Maiolica in Italy and Beyond

Foreword; Preface; The Place of Maiolica among the Arts of the Renaissance by Caroline Campbell; Archaic Maiolicas in the North, c. 1280-1450 by Hugo Blake; Revisiting Niculoso Pisano (active 1503-1529): Italian Novelties and Iberian Taste by Alfonso Pleguezuelo; Italian-influenced tin-glazed Earthenware of the sixteenth and seventeenth Centuries North of the Alps. More Questions than Answers by Silvia Glaser; Reflections on early Gubbio Lustreware by Elisa Paola Sani; An istoriato Basin fit for a Cardinal by J.V.G. Mallet; Several Seventeenth-century Armorial bianchi Works for Roman and other elite Clients by Michael J. Brody; High-quality Maiolica in the style of Porcelain: Experiments in North Italian Maiolica in its productive final Years by Raffaella Ausenda; Provenance as a Criterion for Attribution: Napoleonic Seizures in Braunschweig and the Maiolica Collection in the Louvre by Francoise Barbe; 'Deglj Antiquari il Re': Giovanni Freppa as Dealer, Collector and Forger in nineteenth-century Florence by Dora Thornton; Luigi Girelli, a late-nineteenth and early twentieth-century Collector and Draughtsman of Italian Maiolica by Valentina Mazzotti; Fragments, Restoration, Fakes. Some Considerations on the Collecting of Maiolica before 1914 by Lucio Riccetti;


Timothy Wilson publications: Renaissance and later Ceramics (and a little Glass); General Bibliography

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• Antiguidades e coleccionáveis: cerâmica e vidro
• Catálogos de exposições e colecções específicas
• Arte Renascentista
• Artes cerâmicas, olaria e vidro

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