context Openings
4 Conclusion
Chapter 5 Nature in Medieval English Romances
1. Introduction
2. Limited Treatment of Nature
3. From the Forest Onwards
4. Romances with the Natural World Recurring Throughout
5. Romances with Nature Involved in the Plot
6. Conclusion
Chapter 6 Nature and the English Outlaw Myth
1. Nature and the Outlaw Ballad
2. Lord Robin of the Forest
3. Robin Hood and the Romantic Natural Context
4. Nature and Outlaw Novels, Poetry and Drama
Chapter 7 Nature in Medieval English Lyrics
1. Introduction
2. Nature Itself
3. May-time and Love
4. Nature and the Spiritual World
5. Nature and a Negative Human Context
6. Nature Ironic and Vulgar
7. Conclusion
Introduction
1. Towards Ecocriticism
2. Medieval Ecocriticism
3. Ecocritical Approaches in this Study
Chapter 1 Nature and Medieval Welsh Literature
1. Early Poetry
2. Medieval Prose Stories: Culhwch ac Olwen
3. Medieval Prose Stories: the Mabinogi
4. The Human and Natural Poetic Sublime
Chapter 2 Nature in Mainstream Romances: Perceval de Galles (Le Conte du Graal), Peredur and Sir Perceval of Galles
1. Introduction
2. A Forest Dweller Turned Knight
2.1 Perceval de Galles
2.2 Peredur
2.3 Sir Perceval of Galles
3. The Hero Ventures Alone in the World
3.1 Perceval de Galles
3.2 Peredur
3.3 Sir Perceval of Galles
4 The Hero Resolves His Errors
4.1 Perceval de Galles
4.2 Peredur
4.3 Sir Perceval of Galles
5. Conclusion
Chapter 3 Chaucer's Use of Nature in Representation, Narrative and Analysis
1. Introduction
2. Nature and Society Encounter: The Book of the Duchess
3. Negative Nature and Social Culture: The Book of Fame
4. Nature Celebrated and Variegated: The Parlement of Foules
5. Nature, Conflict and Tragedy: Troilus and Criseyde
6. Nature, the Human, and the Unnatural World: the General Prologue to The
Canterbury Tales
7. Engagement with and Separation from Nature: The Canterbury Tales
7.1 Tales with Little or No Engagement with Nature
7.2 Tales which Deal Extensively with Nature
7.3 Tales which Deal with Nature in a Limited Way
Chapter 4 Nature in the Scottish Chaucerians
1. Introduction
2. Dunbar
2.1 Nature and Royalty
2.2 Nature and Love
2.3 Night and Darkness
2.4 Negative Nature
3. Henryson
3.1 The Moral Fabillis
3.2 Nature in Henryson's Other Work
3.2.1 Embedded Nature
3.2.2 Dark Nature
3.2.3 Natural Context Openings
4 Conclusion
Chapter 5 Nature in Medieval English Romances
1. Introduction
2. Limited Treatment of Nature
3. From the Forest Onwards
4. Romances with the Natural World Recurring Throughout
5. Romances with Nature Involved in the Plot
6. Conclusion
Chapter 6 Nature and the English Outlaw Myth
1. Nature and the Outlaw Ballad
2. Lord Robin of the Forest
3. Robin Hood and the Romantic Natural Context
4. Nature and Outlaw Novels, Poetry and Drama
Chapter 7 Nature in Medieval English Lyrics
1. Introduction
2. Nature Itself
3. May-time and Love
4. Nature and the Spiritual World
5. Nature and a Negative Human Context
6. Nature Ironic and Vulgar
7. Conclusion
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Nature; Medieval; Literature; Knight; Stephen
Preface
Introduction
1. Towards Ecocriticism
2. Medieval Ecocriticism
3. Ecocritical Approaches in this Study
Chapter 1 Nature and Medieval Welsh Literature
1. Early Poetry
2. Medieval Prose Stories: Culhwch ac Olwen
3. Medieval Prose Stories: the Mabinogi
4. The Human and Natural Poetic Sublime
Chapter 2 Nature in Mainstream Romances: Perceval de Galles (Le Conte du Graal), Peredur and Sir Perceval of Galles
1. Introduction
2. A Forest Dweller Turned Knight
2.1 Perceval de Galles
2.2 Peredur
2.3 Sir Perceval of Galles
3. The Hero Ventures Alone in the World
3.1 Perceval de Galles
3.2 Peredur
3.3 Sir Perceval of Galles
4 The Hero Resolves His Errors
4.1 Perceval de Galles
4.2 Peredur
4.3 Sir Perceval of Galles
5. Conclusion
Chapter 3 Chaucer's Use of Nature in Representation, Narrative and Analysis
