Idealist Epistemology and the Baudelairean Experience of Modernity
portes grátis
Idealist Epistemology and the Baudelairean Experience of Modernity
Fragments in the Dark
Felten, Uta; Buck, Anna-Sophia; Greitschus, Sven
Peter Lang AG
03/2024
316
Dura
Inglês
9783631902103
15 a 20 dias
Descrição não disponível.
Table of Figures 11
Abstract 13
Acknowledgements 15
Chapter 1
Darkness There: Introduction 17
Hypothesis 28
Methodology 31
Trajectory 33
Chapter 2
Compagnon's Conundrum: Review of Baudelairean Modernity 41
Benjamin, Schizophrenia, dedoublement 45
Time, Trauma, Violence 60
Le Beau dans le mal: Ethics, Politics, 'Second Empire Aesthetics' 65
Le Mal 66
Le Beau 74
Le Beau moderne: Correspondances, Decheance, 'Baudelairean Aesthetics' 102
Correspondances 113
Decheance 119
La Seconde Revolution: Prose, Poetry, 'Baudelairean Poetics' 124
La Premiere Revolution 125
La Seconde Revolution 126
Part I: Analysis 133
Chapter 3
The a priori of Experiencing Modernity: A Return to Charles Baudelaire as the First Poet of Modernity 135
Perceiving Space and Time: Baudelaire's Modern Artist and Child 141
Walter Benjamin and the First Poet of Modernity 148
Fragmented a priori and the Bergsonian Selves 157
Essai sur les donnees immediates de la conscience (1889) 161
'La Chambre double' (1862): 'Mais un coup terrible, lourd' 168
Chapter 4
The Epistemological Dialectic of Experiencing Modernity: Between Individual and Instant 173
Photography, Memory, Imagination-and Happiness 178
'L'Horloge' (1857): The Engagement with the Instant is Elitist 185
'L'Horloge' (1860): The Engagement with the Instant is SocioCollective 188
Two Forms of Happiness 194
Idealist Epistemology in 'A une passante' 200
Hegelian Dialectic and the Instant as Object Itself 203
'Un eclair ... puis la nuit!-Fugitive beaute' 209
Part II: Synthesis 219
Chapter 5
The a posteriori of Experiencing Modernity: Representing Modern Human Existence 221
Exchange, Communication, the Blase and the Dandy 226
'La Fausse Monnaie' (1864): Exchange 228
'Les Yeux des pauvres' (1864): Communication 241
'The Metropolis and Mental Life' (1903): The Blase and the Dandy 251
Darkness There: Society and Existence from the Viewpoint of Death 259
Chapter 6
Conclusion to Experiencing Modernity: Les Fleurs du Mal and Le Spleen de Paris 277
'Les Projets de preface' (posthumously between 1868-1968) 277
'Lettre a Arsene Houssaye' (1862) 283
'Les Bons Chiens' (1865) 286
Bibliography 295
Selected Primary Sources 295
Selected Secondary Sources 296
Index 307
Abstract 13
Acknowledgements 15
Chapter 1
Darkness There: Introduction 17
Hypothesis 28
Methodology 31
Trajectory 33
Chapter 2
Compagnon's Conundrum: Review of Baudelairean Modernity 41
Benjamin, Schizophrenia, dedoublement 45
Time, Trauma, Violence 60
Le Beau dans le mal: Ethics, Politics, 'Second Empire Aesthetics' 65
Le Mal 66
Le Beau 74
Le Beau moderne: Correspondances, Decheance, 'Baudelairean Aesthetics' 102
Correspondances 113
Decheance 119
La Seconde Revolution: Prose, Poetry, 'Baudelairean Poetics' 124
La Premiere Revolution 125
La Seconde Revolution 126
Part I: Analysis 133
Chapter 3
The a priori of Experiencing Modernity: A Return to Charles Baudelaire as the First Poet of Modernity 135
Perceiving Space and Time: Baudelaire's Modern Artist and Child 141
Walter Benjamin and the First Poet of Modernity 148
Fragmented a priori and the Bergsonian Selves 157
Essai sur les donnees immediates de la conscience (1889) 161
'La Chambre double' (1862): 'Mais un coup terrible, lourd' 168
Chapter 4
The Epistemological Dialectic of Experiencing Modernity: Between Individual and Instant 173
Photography, Memory, Imagination-and Happiness 178
'L'Horloge' (1857): The Engagement with the Instant is Elitist 185
'L'Horloge' (1860): The Engagement with the Instant is SocioCollective 188
Two Forms of Happiness 194
Idealist Epistemology in 'A une passante' 200
Hegelian Dialectic and the Instant as Object Itself 203
'Un eclair ... puis la nuit!-Fugitive beaute' 209
Part II: Synthesis 219
Chapter 5
The a posteriori of Experiencing Modernity: Representing Modern Human Existence 221
Exchange, Communication, the Blase and the Dandy 226
'La Fausse Monnaie' (1864): Exchange 228
'Les Yeux des pauvres' (1864): Communication 241
'The Metropolis and Mental Life' (1903): The Blase and the Dandy 251
Darkness There: Society and Existence from the Viewpoint of Death 259
Chapter 6
Conclusion to Experiencing Modernity: Les Fleurs du Mal and Le Spleen de Paris 277
'Les Projets de preface' (posthumously between 1868-1968) 277
'Lettre a Arsene Houssaye' (1862) 283
'Les Bons Chiens' (1865) 286
Bibliography 295
Selected Primary Sources 295
Selected Secondary Sources 296
Index 307
Assunto não disponível.
