Modernist Aesthetics in Transition
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Modernist Aesthetics in Transition
Visual Culture of the Weimar Republic and Nazi Germany
Ascher Barnstone, Deborah; Brett, Donna West
Bloomsbury Publishing PLC
01/2025
304
Dura
9781350442528
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List of Illustrations
Introduction
1. Shadow Schein and Scherenschnitte: Lotte Reiniger and the Silhouettes of Early Weimar, Erin Maynes (Los Angeles County Museum of Art, USA)
2. Cinema of the Underprivileged: Heinrich Zille's Influence on Weimar Street Film, Andreas-Benjamin Seyfert (UCLA, USA)
3. Moholy-Nagy: Shadows and Space-Time, Donna West Brett (The University of Sydney, Australia)
4. Female Sexuality, Sex Research and the Visual Arts, Birgit Lang and Eliza Coyle (The University of Melbourne, Australia)
5. In Pursuit of Beauty: Manasse and Erotic Photography in the Weimar and Nazi Eras, Camilla Smith (University of Birmingham, UK)
6. Visual Diversity within Gleichschaltung? The Diffusion of 'New Typography' during the Interwar Period in Germany, Patrick Roessler (University of Erfurt, Germany)
7. The Case of Color in 1920s and 1930s German Architecture, Deborah Ascher Barnstone (The University of Sydney, Australia)
8. Altars to Ambition: The Triptych Revival in Late Weimar and National Socialist Germany, Peter Chametzky (University of South Carolina, USA)
9. Cabaret in Transition: Ilse Bois' Parodies Between the Times and Between the Genres, Mila Ganeva (Miami University, USA)
10. The Case of Breker: Sculpture Reception, 1919 - 1943, Nina Luebbren (Anglia Ruskin University, UK)
11. Flamboyantly Gay, Jewish and Avant-garde: Alfred Flecthheim's Dealing with Transitional Aesthetics, Transsexualities and Antisemitism, Fae Brauer (University of East London Centre for Cultural Research, UK)
Index
Introduction
1. Shadow Schein and Scherenschnitte: Lotte Reiniger and the Silhouettes of Early Weimar, Erin Maynes (Los Angeles County Museum of Art, USA)
2. Cinema of the Underprivileged: Heinrich Zille's Influence on Weimar Street Film, Andreas-Benjamin Seyfert (UCLA, USA)
3. Moholy-Nagy: Shadows and Space-Time, Donna West Brett (The University of Sydney, Australia)
4. Female Sexuality, Sex Research and the Visual Arts, Birgit Lang and Eliza Coyle (The University of Melbourne, Australia)
5. In Pursuit of Beauty: Manasse and Erotic Photography in the Weimar and Nazi Eras, Camilla Smith (University of Birmingham, UK)
6. Visual Diversity within Gleichschaltung? The Diffusion of 'New Typography' during the Interwar Period in Germany, Patrick Roessler (University of Erfurt, Germany)
7. The Case of Color in 1920s and 1930s German Architecture, Deborah Ascher Barnstone (The University of Sydney, Australia)
8. Altars to Ambition: The Triptych Revival in Late Weimar and National Socialist Germany, Peter Chametzky (University of South Carolina, USA)
9. Cabaret in Transition: Ilse Bois' Parodies Between the Times and Between the Genres, Mila Ganeva (Miami University, USA)
10. The Case of Breker: Sculpture Reception, 1919 - 1943, Nina Luebbren (Anglia Ruskin University, UK)
11. Flamboyantly Gay, Jewish and Avant-garde: Alfred Flecthheim's Dealing with Transitional Aesthetics, Transsexualities and Antisemitism, Fae Brauer (University of East London Centre for Cultural Research, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
First World War; Second World War; 1914, 1918, 1939, National Socialism, Weimar, Germany, 20th Century, Scherenschnitte, Expressionism, Censorship, Shadow, Sammelscheine; Lotte Reiniger; Die Abenteuer des Prinzen Achmed; Gerhard Lamprecht; Zille films; Curt Moreck; Laszlo Moholy-Nagy; Christian Schad; New Vision Photography; the New Woman; Sexological Print; Jeanne Mammen; Otto Dix; Neue Sachlichkeit; Magnus Hirschfeld; New Typography; Gleichschaltung; Bauhaus; Walter Gropius; Otto Haesler; Benita Koch-Otte; Lily Reich; Hans Scharoun; Bruno Taut; Triptych; Jewish identity