1. Introduction
2. Nature and Society Encounter: The Book of the Duchess
3. Negative Nature and Social Culture: The Book of Fame
4. Nature Celebrated and Variegated: The Parlement of Foules
5. Nature, Conflict and Tragedy: Troilus and Criseyde
6. Nature, the Human, and the Unnatural World: the General Prologue to The
Canterbury Tales
7. Engagement with and Separation from Nature: The Canterbury Tales
7.1 Tales with Little or No Engagement with Nature
7.2 Tales which Deal Extensively with Nature
7.3 Tales which Deal with Nature in a Limited Way
Chapter 4 Nature in the Scottish Chaucerians
1. Introduction
2. Dunbar
2.1 Nature and Royalty
2.2 Nature and Love
2.3 Night and Darkness
2.4 Negative Nature
3. Henryson
3.1 The Moral Fabillis
3.2 Nature in Henryson's Other Work
3.2.1 Embedded Nature
3.2.2 Dark Nature
3.2.3 Natural Context Openings
4 Conclusion
Chapter 5 Nature in Medieval English Romances
1. Introduction
2. Limited Treatment of Nature
3. From the Forest Onwards
4. Romances with the Natural World Recurring Throughout
5. Romances with Nature Involved in the Plot
6. Conclusion
Chapter 6 Nature and the English Outlaw Myth
1. Nature and the Outlaw Ballad
2. Lord Robin of the Forest
3. Robin Hood and the Romantic Natural Context
4. Nature and Outlaw Novels, Poetry and Drama
Chapter 7 Nature in Medieval English Lyrics
1. Introduction
2. Nature Itself
3. May-time and Love
4. Nature and the Spiritual World
5. Nature and a Negative Human Context
6. Nature Ironic and Vulgar
7. Conclusion
Introduction
1. Towards Ecocriticism
2. Medieval Ecocriticism
3. Ecocritical Approaches in this Study
Chapter 1 Nature and Medieval Welsh Literature
1. Early Poetry
2. Medieval Prose Stories: Culhwch ac Olwen
3. Medieval Prose Stories: the Mabinogi
4. The Human and Natural Poetic Sublime
Chapter 2 Nature in Mainstream Romances: Perceval de Galles (Le Conte du Graal), Peredur and Sir Perceval of Galles
1. Introduction
2. A Forest Dweller Turned Knight
2.1 Perceval de Galles
2.2 Peredur
2.3 Sir Perceval of Galles
3. The Hero Ventures Alone in the World
3.1 Perceval de Galles
3.2 Peredur
3.3 Sir Perceval of Galles
4 The Hero Resolves His Errors
4.1 Perceval de Galles
4.2 Peredur
4.3 Sir Perceval of Galles
5. Conclusion
Chapter 3 Chaucer's Use of Nature in Representation, Narrative and Analysis
1. Introduction
2. Nature and Society Encounter: The Book of the Duchess
3. Negative Nature and Social Culture: The Book of Fame
4. Nature Celebrated and Variegated: The Parlement of Foules
5. Nature, Conflict and Tragedy: Troilus and Criseyde
6. Nature, the Human, and the Unnatural World: the General Prologue to The
Canterbury Tales
7. Engagement with and Separation from Nature: The Canterbury Tales
7.1 Tales with Little or No Engagement with Nature
7.2 Tales which Deal Extensively with Nature
7.3 Tales which Deal with Nature in a Limited Way
Chapter 4 Nature in the Scottish Chaucerians
1. Introduction
2. Dunbar
2.1 Nature and Royalty
2.2 Nature and Love
2.3 Night and Darkness
2.4 Negative Nature
3. Henryson
3.1 The Moral Fabillis
3.2 Nature in Henryson's Other Work
3.2.1 Embedded Nature
3.2.2 Dark Nature
3.2.3 Natural Context Openings
4 Conclusion
Chapter 5 Nature in Medieval English Romances
1. Introduction
2. Limited Treatment of Nature
3. From the Forest Onwards
4. Romances with the Natural World Recurring Throughout
5. Romances with Nature Involved in the Plot
6. Conclusion
Chapter 6 Nature and the English Outlaw Myth
1. Nature and the Outlaw Ballad
2. Lord Robin of the Forest
3. Robin Hood and the Romantic Natural Context
4. Nature and Outlaw Novels, Poetry and Drama
Chapter 7 Nature in Medieval English Lyrics
1. Introduction
2. Nature Itself
3. May-time and Love
4. Nature and the Spiritual World
5. Nature and a Negative Human Context
6. Nature Ironic and Vulgar
7. Conclusion
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