Monstrous Utopias
Monstrous Utopias
Performance and the Radical Possibility of Hope
Santana, Analola; Chemers, Michael Mark
Taylor & Francis Ltd
03/2026
264
Dura
Inglês
9781032986043
15 a 20 dias
Descrição não disponível.
Introduction - Wicked Prisms: Monstrosity as Vor-Schein
PART I. THE MONSTER AS SIGNAL
1. The Monstrous Body is a Discursive Body
2. "There Be Dragons...Awashed in the New World"
3. The Monstrous-Feminine in Performances by Florentina Holzinger
4. Many Monsters in One: Ipi Zombi? And Post-Apartheid South African Sociophonics
5. Who is the Monster? Naming the Monster as Performative Act in Koreeda Hirozaku's Monster (2023)
PART II. LOOKING THROUGH THE MONSTER'S EYES
6. "Here Comes the Hurricane": Confronting Environmental Monstrosity through Comedic Performance
7. Haunting the Genre: The Transformative Power of Immersive Performance in Haunted Attractions
8. Walk Toward The Sunset: Epidemic as Test in Melungeon Narrative
9. Revenge of the Monster Queer: The Cosmic Horror and Eldritch Liberation of Drag
10. Dancing the Monstrous: Manifestations of Female Sexuality in Horror
PART III. THE MONSTER IS US
11. Fearing the Monster Within: Abjection and Empathy in The Whale
12. Dreams of Carcosa: The Utopian Space of Weird Horror and Theatre or a Reparative Reading of The King in Yellow
13. Monstrous Embodiments: The Artistic and Political Potential of Drag Practices in Buenos Aires
14. Vultures and Mud: The Transformational Ecologies of Ochun Ibu Kole
15. Teratological Becoming(s): Exploring Black Religion Through Monstrous Performance
PART I. THE MONSTER AS SIGNAL
1. The Monstrous Body is a Discursive Body
2. "There Be Dragons...Awashed in the New World"
3. The Monstrous-Feminine in Performances by Florentina Holzinger
4. Many Monsters in One: Ipi Zombi? And Post-Apartheid South African Sociophonics
5. Who is the Monster? Naming the Monster as Performative Act in Koreeda Hirozaku's Monster (2023)
PART II. LOOKING THROUGH THE MONSTER'S EYES
6. "Here Comes the Hurricane": Confronting Environmental Monstrosity through Comedic Performance
7. Haunting the Genre: The Transformative Power of Immersive Performance in Haunted Attractions
8. Walk Toward The Sunset: Epidemic as Test in Melungeon Narrative
9. Revenge of the Monster Queer: The Cosmic Horror and Eldritch Liberation of Drag
10. Dancing the Monstrous: Manifestations of Female Sexuality in Horror
PART III. THE MONSTER IS US
11. Fearing the Monster Within: Abjection and Empathy in The Whale
12. Dreams of Carcosa: The Utopian Space of Weird Horror and Theatre or a Reparative Reading of The King in Yellow
13. Monstrous Embodiments: The Artistic and Political Potential of Drag Practices in Buenos Aires
14. Vultures and Mud: The Transformational Ecologies of Ochun Ibu Kole
15. Teratological Becoming(s): Exploring Black Religion Through Monstrous Performance
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
performance theory;cultural criticism;queer theory;feminist performance;drag studies;abjection empathy;radical hope in theatre
Introduction - Wicked Prisms: Monstrosity as Vor-Schein
PART I. THE MONSTER AS SIGNAL
1. The Monstrous Body is a Discursive Body
2. "There Be Dragons...Awashed in the New World"
3. The Monstrous-Feminine in Performances by Florentina Holzinger
4. Many Monsters in One: Ipi Zombi? And Post-Apartheid South African Sociophonics
5. Who is the Monster? Naming the Monster as Performative Act in Koreeda Hirozaku's Monster (2023)
PART II. LOOKING THROUGH THE MONSTER'S EYES
6. "Here Comes the Hurricane": Confronting Environmental Monstrosity through Comedic Performance
7. Haunting the Genre: The Transformative Power of Immersive Performance in Haunted Attractions
8. Walk Toward The Sunset: Epidemic as Test in Melungeon Narrative
9. Revenge of the Monster Queer: The Cosmic Horror and Eldritch Liberation of Drag
10. Dancing the Monstrous: Manifestations of Female Sexuality in Horror
PART III. THE MONSTER IS US
11. Fearing the Monster Within: Abjection and Empathy in The Whale
12. Dreams of Carcosa: The Utopian Space of Weird Horror and Theatre or a Reparative Reading of The King in Yellow
13. Monstrous Embodiments: The Artistic and Political Potential of Drag Practices in Buenos Aires
14. Vultures and Mud: The Transformational Ecologies of Ochun Ibu Kole
15. Teratological Becoming(s): Exploring Black Religion Through Monstrous Performance
PART I. THE MONSTER AS SIGNAL
1. The Monstrous Body is a Discursive Body
2. "There Be Dragons...Awashed in the New World"
3. The Monstrous-Feminine in Performances by Florentina Holzinger
4. Many Monsters in One: Ipi Zombi? And Post-Apartheid South African Sociophonics
5. Who is the Monster? Naming the Monster as Performative Act in Koreeda Hirozaku's Monster (2023)
PART II. LOOKING THROUGH THE MONSTER'S EYES
6. "Here Comes the Hurricane": Confronting Environmental Monstrosity through Comedic Performance
7. Haunting the Genre: The Transformative Power of Immersive Performance in Haunted Attractions
8. Walk Toward The Sunset: Epidemic as Test in Melungeon Narrative
9. Revenge of the Monster Queer: The Cosmic Horror and Eldritch Liberation of Drag
10. Dancing the Monstrous: Manifestations of Female Sexuality in Horror
PART III. THE MONSTER IS US
11. Fearing the Monster Within: Abjection and Empathy in The Whale
12. Dreams of Carcosa: The Utopian Space of Weird Horror and Theatre or a Reparative Reading of The King in Yellow
13. Monstrous Embodiments: The Artistic and Political Potential of Drag Practices in Buenos Aires
14. Vultures and Mud: The Transformational Ecologies of Ochun Ibu Kole
15. Teratological Becoming(s): Exploring Black Religion Through Monstrous Performance
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.