Musicians and Copyright
portes grátis
Musicians and Copyright
A History of Collective Rights Management in the Music Industry
Pouillard, Veronique; Buning, Marius; Loth, Mala
Manchester University Press
03/2026
292
Dura
Inglês
9781526180148
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction
Veronique Pouillard, Marius Buning, and Mala Loth
1. The drama of music: performance rights in the wake of industrial liberalisation, Paris 1851-1898
Anna Marie Skramesto Nesheim
2. Confederation or corporation? Ideological and organisational visions in CISAC's 'Mechanical Rights Federation' 1933-1939
Johan Larson Lindal
3 The politicization of copyright on the international stage: Fascist Italy and the foundation of CISAC
Malte Zill
4. Genealogies of copyright tariffs
Jose Bellido and Fiona Macmillan
5. The colonial expansion of the Belgian collective management society SABAM and music copyright in Congo, Rwanda and Burundi (1950s-1960s)
Veronique Pouillard
6. Collecting the traditional Kabyle music of Algeria in decolonisation time: Taos Amrouche, Yvette Grimaud and UNESCO (1950s-1960s)
Minja Mitrovic and Veronique Pouillard
7. Licensing conflicts: bureaucracy and bickering in the GEMA 'family', 1949-1962
Klaus Nathaus
8. Competing Futures: GEMA, the European Commission, and Copyright Law, 1962-1972
Mala Loth
9. Performer's Rights - A child of technology and a stepchild of copyright
Irina Eidsvold-Toien -- .
Veronique Pouillard, Marius Buning, and Mala Loth
1. The drama of music: performance rights in the wake of industrial liberalisation, Paris 1851-1898
Anna Marie Skramesto Nesheim
2. Confederation or corporation? Ideological and organisational visions in CISAC's 'Mechanical Rights Federation' 1933-1939
Johan Larson Lindal
3 The politicization of copyright on the international stage: Fascist Italy and the foundation of CISAC
Malte Zill
4. Genealogies of copyright tariffs
Jose Bellido and Fiona Macmillan
5. The colonial expansion of the Belgian collective management society SABAM and music copyright in Congo, Rwanda and Burundi (1950s-1960s)
Veronique Pouillard
6. Collecting the traditional Kabyle music of Algeria in decolonisation time: Taos Amrouche, Yvette Grimaud and UNESCO (1950s-1960s)
Minja Mitrovic and Veronique Pouillard
7. Licensing conflicts: bureaucracy and bickering in the GEMA 'family', 1949-1962
Klaus Nathaus
8. Competing Futures: GEMA, the European Commission, and Copyright Law, 1962-1972
Mala Loth
9. Performer's Rights - A child of technology and a stepchild of copyright
Irina Eidsvold-Toien -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Collecting societies; collective rights management; history of copyright; collective management organisation; intellectual property; artists' rights; 19th century legal history; 20th-century legal history; CISAC; BIEM, GEMA, Creative IPR; John Ashbery; American poetry; David Lehman; Pasternak; sexuality; apothegm; Collective management organizations (CMOs); Copyright history; Music industry; Rights management; Cultural history; Copyright law; Music rights; Technological change; Organizational forms
Introduction
Veronique Pouillard, Marius Buning, and Mala Loth
1. The drama of music: performance rights in the wake of industrial liberalisation, Paris 1851-1898
Anna Marie Skramesto Nesheim
2. Confederation or corporation? Ideological and organisational visions in CISAC's 'Mechanical Rights Federation' 1933-1939
Johan Larson Lindal
3 The politicization of copyright on the international stage: Fascist Italy and the foundation of CISAC
Malte Zill
4. Genealogies of copyright tariffs
Jose Bellido and Fiona Macmillan
5. The colonial expansion of the Belgian collective management society SABAM and music copyright in Congo, Rwanda and Burundi (1950s-1960s)
Veronique Pouillard
6. Collecting the traditional Kabyle music of Algeria in decolonisation time: Taos Amrouche, Yvette Grimaud and UNESCO (1950s-1960s)
Minja Mitrovic and Veronique Pouillard
7. Licensing conflicts: bureaucracy and bickering in the GEMA 'family', 1949-1962
Klaus Nathaus
8. Competing Futures: GEMA, the European Commission, and Copyright Law, 1962-1972
Mala Loth
9. Performer's Rights - A child of technology and a stepchild of copyright
Irina Eidsvold-Toien -- .
Veronique Pouillard, Marius Buning, and Mala Loth
1. The drama of music: performance rights in the wake of industrial liberalisation, Paris 1851-1898
Anna Marie Skramesto Nesheim
2. Confederation or corporation? Ideological and organisational visions in CISAC's 'Mechanical Rights Federation' 1933-1939
Johan Larson Lindal
3 The politicization of copyright on the international stage: Fascist Italy and the foundation of CISAC
Malte Zill
4. Genealogies of copyright tariffs
Jose Bellido and Fiona Macmillan
5. The colonial expansion of the Belgian collective management society SABAM and music copyright in Congo, Rwanda and Burundi (1950s-1960s)
Veronique Pouillard
6. Collecting the traditional Kabyle music of Algeria in decolonisation time: Taos Amrouche, Yvette Grimaud and UNESCO (1950s-1960s)
Minja Mitrovic and Veronique Pouillard
7. Licensing conflicts: bureaucracy and bickering in the GEMA 'family', 1949-1962
Klaus Nathaus
8. Competing Futures: GEMA, the European Commission, and Copyright Law, 1962-1972
Mala Loth
9. Performer's Rights - A child of technology and a stepchild of copyright
Irina Eidsvold-Toien -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Collecting societies; collective rights management; history of copyright; collective management organisation; intellectual property; artists' rights; 19th century legal history; 20th-century legal history; CISAC; BIEM, GEMA, Creative IPR; John Ashbery; American poetry; David Lehman; Pasternak; sexuality; apothegm; Collective management organizations (CMOs); Copyright history; Music industry; Rights management; Cultural history; Copyright law; Music rights; Technological change; Organizational forms
