Material Cultures of the Global Eighteenth Century
portes grátis
Material Cultures of the Global Eighteenth Century
Art, Mobility, and Change
Smentek, Kristel; Bellion, Wendy
Bloomsbury Publishing PLC
01/2025
288
Mole
Inglês
9781350259072
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction, "Things Change", Wendy Bellion, University of Delaware, USA; Kristel Smentek, MIT, USA
1. 'A Sort of Picture or Image of my Self': Amoy Chinqua's Almost Ancestral Portrait of Joseph Collet, Winnie Wong, University of California, Berkeley, USA
2. Shooting for Freedom: Examining the Material World of Self-Emancipated Persons, Tiffany Momon, Sewanee: The University of the South, USA
3. Something Old, Something New: Repurposing and the Production of Ephemeral Festival Architecture in 18th-Century Paris, Matthew Gin, University of North Carolina at Charlotte, USA
4. Botanical Fantasy in Silk: Transformations of A Rococo Floral Design from England to China, Mei Mei Rado, Bard Graduate Center, USA
5. Making Marble Edible: Madame de Pompadour, Friendship, and the Multiple Lives of Porcelain, Susan M. Wager, University of New Hampshire, Durham, USA
6. The Sovereign Betel in Eighteenth-Century Bengal and Bihar, Zirwat Chowdhury, University of California, Los Angeles, USA
7. Isaiah Thomas's Stamp Acts at the Halifax Gazette: Printers and Tacit Protest in Revolutionary America, Jennifer Y. Chuong, University of Illinois, Urbana Champaign, USA
8. Between Art and Nature: The Dauphin's Treasure at the Royal Cabinet of Natural History in Madrid, Tara Zanardi, Hunter College, CUNY, USA
9. California Indian Basket Weavers, Spanish Imperialism, and Eighteenth-Century Global Networks, Yve Chavez, University of Oklahoma, USA
10. British Prints between Caricature and Ethnography, Douglas Fordham, University of Virginia, USA
Index
Notes on Contributors
Acknowledgements
Introduction, "Things Change", Wendy Bellion, University of Delaware, USA; Kristel Smentek, MIT, USA
1. 'A Sort of Picture or Image of my Self': Amoy Chinqua's Almost Ancestral Portrait of Joseph Collet, Winnie Wong, University of California, Berkeley, USA
2. Shooting for Freedom: Examining the Material World of Self-Emancipated Persons, Tiffany Momon, Sewanee: The University of the South, USA
3. Something Old, Something New: Repurposing and the Production of Ephemeral Festival Architecture in 18th-Century Paris, Matthew Gin, University of North Carolina at Charlotte, USA
4. Botanical Fantasy in Silk: Transformations of A Rococo Floral Design from England to China, Mei Mei Rado, Bard Graduate Center, USA
5. Making Marble Edible: Madame de Pompadour, Friendship, and the Multiple Lives of Porcelain, Susan M. Wager, University of New Hampshire, Durham, USA
6. The Sovereign Betel in Eighteenth-Century Bengal and Bihar, Zirwat Chowdhury, University of California, Los Angeles, USA
7. Isaiah Thomas's Stamp Acts at the Halifax Gazette: Printers and Tacit Protest in Revolutionary America, Jennifer Y. Chuong, University of Illinois, Urbana Champaign, USA
8. Between Art and Nature: The Dauphin's Treasure at the Royal Cabinet of Natural History in Madrid, Tara Zanardi, Hunter College, CUNY, USA
9. California Indian Basket Weavers, Spanish Imperialism, and Eighteenth-Century Global Networks, Yve Chavez, University of Oklahoma, USA
10. British Prints between Caricature and Ethnography, Douglas Fordham, University of Virginia, USA
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Material Culture; 18th Century; Porcelain; Empire; Globalization; Madrid; colonial California; Mughal Southeast Asia; Australia; French festivals and courts; Catholic Iberian communities; Qing dynasty; Yoruba; revolutionary-era British America
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction, "Things Change", Wendy Bellion, University of Delaware, USA; Kristel Smentek, MIT, USA
1. 'A Sort of Picture or Image of my Self': Amoy Chinqua's Almost Ancestral Portrait of Joseph Collet, Winnie Wong, University of California, Berkeley, USA
2. Shooting for Freedom: Examining the Material World of Self-Emancipated Persons, Tiffany Momon, Sewanee: The University of the South, USA
3. Something Old, Something New: Repurposing and the Production of Ephemeral Festival Architecture in 18th-Century Paris, Matthew Gin, University of North Carolina at Charlotte, USA
4. Botanical Fantasy in Silk: Transformations of A Rococo Floral Design from England to China, Mei Mei Rado, Bard Graduate Center, USA
5. Making Marble Edible: Madame de Pompadour, Friendship, and the Multiple Lives of Porcelain, Susan M. Wager, University of New Hampshire, Durham, USA
6. The Sovereign Betel in Eighteenth-Century Bengal and Bihar, Zirwat Chowdhury, University of California, Los Angeles, USA
7. Isaiah Thomas's Stamp Acts at the Halifax Gazette: Printers and Tacit Protest in Revolutionary America, Jennifer Y. Chuong, University of Illinois, Urbana Champaign, USA
8. Between Art and Nature: The Dauphin's Treasure at the Royal Cabinet of Natural History in Madrid, Tara Zanardi, Hunter College, CUNY, USA
9. California Indian Basket Weavers, Spanish Imperialism, and Eighteenth-Century Global Networks, Yve Chavez, University of Oklahoma, USA
10. British Prints between Caricature and Ethnography, Douglas Fordham, University of Virginia, USA
Index
Notes on Contributors
Acknowledgements
Introduction, "Things Change", Wendy Bellion, University of Delaware, USA; Kristel Smentek, MIT, USA
1. 'A Sort of Picture or Image of my Self': Amoy Chinqua's Almost Ancestral Portrait of Joseph Collet, Winnie Wong, University of California, Berkeley, USA
2. Shooting for Freedom: Examining the Material World of Self-Emancipated Persons, Tiffany Momon, Sewanee: The University of the South, USA
3. Something Old, Something New: Repurposing and the Production of Ephemeral Festival Architecture in 18th-Century Paris, Matthew Gin, University of North Carolina at Charlotte, USA
4. Botanical Fantasy in Silk: Transformations of A Rococo Floral Design from England to China, Mei Mei Rado, Bard Graduate Center, USA
5. Making Marble Edible: Madame de Pompadour, Friendship, and the Multiple Lives of Porcelain, Susan M. Wager, University of New Hampshire, Durham, USA
6. The Sovereign Betel in Eighteenth-Century Bengal and Bihar, Zirwat Chowdhury, University of California, Los Angeles, USA
7. Isaiah Thomas's Stamp Acts at the Halifax Gazette: Printers and Tacit Protest in Revolutionary America, Jennifer Y. Chuong, University of Illinois, Urbana Champaign, USA
8. Between Art and Nature: The Dauphin's Treasure at the Royal Cabinet of Natural History in Madrid, Tara Zanardi, Hunter College, CUNY, USA
9. California Indian Basket Weavers, Spanish Imperialism, and Eighteenth-Century Global Networks, Yve Chavez, University of Oklahoma, USA
10. British Prints between Caricature and Ethnography, Douglas Fordham, University of Virginia, USA
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
