Modern American Literature and Contemporary Iranian Cinema
portes grátis
Modern American Literature and Contemporary Iranian Cinema
Identity, Appropriation, and Recontextualization
Yazdanjoo, Morteza
Taylor & Francis Ltd
12/2022
168
Mole
Inglês
9781032389721
15 a 20 dias
331
Descrição não disponível.
Preface
Acknowledgements
1. Introduction
2. Adaptation Studies, Cultural Materialism, and Cultural Studies: An Intertextual Dialogue
3.Narrative Trajectories of National Identity in Iranian Cinema: A Historical Long Shot
4.Performing the Poetics of the Iranian Dream on the Silver Screen: Dariush Mehrjui's Appropriation of Saul Bellow's Herzog and J. D. Salinger's Franny and Zooey
5. Watching Tennessee Williams in Iran: The Sanctity of Family Reconstituted
6. Birth of a Salesman: Revisiting Willy Loman in Tehran
7. Conclusion
Index
Acknowledgements
1. Introduction
2. Adaptation Studies, Cultural Materialism, and Cultural Studies: An Intertextual Dialogue
3.Narrative Trajectories of National Identity in Iranian Cinema: A Historical Long Shot
4.Performing the Poetics of the Iranian Dream on the Silver Screen: Dariush Mehrjui's Appropriation of Saul Bellow's Herzog and J. D. Salinger's Franny and Zooey
5. Watching Tennessee Williams in Iran: The Sanctity of Family Reconstituted
6. Birth of a Salesman: Revisiting Willy Loman in Tehran
7. Conclusion
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Iranian Cinema;Dariush Mehrjui;Modern American Literature;Streetcar Named Desire;Asghar Farhadi;Glass Menagerie;Adaptation Studies;Contemporary Iranian Cinema;Young Man;Contemporary Iran;Williams's Plays;Fidelity Criticism;Gentleman Caller;Wave Tradition;Sufi Poetry;Miller's Plays;Miller Death;Abbas Kiarostami;Hot Tin Roof;Dominant Cultural Order;Cinematic Appropriation;Islamic Mysticism;Iranian Blood Transfusion Organization;National Identity;Dariush Shayegan
Preface
Acknowledgements
1. Introduction
2. Adaptation Studies, Cultural Materialism, and Cultural Studies: An Intertextual Dialogue
3.Narrative Trajectories of National Identity in Iranian Cinema: A Historical Long Shot
4.Performing the Poetics of the Iranian Dream on the Silver Screen: Dariush Mehrjui's Appropriation of Saul Bellow's Herzog and J. D. Salinger's Franny and Zooey
5. Watching Tennessee Williams in Iran: The Sanctity of Family Reconstituted
6. Birth of a Salesman: Revisiting Willy Loman in Tehran
7. Conclusion
Index
Acknowledgements
1. Introduction
2. Adaptation Studies, Cultural Materialism, and Cultural Studies: An Intertextual Dialogue
3.Narrative Trajectories of National Identity in Iranian Cinema: A Historical Long Shot
4.Performing the Poetics of the Iranian Dream on the Silver Screen: Dariush Mehrjui's Appropriation of Saul Bellow's Herzog and J. D. Salinger's Franny and Zooey
5. Watching Tennessee Williams in Iran: The Sanctity of Family Reconstituted
6. Birth of a Salesman: Revisiting Willy Loman in Tehran
7. Conclusion
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Iranian Cinema;Dariush Mehrjui;Modern American Literature;Streetcar Named Desire;Asghar Farhadi;Glass Menagerie;Adaptation Studies;Contemporary Iranian Cinema;Young Man;Contemporary Iran;Williams's Plays;Fidelity Criticism;Gentleman Caller;Wave Tradition;Sufi Poetry;Miller's Plays;Miller Death;Abbas Kiarostami;Hot Tin Roof;Dominant Cultural Order;Cinematic Appropriation;Islamic Mysticism;Iranian Blood Transfusion Organization;National Identity;Dariush Shayegan