Anna; Baudelairean; Beaudelairean; Benjamin; Buck; Charles Baudelaire; Dark; Epistemology; Experience; Fatalism; Felten; Fragments; German Idealism; Greitschus; Idealist; Kloss; material modernity; Modernity; Second Empire; Society; Sophia; Space; Sven; Time
Table of Figures 11
Abstract 13
Acknowledgements 15
Chapter 1
Darkness There: Introduction 17
Hypothesis 28
Methodology 31
Trajectory 33
Chapter 2
Compagnon's Conundrum: Review of Baudelairean Modernity 41
Benjamin, Schizophrenia, dedoublement 45
Time, Trauma, Violence 60
Le Beau dans le mal: Ethics, Politics, 'Second Empire Aesthetics' 65
Le Mal 66
Le Beau 74
Le Beau moderne: Correspondances, Decheance, 'Baudelairean Aesthetics' 102
Correspondances 113
Decheance 119
La Seconde Revolution: Prose, Poetry, 'Baudelairean Poetics' 124
La Premiere Revolution 125
La Seconde Revolution 126
Part I: Analysis 133
Chapter 3
The a priori of Experiencing Modernity: A Return to Charles Baudelaire as the First Poet of Modernity 135
Perceiving Space and Time: Baudelaire's Modern Artist and Child 141
Walter Benjamin and the First Poet of Modernity 148
Fragmented a priori and the Bergsonian Selves 157
Essai sur les donnees immediates de la conscience (1889) 161
'La Chambre double' (1862): 'Mais un coup terrible, lourd' 168
Chapter 4
The Epistemological Dialectic of Experiencing Modernity: Between Individual and Instant 173
Photography, Memory, Imagination-and Happiness 178
'L'Horloge' (1857): The Engagement with the Instant is Elitist 185
'L'Horloge' (1860): The Engagement with the Instant is SocioCollective 188
Two Forms of Happiness 194
Idealist Epistemology in 'A une passante' 200
Hegelian Dialectic and the Instant as Object Itself 203
'Un eclair ... puis la nuit!-Fugitive beaute' 209
Part II: Synthesis 219
Chapter 5
The a posteriori of Experiencing Modernity: Representing Modern Human Existence 221
Exchange, Communication, the Blase and the Dandy 226
'La Fausse Monnaie' (1864): Exchange 228
'Les Yeux des pauvres' (1864): Communication 241
'The Metropolis and Mental Life' (1903): The Blase and the Dandy 251
Darkness There: Society and Existence from the Viewpoint of Death 259
Chapter 6
Conclusion to Experiencing Modernity: Les Fleurs du Mal and Le Spleen de Paris 277
'Les Projets de preface' (posthumously between 1868-1968) 277
'Lettre a Arsene Houssaye' (1862) 283
'Les Bons Chiens' (1865) 286
Bibliography 295
Selected Primary Sources 295
Selected Secondary Sources 296
Index 307
Abstract 13
Acknowledgements 15
Chapter 1
Darkness There: Introduction 17
Hypothesis 28
Methodology 31
Trajectory 33
Chapter 2
Compagnon's Conundrum: Review of Baudelairean Modernity 41
Benjamin, Schizophrenia, dedoublement 45
Time, Trauma, Violence 60
Le Beau dans le mal: Ethics, Politics, 'Second Empire Aesthetics' 65
Le Mal 66
Le Beau 74
Le Beau moderne: Correspondances, Decheance, 'Baudelairean Aesthetics' 102
Correspondances 113
Decheance 119
La Seconde Revolution: Prose, Poetry, 'Baudelairean Poetics' 124
La Premiere Revolution 125
La Seconde Revolution 126
Part I: Analysis 133
Chapter 3
The a priori of Experiencing Modernity: A Return to Charles Baudelaire as the First Poet of Modernity 135
Perceiving Space and Time: Baudelaire's Modern Artist and Child 141
Walter Benjamin and the First Poet of Modernity 148
Fragmented a priori and the Bergsonian Selves 157
Essai sur les donnees immediates de la conscience (1889) 161
'La Chambre double' (1862): 'Mais un coup terrible, lourd' 168
Chapter 4
The Epistemological Dialectic of Experiencing Modernity: Between Individual and Instant 173
Photography, Memory, Imagination-and Happiness 178
'L'Horloge' (1857): The Engagement with the Instant is Elitist 185
'L'Horloge' (1860): The Engagement with the Instant is SocioCollective 188
Two Forms of Happiness 194
Idealist Epistemology in 'A une passante' 200
Hegelian Dialectic and the Instant as Object Itself 203
'Un eclair ... puis la nuit!-Fugitive beaute' 209
Part II: Synthesis 219
Chapter 5
The a posteriori of Experiencing Modernity: Representing Modern Human Existence 221
Exchange, Communication, the Blase and the Dandy 226
'La Fausse Monnaie' (1864): Exchange 228
'Les Yeux des pauvres' (1864): Communication 241
'The Metropolis and Mental Life' (1903): The Blase and the Dandy 251
Darkness There: Society and Existence from the Viewpoint of Death 259
Chapter 6
Conclusion to Experiencing Modernity: Les Fleurs du Mal and Le Spleen de Paris 277
'Les Projets de preface' (posthumously between 1868-1968) 277
'Lettre a Arsene Houssaye' (1862) 283
'Les Bons Chiens' (1865) 286
Bibliography 295
Selected Primary Sources 295
Selected Secondary Sources 296
Index 307
