Musical Topics and Musical Performance
portes grátis
Musical Topics and Musical Performance
Hellaby, Julian
Taylor & Francis Ltd
01/2023
254
Dura
Inglês
9781032110851
15 a 20 dias
657
Descrição não disponível.
Introduction
Julian Hellaby
Chapter One
Topics and Music Performance: Some Reflections and a Proposal for a Theory
Eero Tarasti
Chapter Two
"Rhetorical" Versus "Organicist" Performances: A Pragmatic Approach
Joan Grimalt
Chapter Three
'es brennt mein Eingeweide': Agitato in Settings of Nur wer die Sehnsucht kennt
William Dougherty
Chapter Four
Expanding the Parameters of Historically-Informed Performance: Topics in Nineteenth-Century Miniatures for Stringed Instruments
George Kennaway
Chapter Five
Piano Schools, Topics and Liszt's Sonata in B Minor
Daniela Tsekova-Zapponi
Chapter Six
Narrative Analysis, the Sonata Cycle and Implications for Performance: A Reading of Brahms's Piano Sonata No. 2 in F-sharp Minor
Janice Dickensheets
Chapter Seven
From Performer to Conjuror: Topical Performance in the Piano Works of Scriabin
Darren Leaper and Cecilia Xi
Chapter Eight
The Topic of the Gato in the Early Works of Alberto Ginastera and the Disambiguation of Pequena Danza
Melanie Plesch
Chapter Nine
TopICS and Performance in PEter Eoetvoes's Violin Concerto Seven (2007)
Marta Grabocz
Chapter Ten
Romantic Performance and Gestural Topic
Lina Navickaite-Martinelli
Julian Hellaby
Chapter One
Topics and Music Performance: Some Reflections and a Proposal for a Theory
Eero Tarasti
Chapter Two
"Rhetorical" Versus "Organicist" Performances: A Pragmatic Approach
Joan Grimalt
Chapter Three
'es brennt mein Eingeweide': Agitato in Settings of Nur wer die Sehnsucht kennt
William Dougherty
Chapter Four
Expanding the Parameters of Historically-Informed Performance: Topics in Nineteenth-Century Miniatures for Stringed Instruments
George Kennaway
Chapter Five
Piano Schools, Topics and Liszt's Sonata in B Minor
Daniela Tsekova-Zapponi
Chapter Six
Narrative Analysis, the Sonata Cycle and Implications for Performance: A Reading of Brahms's Piano Sonata No. 2 in F-sharp Minor
Janice Dickensheets
Chapter Seven
From Performer to Conjuror: Topical Performance in the Piano Works of Scriabin
Darren Leaper and Cecilia Xi
Chapter Eight
The Topic of the Gato in the Early Works of Alberto Ginastera and the Disambiguation of Pequena Danza
Melanie Plesch
Chapter Nine
TopICS and Performance in PEter Eoetvoes's Violin Concerto Seven (2007)
Marta Grabocz
Chapter Ten
Romantic Performance and Gestural Topic
Lina Navickaite-Martinelli
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Nur Wer Die Sehnsucht Kennt;Metronome Marking;Pop Star;BBC Philharmonic Orchestra;Mendelssohn's Lied Ohne Worte;Compositional Prototype;Pas De Deux;Signature Rhythmic Pattern;Tonic Axis;Alberto Ginastera;Schubert's Piano Sonata;Raymond Monelle;Latin American Art Music;Scriabin's Works;Style Hongrois;Jean Paulian;Scriabin's Music;Ich Grolle Nicht;Gestural Topic;Jorge Bolet;Liszt Sonata;Flight Motive;Late Sonatas;Solo Violin;Topic Theory
Introduction
Julian Hellaby
Chapter One
Topics and Music Performance: Some Reflections and a Proposal for a Theory
Eero Tarasti
Chapter Two
"Rhetorical" Versus "Organicist" Performances: A Pragmatic Approach
Joan Grimalt
Chapter Three
'es brennt mein Eingeweide': Agitato in Settings of Nur wer die Sehnsucht kennt
William Dougherty
Chapter Four
Expanding the Parameters of Historically-Informed Performance: Topics in Nineteenth-Century Miniatures for Stringed Instruments
George Kennaway
Chapter Five
Piano Schools, Topics and Liszt's Sonata in B Minor
Daniela Tsekova-Zapponi
Chapter Six
Narrative Analysis, the Sonata Cycle and Implications for Performance: A Reading of Brahms's Piano Sonata No. 2 in F-sharp Minor
Janice Dickensheets
Chapter Seven
From Performer to Conjuror: Topical Performance in the Piano Works of Scriabin
Darren Leaper and Cecilia Xi
Chapter Eight
The Topic of the Gato in the Early Works of Alberto Ginastera and the Disambiguation of Pequena Danza
Melanie Plesch
Chapter Nine
TopICS and Performance in PEter Eoetvoes's Violin Concerto Seven (2007)
Marta Grabocz
Chapter Ten
Romantic Performance and Gestural Topic
Lina Navickaite-Martinelli
Julian Hellaby
Chapter One
Topics and Music Performance: Some Reflections and a Proposal for a Theory
Eero Tarasti
Chapter Two
"Rhetorical" Versus "Organicist" Performances: A Pragmatic Approach
Joan Grimalt
Chapter Three
'es brennt mein Eingeweide': Agitato in Settings of Nur wer die Sehnsucht kennt
William Dougherty
Chapter Four
Expanding the Parameters of Historically-Informed Performance: Topics in Nineteenth-Century Miniatures for Stringed Instruments
George Kennaway
Chapter Five
Piano Schools, Topics and Liszt's Sonata in B Minor
Daniela Tsekova-Zapponi
Chapter Six
Narrative Analysis, the Sonata Cycle and Implications for Performance: A Reading of Brahms's Piano Sonata No. 2 in F-sharp Minor
Janice Dickensheets
Chapter Seven
From Performer to Conjuror: Topical Performance in the Piano Works of Scriabin
Darren Leaper and Cecilia Xi
Chapter Eight
The Topic of the Gato in the Early Works of Alberto Ginastera and the Disambiguation of Pequena Danza
Melanie Plesch
Chapter Nine
TopICS and Performance in PEter Eoetvoes's Violin Concerto Seven (2007)
Marta Grabocz
Chapter Ten
Romantic Performance and Gestural Topic
Lina Navickaite-Martinelli
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Nur Wer Die Sehnsucht Kennt;Metronome Marking;Pop Star;BBC Philharmonic Orchestra;Mendelssohn's Lied Ohne Worte;Compositional Prototype;Pas De Deux;Signature Rhythmic Pattern;Tonic Axis;Alberto Ginastera;Schubert's Piano Sonata;Raymond Monelle;Latin American Art Music;Scriabin's Works;Style Hongrois;Jean Paulian;Scriabin's Music;Ich Grolle Nicht;Gestural Topic;Jorge Bolet;Liszt Sonata;Flight Motive;Late Sonatas;Solo Violin;Topic Theory