List of Illustrations
Introduction
1. Shadow Schein and Scherenschnitte: Lotte Reiniger and the Silhouettes of Early Weimar, Erin Maynes (Los Angeles County Museum of Art, USA)
2. Cinema of the Underprivileged: Heinrich Zille's Influence on Weimar Street Film, Andreas-Benjamin Seyfert (UCLA, USA)
3. Moholy-Nagy: Shadows and Space-Time, Donna West Brett (The University of Sydney, Australia)
4. Female Sexuality, Sex Research and the Visual Arts, Birgit Lang and Eliza Coyle (The University of Melbourne, Australia)
5. In Pursuit of Beauty: Manasse and Erotic Photography in the Weimar and Nazi Eras, Camilla Smith (University of Birmingham, UK)
6. Visual Diversity within Gleichschaltung? The Diffusion of 'New Typography' during the Interwar Period in Germany, Patrick Roessler (University of Erfurt, Germany)
7. The Case of Color in 1920s and 1930s German Architecture, Deborah Ascher Barnstone (The University of Sydney, Australia)
8. Altars to Ambition: The Triptych Revival in Late Weimar and National Socialist Germany, Peter Chametzky (University of South Carolina, USA)
9. Cabaret in Transition: Ilse Bois' Parodies Between the Times and Between the Genres, Mila Ganeva (Miami University, USA)
10. The Case of Breker: Sculpture Reception, 1919 - 1943, Nina Luebbren (Anglia Ruskin University, UK)
11. Flamboyantly Gay, Jewish and Avant-garde: Alfred Flecthheim's Dealing with Transitional Aesthetics, Transsexualities and Antisemitism, Fae Brauer (University of East London Centre for Cultural Research, UK)
Index
Introduction
1. Shadow Schein and Scherenschnitte: Lotte Reiniger and the Silhouettes of Early Weimar, Erin Maynes (Los Angeles County Museum of Art, USA)
2. Cinema of the Underprivileged: Heinrich Zille's Influence on Weimar Street Film, Andreas-Benjamin Seyfert (UCLA, USA)
3. Moholy-Nagy: Shadows and Space-Time, Donna West Brett (The University of Sydney, Australia)
4. Female Sexuality, Sex Research and the Visual Arts, Birgit Lang and Eliza Coyle (The University of Melbourne, Australia)
5. In Pursuit of Beauty: Manasse and Erotic Photography in the Weimar and Nazi Eras, Camilla Smith (University of Birmingham, UK)
6. Visual Diversity within Gleichschaltung? The Diffusion of 'New Typography' during the Interwar Period in Germany, Patrick Roessler (University of Erfurt, Germany)
7. The Case of Color in 1920s and 1930s German Architecture, Deborah Ascher Barnstone (The University of Sydney, Australia)
8. Altars to Ambition: The Triptych Revival in Late Weimar and National Socialist Germany, Peter Chametzky (University of South Carolina, USA)
9. Cabaret in Transition: Ilse Bois' Parodies Between the Times and Between the Genres, Mila Ganeva (Miami University, USA)
10. The Case of Breker: Sculpture Reception, 1919 - 1943, Nina Luebbren (Anglia Ruskin University, UK)
11. Flamboyantly Gay, Jewish and Avant-garde: Alfred Flecthheim's Dealing with Transitional Aesthetics, Transsexualities and Antisemitism, Fae Brauer (University of East London Centre for Cultural Research, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
First World War; Second World War; 1914, 1918, 1939, National Socialism, Weimar, Germany, 20th Century, Scherenschnitte, Expressionism, Censorship, Shadow, Sammelscheine; Lotte Reiniger; Die Abenteuer des Prinzen Achmed; Gerhard Lamprecht; Zille films; Curt Moreck; Laszlo Moholy-Nagy; Christian Schad; New Vision Photography; the New Woman; Sexological Print; Jeanne Mammen; Otto Dix; Neue Sachlichkeit; Magnus Hirschfeld; New Typography; Gleichschaltung; Bauhaus; Walter Gropius; Otto Haesler; Benita Koch-Otte; Lily Reich; Hans Scharoun; Bruno Taut; Triptych; Jewish identity
