Magical Nominalism
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Magical Nominalism
The Historical Event, Aesthetic Reenchantment, and the Photograph
Jay, Martin
The University of Chicago Press
01/2025
416
Dura
9780226837215
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Preface
Introduction
The Nominalist Revolution
The Realist Counterrevolution
1. Conventional Nominalism
The Via Moderna
Nominalism and the Turn toward Language
Nominalism and Political Theory
2. Magical Nominalism
Magic and Science
Magic and Religion
Magic and Social Science
Jewish Nominalism
Walter Benjamin and Magical Nominalism
Intermezzo: Magical Nominalism and Negative Theology
3. History, Sublime Experience, and the Event
Conventional Nominalism and the Idiographic Method
The New Experientialism
Magical Nominalism and the Post-1968 Exaltation of the Event
Unanswered Questions
4. Irrealism in Aesthetics: Conventional or Magical Nominalism?
The Decline of Aesthetic Platonism
Marcel Duchamp and "Pictorial Nominalism"
Adorno and the Ambiguous Implications of Musical Nominalism
5. The Photograph
Indexical Traces: Realist or Nominalist?
Barthes and the Punctum
The Photograph as Event, Readymade, and Proper Name
Coda: Siegfried Kracauer on the Photograph
In Lieu of a Conclusion
Acknowledgments
Notes
Index
Introduction
The Nominalist Revolution
The Realist Counterrevolution
1. Conventional Nominalism
The Via Moderna
Nominalism and the Turn toward Language
Nominalism and Political Theory
2. Magical Nominalism
Magic and Science
Magic and Religion
Magic and Social Science
Jewish Nominalism
Walter Benjamin and Magical Nominalism
Intermezzo: Magical Nominalism and Negative Theology
3. History, Sublime Experience, and the Event
Conventional Nominalism and the Idiographic Method
The New Experientialism
Magical Nominalism and the Post-1968 Exaltation of the Event
Unanswered Questions
4. Irrealism in Aesthetics: Conventional or Magical Nominalism?
The Decline of Aesthetic Platonism
Marcel Duchamp and "Pictorial Nominalism"
Adorno and the Ambiguous Implications of Musical Nominalism
5. The Photograph
Indexical Traces: Realist or Nominalist?
Barthes and the Punctum
The Photograph as Event, Readymade, and Proper Name
Coda: Siegfried Kracauer on the Photograph
In Lieu of a Conclusion
Acknowledgments
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
nominalism;magic;photography;the event;Theodor Adorno;Frank Ankersmit;Alain Badiou;Roland Barthes;Georges Bataille;Walter Benjamin
Preface
Introduction
The Nominalist Revolution
The Realist Counterrevolution
1. Conventional Nominalism
The Via Moderna
Nominalism and the Turn toward Language
Nominalism and Political Theory
2. Magical Nominalism
Magic and Science
Magic and Religion
Magic and Social Science
Jewish Nominalism
Walter Benjamin and Magical Nominalism
Intermezzo: Magical Nominalism and Negative Theology
3. History, Sublime Experience, and the Event
Conventional Nominalism and the Idiographic Method
The New Experientialism
Magical Nominalism and the Post-1968 Exaltation of the Event
Unanswered Questions
4. Irrealism in Aesthetics: Conventional or Magical Nominalism?
The Decline of Aesthetic Platonism
Marcel Duchamp and "Pictorial Nominalism"
Adorno and the Ambiguous Implications of Musical Nominalism
5. The Photograph
Indexical Traces: Realist or Nominalist?
Barthes and the Punctum
The Photograph as Event, Readymade, and Proper Name
Coda: Siegfried Kracauer on the Photograph
In Lieu of a Conclusion
Acknowledgments
Notes
Index
Introduction
The Nominalist Revolution
The Realist Counterrevolution
1. Conventional Nominalism
The Via Moderna
Nominalism and the Turn toward Language
Nominalism and Political Theory
2. Magical Nominalism
Magic and Science
Magic and Religion
Magic and Social Science
Jewish Nominalism
Walter Benjamin and Magical Nominalism
Intermezzo: Magical Nominalism and Negative Theology
3. History, Sublime Experience, and the Event
Conventional Nominalism and the Idiographic Method
The New Experientialism
Magical Nominalism and the Post-1968 Exaltation of the Event
Unanswered Questions
4. Irrealism in Aesthetics: Conventional or Magical Nominalism?
The Decline of Aesthetic Platonism
Marcel Duchamp and "Pictorial Nominalism"
Adorno and the Ambiguous Implications of Musical Nominalism
5. The Photograph
Indexical Traces: Realist or Nominalist?
Barthes and the Punctum
The Photograph as Event, Readymade, and Proper Name
Coda: Siegfried Kracauer on the Photograph
In Lieu of a Conclusion
Acknowledgments
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.